Couperin - Harpsichord Works "Le Rossignol en Amour" by Wanda Landowska (Century's recording)

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François Couperin (1668-1733) Harpsichord Works by Wanda Landowska.
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Click to activate the English subtitles for the presentation (00:00-02:16)
00:00 Les Folies Françoises ou les Dominos - Livre 3, 13e Ordre in B minor, n°4
09:44 Le Dodo ou l’Amour au Berceau - Livre 3, 15e Ordre in A minor
12:56 La Musette de Taverny - Livre 3, 15e Ordre in A minor
14:34 Les Vergers Fleuris - Livre 3, 15e Ordre in A minor
17:02 Soeur Monique - Livre 3, 18e Ordre in F minor
21:34 Les Calotins et les Calotines ou La Pièce à Trétoux - Livre 3, 19e Ordre in D minor
24:03 Les Tambourins - Livre 4, 20e Ordre in G minor
25:11 Passacaille - Livre 2, 8e Ordre in B minor
32:17 La Favorite - Livre 1, 3e Ordre in C minor
36:59 Les Moissonneurs - Livre 2, 6e Ordre in B flat minor
39:03 Les Langueurs Tendres - Livre 2, 6e Ordre in B flat minor
41:26 Le Gazouillement - Livre 2, 6e Ordre in B flat minor
43:25 Les Bergeries - Livre 2, 6e Ordre in B flat minor
46:46 La Commère - Livre 2, 6e Ordre in B flat minor
47:52 Le Moucheron - Livre 2, 6e Ordre in B flat minor
49:08 Les Fastes.., Les Vieleux.., Les Jongleurs.. - Livre 2, 11e Ordre in B minor, n°5
54:00 Le Rossignol en Amour - Livre 3, 14e Ordre in D Major
Bonus:
56:47 La Joyeuse - Suite in D Major (Jean-Philippe Rameau)
57:52 Les Tricotets - Suite in G Major (Jean-Philippe Rameau)
59:28 Menuet Majeur et Menuet mineur - Suite in G Major (Jean-Philippe Rameau)
1:01:19 La Poule - Suite in G Major (Jean-Philippe Rameau)
1:04:29 Les Sauvages - Suite in G Major (Jean-Philippe Rameau)
1:06:08 L’Hirondelle (Louis-Claude Daquin)
1:08:13 Le Coucou (Louis-Claude Daquin)
1:10:13 Les Songes Agréables d’Athis (Jean-Baptiste Lully, arr. Jean-Henri d’Anglebert)
1:12:08 Chaconne in F Major (Jacques Champion de Chambonnières)
1:16:01 Rondeau in F Major (Jacques Champion de Chambonnières)
Harpsichord: Wanda Landowska
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
What would the harpsichord be today without the persevering efforts of Wanda Landowska? The irresistible attraction of the piano and the seductions of Romanticism had relegated the harpsichord to the status of a relic of a bygone era and reduced the richness of its immense repertoire to a mere field of musicological investigation. In the early years of the following century, a new interest began to emerge in this so-called early music, written for orchestra, voice and organ. However, it was not until the pioneer Wanda Landowska that the harpsichord awoke to a second existence. Thanks to her, an essential part of Western musical history found its original rhythms and colours on instruments close to the ones that saw its birth.
Better still, Wanda Landowska inspired the composition of new works for her instrument, thus unexpectedly acclimatising the ancient plucked strings to the language of the creators of her time. She also gave rise to an entire generation of harpsichordists, each of whom, in his or her own way, continued her aesthetic adventure and led to the rediscovery of the entire Baroque literature.
Louis et François Couperin PLAYLIST (reference recordings): • Louis & François Coupe...
Jean-Philippe Rameau PLAYLIST (reference recording): • Jean-Philippe Rameau (...

[@classicalmusicreference]

