Dame Gwyneth Jones; "Misera, dove son"; KV 369; (1970); Wolfgang Amadeus Mozart

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Dame Gwyneth Jones--soprano
1958
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"Dame Gwyneth Jones DBE (born 7 November 1936) is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
Jones was born in Pontnewynydd, Wales. Before becoming a professional singer, she worked as a secretary at the Pontypool foundry. She studied music at the Royal College of Music, London, the Accademia Musicale Chigiana (Siena) as well as the International Opera Studio (Zürich). After making her professional debut in 1962 as a mezzo-soprano in Gluck's opera Orfeo ed Euridice, she was engaged by the Zurich Opera House.
Jones came to prominence in 1964 when she stood in for Leontyne Price as Leonora in Verdi's Il trovatore at the Royal Opera House, Covent Garden. Her career then developed rapidly, and she met with success as Aïda, Leonore (in Fidelio), Desdemona (in Otello), Elisabeth (in Don Carlos), Donna Anna (in Don Giovanni), Cio-cio-san (in Madama Butterfly), Lady Macbeth (in Verdi's Macbeth), Santuzza (in Cavalleria rusticana), Octavian (in Der Rosenkavalier), Médée (in the Italian version) and Tosca.[2]
From these, she gradually proceeded to heavier roles such as Chrysothemis (in Elektra), Salome, the Marschallin (in Der Rosenkavalier), Eva (in Die Meistersinger von Nürnberg), Senta (in Der fliegende Holländer), Kundry (in Parsifal), both Venus and Elisabeth (in Tannhäuser), Helena (in Strauss's Die ägyptische Helena), Ariadne (in Ariadne auf Naxos) and Sieglinde, as well as Brünnhilde (in Die Walküre). She has appeared frequently at almost every major opera house in the world, including the Vienna State Opera, the Zurich Opera, the Royal Opera House, Covent Garden, the Bayerische Staatsoper, the San Francisco Opera, the Deutsche Oper Berlin, the Paris Opéra, the Teatro alla Scala, the Los Angeles Opera, the Metropolitan Opera, the Gran Teatre del Liceu, the Grand Théâtre de Genève, the Lyric Opera of Chicago, as well as many prominent opera and music festivals.
She made her debut at Teatro alla Scala as Leonora in Il Trovatore on 4 April 1967. She returned to La Scala as the title role of Salome in January 1974. On 24 November 1972, she made her debut at the Metropolitan Opera House of New York as Sieglinde in Die Walküre. Until her last appearance at the Met on 22 April 1995 (as Kundry in Parsifal), she sang 11 parts in 10 operas for 93 times at the Met; the most frequent part was the Marschallin in Der Rosenkavalier (20 times). In August 1979 she made her debut at Salzburg Summer Festival as the Marschallin.
Later career
Gwyneth Jones at the Bayreuth Festival as Brünnhilde in the Jahrhundertring, first shown in 1976 and filmed in 1980
Jones's large-scaled, powerful dramatic soprano voice, unusually robust vocal stamina, stage presence and acting abilities were widely admired.
One of her most noted achievements was her interpretation of Brünnhilde in the Bayreuth Jahrhundertring (Centenary Ring) in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle, conducted by Pierre Boulez and staged by Patrice Chéreau. It was recorded and filmed in 1979 and 1980 for both video and audio discs. The recording won a Grammy in 1983.
Jones made roles that exemplify the Wagnerian or heavy dramatic soprano fach, such as Brünnhilde, Isolde, Elektra, the Dyer's Wife and Turandot, part of her core repertoire, and performed them throughout the 1980s and 1990s. She once famously undertook the roles of both Elisabeth and Venus in Götz Friedrich's production of Tannhäuser at the Bayreuth Festival in the 1970s, and has also been credited with the rare achievement of having performed all three major female roles in Elektra on stage.
She was made Commander of the Order of the British Empire (CBE) in 1976 and was promoted to Dame Commander of the Order of the British Empire (DBE) in 1986. She is also the recipient of numerous musical/cultural awards and honours from many different countries and organisations, including the Verdienstkreuz 1. Klasse of the Federal Republic of Germany, the Golden Medal of Honour in Vienna, the Austrian Cross of Honour First Class, the Shakespeare Prize and the Puccini Award.
She is a Kammersängerin at both the Vienna State Opera and the Bavarian State Opera (and also an Honorary Member of the former), and she has been made a Commandeur de L'Ordre des Arts et des Lettres in France. She has also been conferred honorary doctorates by the University of Wales and the University of Glamorgan. She has been the President of the Wagner Society of Great Britain since 1990."; Wikipedia (edited)

[@tabarro1877]

Gwyneth's Mozart singing was something quite extraordinary! ❤❤❤

[@damekenneth7098]

Love Dame Gwyneth in Mozart and Beethoven! One of her most amazing qualities was one of musicianship and attention to the particular style of music she was singing. This meant she tended to be more disciplined when singing Mozart and some of her Italian roles.