Building Looks Pt 4

  Рет қаралды 10,681

Cullen Kelly

Cullen Kelly

Күн бұрын

Пікірлер: 20
@xpert9001
@xpert9001 3 жыл бұрын
Whoa thats cool. Ive seen so many coloring videos for years and finally found one on how to build some cool film looks that are repeatable.
@ilovethejeshuruns
@ilovethejeshuruns 2 ай бұрын
How do one achieve that Cullen, without a Colloid?
@frwiss
@frwiss Жыл бұрын
Great series. Made so much progress in a week of watching your channel. Thank you!
@Andrew-vi7je
@Andrew-vi7je Жыл бұрын
This is so helpful Cullun, thank you so much! Is there a way to rerate the camera directly in resolve?
@kaic1764
@kaic1764 5 ай бұрын
Hey Cullen went back to your oldest videos and trying to watch everything through as we speak! Love this series, it definitely helped shape my thinking in a completely different way. Do you have any recommendations for doing everything you did with colloid in the free version of resolve?
@CullenKelly
@CullenKelly 5 ай бұрын
Glad to hear it! No, Colloid was built specifically because there were things I wanted to do that weren't really achievable inside Resolve...
@kite919
@kite919 2 жыл бұрын
Hey, thanks for the tutorial! A question about the node-flow: Is there a specific reason you apply the creative look (the blade runner orange) before the "splittone" node? If youre aiming for a monochromatic look, wouldnt that end up being contraproductive if you want to make it orange, and then after you made it orange, you introduce blue to the shadows?
@fixmyscrew1
@fixmyscrew1 3 жыл бұрын
Loved this series! Just one question, for a full project like a film/short film would you recommend doing this on group level instead of timeline level? Also I noticed you didn’t balance the image before applying this look, is that because log signal is already balanced, like would that just depend on how well it was shot?
@fixmyscrew1
@fixmyscrew1 3 жыл бұрын
@@CullenKelly Yeah I totally get that, the shots you worked on seemed perfectly balanced from the rec709 conversion. Never thought of applying an overall contrast curve and exposure adjustments on timeline level but seeing you do it made perfect sense
@fixmyscrew1
@fixmyscrew1 3 жыл бұрын
your clip levels must only consist of power windows most the time then?
@RKColor
@RKColor 3 жыл бұрын
Really enjoyed this series (and your other videos as well) - thank you for putting these together. Out of curiosity is there any reason you add nodes downstream vs upstream? I'm kind of assuming personal preference and continuing to work downstream from your rec709 node but was curious if there's more to it.
@RKColor
@RKColor 3 жыл бұрын
@@CullenKelly awesome - thank you!
@artzemchenko
@artzemchenko 5 ай бұрын
How to get that colloid?
@CullenKelly
@CullenKelly 5 ай бұрын
No longer available, but I have a new tool dropping soon!
@보배로그-l7f
@보배로그-l7f 9 ай бұрын
Hi~ How to get that colloid?
@CullenKelly
@CullenKelly 9 ай бұрын
I discontinued Colloid a year or two ago, but I have a new in-depth toolset coming out shortly. My newsletter will get all the details first, so if you grab one of my freebies (or if you already have) you’ll be on that list.
@Milan-cf1xe
@Milan-cf1xe 3 жыл бұрын
So i really have to use the colloid plug in to get this look?
@Milan-cf1xe
@Milan-cf1xe 3 жыл бұрын
@@cicolas_nage Thanks for the answer! Very much appreciated
@yogasagar7720
@yogasagar7720 Жыл бұрын
@@CullenKelly how to get that colloid
@ST7GOLDTRIDENT
@ST7GOLDTRIDENT 3 жыл бұрын
Thank you.
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