Please consider membership at our Patreon page: www.patreon.com/cmrr François Couperin (1668-1733) Harpsichord Works by Wanda Landowska. 🎧 Qobuz bit.ly/3IQiBt0 Tidal bit.ly/3pZo348 🎧 Spotify spoti.fi/3GEUxaG KZbin Music bit.ly/33paaVe 🎧 Apple Music apple.co/3ysJtdS Amazon Music amzn.to/3GLNE7t 🎧 Deezer bit.ly/3dYUvOq Soundcloud bit.ly/3mbe62t 🎧 Napster bit.ly/3yylb2g Awa日本 mf.awa.fm/3p1NKla 🎧 LineMusic日本 bit.ly/3p0oA6F QQ音乐 bit.ly/3F0C6MZ *Click to activate the English subtitles for the presentation* (00:00-02:16) 00:00 Les Folies Françoises ou les Dominos - Livre 3, 13e Ordre in B minor, n°4 09:44 Le Dodo ou l’Amour au Berceau - Livre 3, 15e Ordre in A minor 12:56 La Musette de Taverny - Livre 3, 15e Ordre in A minor 14:34 Les Vergers Fleuris - Livre 3, 15e Ordre in A minor 17:02 Soeur Monique - Livre 3, 18e Ordre in F minor 21:34 Les Calotins et les Calotines ou La Pièce à Trétoux - Livre 3, 19e Ordre in D minor 24:03 Les Tambourins - Livre 4, 20e Ordre in G minor 25:11 Passacaille - Livre 2, 8e Ordre in B minor 32:17 La Favorite - Livre 1, 3e Ordre in C minor 36:59 Les Moissonneurs - Livre 2, 6e Ordre in B flat minor 39:03 Les Langueurs Tendres - Livre 2, 6e Ordre in B flat minor 41:26 Le Gazouillement - Livre 2, 6e Ordre in B flat minor 43:25 Les Bergeries - Livre 2, 6e Ordre in B flat minor 46:46 La Commère - Livre 2, 6e Ordre in B flat minor 47:52 Le Moucheron - Livre 2, 6e Ordre in B flat minor 49:08 Les Fastes.., Les Vieleux.., Les Jongleurs.. - Livre 2, 11e Ordre in B minor, n°5 54:00 Le Rossignol en Amour - Livre 3, 14e Ordre in D Major Bonus: 56:47 La Joyeuse - Suite in D Major (Jean-Philippe Rameau) 57:52 Les Tricotets - Suite in G Major (Jean-Philippe Rameau) 59:28 Menuet Majeur et Menuet mineur - Suite in G Major (Jean-Philippe Rameau) 1:01:19 La Poule - Suite in G Major (Jean-Philippe Rameau) 1:04:29 Les Sauvages - Suite in G Major (Jean-Philippe Rameau) 1:06:08 L’Hirondelle (Louis-Claude Daquin) 1:08:13 Le Coucou (Louis-Claude Daquin) 1:10:13 Les Songes Agréables d’Athis (Jean-Baptiste Lully, arr. Jean-Henri d’Anglebert) 1:12:08 Chaconne in F Major (Jacques Champion de Chambonnières) 1:16:01 Rondeau in F Major (Jacques Champion de Chambonnières) Harpsichord: Wanda Landowska 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 What would the harpsichord be today without the persevering efforts of Wanda Landowska? The irresistible attraction of the piano and the seductions of Romanticism had relegated the harpsichord to the status of a relic of a bygone era and reduced the richness of its immense repertoire to a mere field of musicological investigation. In the early years of the following century, a new interest began to emerge in this so-called early music, written for orchestra, voice and organ. However, it was not until the pioneer Wanda Landowska that the harpsichord awoke to a second existence. Thanks to her, an essential part of Western musical history found its original rhythms and colours on instruments close to the ones that saw its birth. Better still, Wanda Landowska inspired the composition of new works for her instrument, thus unexpectedly acclimatising the ancient plucked strings to the language of the creators of her time. She also gave rise to an entire generation of harpsichordists, each of whom, in his or her own way, continued her aesthetic adventure and led to the rediscovery of the entire Baroque literature. Louis et François Couperin PLAYLIST (reference recordings): kzbin.info/aero/PL3UZpQL9LIxOOb6Wk8s6pl10eqa6ZeCim Jean-Philippe Rameau PLAYLIST (reference recording): kzbin.info/aero/PL3UZpQL9LIxM16H5DHpsNNLOMBwIJEdgL

[@classicalmusicreference]

What would the harpsichord be today without the persevering efforts of Wanda Landowska? The irresistible attraction of the piano and the seductions of Romanticism had relegated the harpsichord to the status of a relic of a bygone era and reduced the richness of its immense repertoire to a mere field of musicological investigation. In the early years of the following century, a new interest began to emerge in this so-called early music, written for orchestra, voice and organ. However, it was not until the pioneer Wanda Landowska that the harpsichord awoke to a second existence. Thanks to her, an essential part of Western musical history found its original rhythms and colours on instruments close to the ones that saw its birth. Better still, Wanda Landowska inspired the composition of new works for her instrument, thus unexpectedly acclimatising the ancient plucked strings to the language of the creators of her time. She also gave rise to an entire generation of harpsichordists, each of whom, in his or her own way, continued her aesthetic adventure and led to the rediscovery of the entire Baroque literature. Click to activate the English subtitles for the presentation (00:00-02:16) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2

[@michaelroberts6894]

She blazed a mighty big comeback for an instrument all but forgotten until she got her hands on it… then no stopping her influence of greatness on its rebirth.

