Create a Woven Bamboo Herringbone Texture in Substance Designer

In this video, we create a woven bamboo texture with a herringbone pattern. Using a couple of nodes and some Tile Generator magic, we can easily create this type of pattern by building the right mask. Woven bamboo textures can be applied to chairs and baskets and with the rotation option for a 45 degree option, we can apply this material in a variety of ways. Hope you like it!
Get the finished graph to follow along or play with the nodes and parameters: gum.co/WBWSG
Grass Texture Tutorial for Curvature Nodes: • Create Grass in Substa...
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Software in this Video
Substance Designer

[@SamiShirzadi]

i found your videos so helpful. you explain everything so clear and straight forward and I didnt have any problem to follow your steps.please upload more videos like this. tank youuuu

[@kiritiray6377]

that intro music is so soothing to my ears. Thank you for sharing your knowledge. Appreciated

[@JeremySeiner]

Thanks! Glad you like it!

[@TheAngelArrow]

this is underrated as fuck, the tutorial was done like half way through but you took a whole extra step with all those tiny ass details, sheesh bro 10/10 this was great, very professional & easy to follow, i was baffled when i scrolled down & saw that you didn't have 100's of thousands of subs, you deserve a bigger following with great content like this, thanks a lot, i learned a lot & you're really good at making tutorials & going very indepth & teaching, can't thank you enough man

[@JeremySeiner]

Thanks! I’m so glad it was helpful! Your words are very encouraging and I really appreciate it!

[@athelstanm7298]

Thank You. Great Tutorial as always!

[@benjaminwiers9770]

Thanks so much, many lessons learned with this.

[@thomasscudder5638]

It's uncanny. I was literally looking for a tutorial for this kind of material a few days ago and stumbled across your channel. And now it's appeared! Very helpful and useful for my wicker baskets.

[@donyacoubatraore308]

Really thanks ✌🏾, you have facility to keep your workflow organize and make complex think very simple in short Time. 🙏🏾🙂

[@masonwilde3746]

Thanks you for posting such an easy to follow tutorial, it has helped so much with me passing my course.

[@JeremySeiner]

I’m glad it was helpful! Thank you!

[@cgimoonai]

Thank you very much man, great tutorial!

[@JeremySeiner]

You’re welcome! Thanks for watching!

[@daymaker_bybit]

Thank you so much! Helped so much on a real project.

[@JeremySeiner]

Awesome! So happy to hear that!

[@danjirinnn]

Going back through your tutorials again and I truly love the way you go about and explain things slowly as well as the reasons who chose the nodes that you did. It's endlessly helpful for beginner learners like me still grappling with nodes and remembering what they do :) Would you consider a muddy texture for a next tutorial maybe? Haha!

[@JeremySeiner]

Thank you very much! I’m so happy to hear that you like them and that they are helping. I’ve always wanted to do a muddy texture one. I’ll look into it ☺️

[@dang64337]

I love your videos!

[@JeremySeiner]

Thanks!

[@TheDesknight]

As great as usual.

[@JeremySeiner]

Thanks!

[@arespin35]

First comment, thanx for tutor.

[@DeathDealer-DD]

thanks alot for the tips...gimi Moore am haungry...and keep up the spirit

[@JeremySeiner]

Haha happy to do so! Thanks!

[@anghaiphung6243]

Thank you for the helpful video. key points I've learnt: - the roughness map should follow the geometry. This is why he doesn't just plug in a random noise map to the roughness, but a main map similar to the geometry blended with a random noise map. This is because roughness, physically speaking, determines how much the light spread reflecting off the surface, which is highly linked to its geometry. On top of that, roughness has the capacity to tell a story, so if the material is under certain conditions, the roughness variation under the form of noises should be blended with the geometrically-derived roughness map. - use histogram scan and blur nodes to inflate shapes. This is because the blur adds gradients to the borders of the shapes, which can be scanned using a histogram scan node. - switch to iray renderer for a better description of the roughness map. - use blend's copy mode to blend two maps together with the use of opacity. For some reason I only think about multiply/add when I think of blend. - go to materials --> edit --> global --> tiling to see how the tiling would look like if the map is tiled in other softwares. - clever use of the the tile generator's vertical mask to make the herringbone pattern. some personal observation: - some maps look practically the same after being inverted. I find this interesting.

[@JeremySeiner]

Really great takeaways! I like what you said about the roughness map. That’s very true, it does tell a story and is such an integral part of a material! Really great! Appreciate your comment!

[@ashumalik3527]

Awesome

[@JeremySeiner]

Thanks!

[@RGameArts]

This is first time, I ever seen easy to adapt and learn designer. 🔥 Every step is explained properly. Thanks alott, waiting for more Substance designer tutorial 😀😀😀

[@JeremySeiner]

Thanks! Glad you liked it! 😊

[@RGameArts]

@@JeremySeiner welcome, this gonna help me alott in making custom material for substance painter projects 😇

[@jayantkumar1031]

Hii Jeremy! Really thanks for this and wool fabric tutorial. It is so easy to understand and explained in steps. I want to create fabric texture of herringbone tape. If possible, can you please guide on how to achieve it. Thanks

[@JeremySeiner]

Thanks Jayant! 😊 So glad to hear that. I’m not sure what you mean by herringbone tape?

[@mdsegara101]

Thank you very much..learn a lot from you..what is your suggestions about repetition texture..? How to avoid it..? Like a brick texture..it's easily git repetitive pattern in a large surface..

[@JeremySeiner]

Thank you! 😊 I have found that making something more general without specific parts of detail say in a corner of the texture helps prevent things looking tiled. Hope that helps! Also depending on what shader you are using, you could layer on a larger scaled up map with some noise and blend that on across the tiles to blend it a little more.

[@3danonymous13]

Hi there, If I wanna change the base Color for each strand, what should I do in this case. Thank you for your great tut

[@JeremySeiner]

Thanks! Check out the tile sampler color node and plug something into the color map. Then drag the color parametrization multiplier

[@3danonymous13]

@@JeremySeiner thank you, sir. May you have a great day!

[@CSDEFX]

I'm trying to use a combination of this tutorial and the wool one in order to create a herringbone fabric pattern that can be used on an old phone handset cord - therefore the pattern needs to repeat a lot as the scale of it is quite small. I am getting stuck though, where I have the texture looking how I want except for the normal and height maps. The herringbone pattern is coming through too strongly for my liking and the loose strands of fabric are hardly coming through at all. I basically want their intensities flipped. Any suggestions?

[@JeremySeiner]

Cool idea! You could try using two different “normal” nodes and a “normal blend” node to adjust their intensities separately. Hope this helps!

[@CSDEFX]

@@JeremySeiner Just the job. Thank you!

[@geo_tzas]

Hey great tutorial, but i have a problem, i guess i must know how to help. At 18:30 when you change the roughness level, it doesn't work to me for some reason.

[@JeremySeiner]

Hmm. I would try right clicking the graph and choose “view outputs in 3D view” maybe the roughness output wasn’t connected to the 3D view for some reason. Hope this helps

[@geo_tzas]

@@JeremySeiner Tried it already it does nothing, i also discovered that metallic doesn't work, but when i use IRay, it works fine, strange things happens, i will try to find anything to forums, thanks anyway :D .

[@yanshuoli69]

first thumb down :) even though i loved the video :(