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In this video I take the ProRes RAW from the Sony FX30 and compare it to the internal 10-bit footage in camera. I do all of this in Davinci as with Sony FX cameras if you feed Davinci an MXF file, it gives you RAW like features for 10-bit footage. I wanted to see what the difference is using both codecs, since I am in DaVinci Resolve, I had to transcode the ProRes RAW into CDNG using the program ASSIMILATE. This was in order to keep the 12 bit files as true raw and not a compressed format.
Tech discussed in today's video ( links are affiliated and help with the content creation for this channel):
Atomos Ninja V:
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Tamron 35-150mm Sony E:
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SmallRig Full Camera Cage for Sony Alpha 7R V/Alpha 7 IV / A7R IV/Alpha 7 S III/Alpha 1-3667B:
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SmallRig Mounting Plate for Attaching FX30 / FX3 XLR Handle to Camera Cage 2999/3241 for Sony A7 SIII, Camera Cage 3667/3639 / 3594 for Sony A7 IV (A7M4) - MD4019:
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18-50mm F2.8 DC DN Contemporary for Sony E:
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Sony Cinema Line FX30 Super 35 Camera:
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K&F 82mm polarizer & VND filter:
www.amazon.com...
Sony Alpha 6700:
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Sigma 18-50 2.8:
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Sony 11mm 1.8:
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Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E:
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Sigma 18-35 1.8:
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Sony A6700 Video Facebook Group:
/ 948121776270462
Sony 15mm 1.4 E Mount:
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Zhiyun Crane M2s:
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Zhiyun m2s/m3 quick release plate:
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Sigma MC-11 Mount Converter/Lens Adapter:
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PD Cable I use:
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Gear used for this channel:
Canon EOS R7:
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RF Cameras for Video Facebook Group: www.facebook.c...
Canon RF35mm F1.8 IS Macro STM Lens:
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Canon 16mm 2.8 RF:
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SmallRig RED Komodo Cage:
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Core SWX RED Komodo V-mount battery plate:
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SMALLRIG Right Side Rosette Wooden Handle:
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SmallRig Super Mini Top Handle:
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SMALLRIG DSLR Camera Side Handle Bracket with NATO Clamp:
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SMALLRIG Field Monitor Holder Mount with Quick Release NATO Clamp:
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Blackmagic Design Pocket Cinema Camera 4K:
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TOKINA ATX-i 11-16mm F2.8 Canon EF:
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BLACKMAGIC DESIGN Blackmagic Pocket Cinema Camera 6K:
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Sony ZV1:
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Vaxis Atom 500 SDI:
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SMALLRIG BMPCC 4K & 6K Cage:
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Neewer 60W LED Video Light:
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#sonyfx30 #fx30 #a6700