[@senseblossomxxx5260]

She was one of a kind. Legend and genious

[@mariuszkosciolek2455]

Wielkie podziękowanie za tą wspaniałość z Polski!!!!

[@olorinblabla]

Magnifique interprétation de Couperin, par une grande dame de l'histoire du clavecin. Merci!

[@vf3240vlad]

Гениально . Я 40 лет уже слушаю эти пьесы и в этом исполнении . Благодарю .

[@OMGITzGriFFith]

Woahh bravo 👏 🙌

[@carmelohugopedace4299]

Wanda Landowsca insuperable intérprete del clave. Creo que los genios del barroco aplaudirían desde el cielo cuando la oían tocar; aprobando que así ellos querían que sea interpretada su ceación.

[@notaire2]

Wunderschöne und lyrische Interpretation dieser fein oder perfekt komponierten Tastenwerke in verschiedenen Tempi mit schimmerndem doch veränderlichem Klang des technisch fehlerlosen Cembalos und mit perfekt oder künstlerisch kontrollierter Dynamik. Wahrlich intelligente und unvergleichliche Cembalistin!

[@constantinepapadakis1155]

I 👍 like your selections 👏 Bravo. Some of these recordings are jewells!

[@user-pc2wv4bz6e]

Спасибо.

[@muhsinkanadikirik678]

Awesome performance.🎼🎶🎹🎶🎵🌼

[@diegovasconcellos9047]

A coisa mais linda que ouvi hoje. Chorei logo nos primeiros minutos. Muito obrigado!

[@CarmenReyes-em9np]

Wanda Landowka. La perfección 😃 con JC Bach. Gracias por ponerla. Lindo 😘 día 🤩

[@titonut1]

Wonderful Landowska ! Very Thanks

[@Esperluet]

Thank you so much for all these gems.

[@user-on5lb9ew9x]

Thank you from the bottom of my heart !!! BRAVO!!!

[@kerwinbarnes7845]

For a while, I have enjoyed Angela Hewitt's recordings of Couperin on piano. The works are probably prettier, more elegant, played here for the original harpsichord. Love the passacaille.

[@user-hk2oy6eo3r]

Grazie per cuesto regalo!

[@antoniofernandez-albalatga5731]

UNICA WANDA.SOBERBIA INTERPRETACION.❤❤❤❤❤❤❤❤

[@luisgerardomarinricarte7958]

MUY BELLO, GRACIAS

[@peteacher52]

If you wish to hear Mme Landowska's Pleyel harpsichord being played with up-to-date recording equipment with the accompanying lecture, search 'Skip Sempe, Library of Congress'. It is most informative and enlightening. She could be very unyielding; to Pablo Casals no less, she once said "You play Bach your way, I'll play him his way."

[@horacefrancou9802]

I star listening Landowska al 12 years old.She used to play a Pleyel built for her (cembalo temperament).She also was a very fine pianist.I think Scott Ross could be compared with her.

[@brendanward2991]

Merci.

[@sumazdar]

dziękuję

[@dejanstevanic5408]

TY

[@TheGloryofMusic]

The pieces listed as in B-flat minor are in B-flat major.

[@astolfosobrelaluna.3099]

In love 💜

[@danyelnicholas]

Couperin le Grand is spinning in his grave.

[@antoniofernandez-albalatga5731]

COUPERIN Y RAMEAU.

[@OMGITzGriFFith]

Im in love with her hands. ✨️🤍 Someone on 2024 listening to this treasure?

[@fernandofernandezgar]

¿De que año serán estas grabaciones?

[@angelomalpartida9171]

La ultima presentacion publica de Landowska fue en 1954 y la casa que grabó este disco comenzo a trabajar con ella en 1949. Se puede decir que fue en los primeros años de los 50.

[@glennlubomirskynovitch3254]

She explores the different sounds or registers of the instrument. The "pizzicato sound" in harpsichord is reducing the possibility of the instrument to nought. What is the use of it?

[@jelsberx]

Well... I understand the historical importance of this, but... both the sound and the interpretation... for me, just for historical interest. Do not touch me emotionally at all, unlike Scott Ross and several others.

[@willardsteele4857]

Interesting. Have you heard her interpretation of Bach’s Italian Concerto? I find the modern harpsichordists to be a bit dry.

[@sowhat5399]

@@willardsteele4857 would you send me a link please or give the name of it

[@emaberte5165]

Bellissima!