Collateral - Inside Perspectives: Neo Noir and the Contemporary City

  Рет қаралды 4,207

University of California Television (UCTV)

University of California Television (UCTV)

9 жыл бұрын

(Visit: www.uctv.tv/) The Neo Noir series examines different aspects of the film noir style. The films showcase the "soul of the city," interpreting the Los Angeles of the past, present, and future. In “Collateral”, director Michael Mann brings noir to a modern-day Los Angeles. Screenwriter Stuart Beattie talks with Anna Brusutti, Film and Media Studies Lecturer at UCSB, and the audience about his writing process. Recorded on 5/20/2015. Series: "Carsey-Wolf Center" [7/2015] [Humanities] [Arts and Music] [Show ID: 29741]

Пікірлер: 6
@LokeyeMC
@LokeyeMC 3 жыл бұрын
I just decided this year I want to get into screenwriting, at the age of 40. I'm going through all the rudimentary learnings and just came across the screenplay for Collateral. I decided to watch the first sequence of the movie and literally cried at the 10 minute mark when he gives her his postcard. It blew my mind how much emotion you can pack into the feeling of gratitude for a character's heart in only the first 10 minutes, and how much that probably elevates the realness/interest balance of the character, as well as elevating every scene thereafter. I now think the first 10 minutes of Collateral have changed my trajectory as a screenwriter and what I should be focusing on. Thanks Stuart and thanks Anna for the interview!
@bt8593
@bt8593 3 жыл бұрын
Great interview. Criminally underwatched.
@lalineaa
@lalineaa 3 жыл бұрын
Finally on Netflix. So well written. Thank you, Stuart!
@sinamafilimseryaltum_dille5686
@sinamafilimseryaltum_dille5686 4 жыл бұрын
Love filim frankstayne
@ucdcrush
@ucdcrush 9 жыл бұрын
Point taken that there are a lot of people in LA. But: California population: ~38 million. Los Angeles County population: ~10 million.
@sukottoshinobe7360
@sukottoshinobe7360 2 жыл бұрын
It’s the whole encompassing area. But yes it’s still not quite 30 million.
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