David Bottrill On Silverchair, Mudvayne, Muse, Placebo & More

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[@Producelikeapro]

What is some of your favourite records David Botrill has worked on?

[@johnfindlay5507]

Diorama - Silverchair. Phenomenal album with great production.

[@misunderstudios]

He worked with a local Canadian Band called Polarity, I would've loved to hear if he had changes his way of doing things, as this band is VERY Indie, not backed by a record label etc.

[@DanielLara-cw1jb]

Silverchair's Diorama.

[@DutchKyotaku]

My most played one: "Damage" by Sylvian/Fripp

[@chriswaltonmusic]

Thanks for doing this video Warren! Dream Theater - Metropolis Pt 2: Scenes From a Memory - great sounding album, and the Muse stuff he did! 👍🏻

[@spitfiremusic3997]

Thanks for this great part Two. David is a wonderful guy and these have been incredible interviews

[@Producelikeapro]

Thanks ever so much

[@negromister]

I had the pleasure of meeting David at Toronto IMSTA Fest and he was *the* nicest dude. I was super nervous and starstruck and he was just chill.

[@Producelikeapro]

That’s wonderful to hear! And, not surprising to hear at all!

[@Producelikeapro]

A wonderfully humble and talented guy!

[@RC32Smiths01]

Interviews just always, to me, seem to have some of the most powerful moments. Seeing talent after talent speak about their experiences is both story-telling and inspiring in professional music. Cheers as always for long and articulate content guys.

[@Producelikeapro]

Thank you so much for watching.

[@TakeFlight]

Silverchair!!!!! ❤❤❤❤

[@Producelikeapro]

Yes, wonderful

[@BrunoSilvaRox]

Silverchair time 🤘

[@Producelikeapro]

Yes, indeed

[@joepalmer3795]

I love that you seem to be on a quest to interview everybody associated with Thrak. Probably a quixotic quest given how prickly Fripp can be. But honorable all the same. And I really can't know too much about that record.

[@Producelikeapro]

I've been outed! Ha.

[@Producelikeapro]

Thanks ever so much for your wonderful comment

[@chavernac]

🎨 Silverchair 💚

[@Producelikeapro]

Marvellous

[@garethde-witt6433]

What an awesome interview, he’s such a nice guy 🤘🏻🤘🏻🤘🏻

[@Producelikeapro]

Thanks ever so much Gareth! Glad you enjoyed it

[@creativecrisis3892]

I had the opportunity to participate in a full recording experience with David while he produced a major label record. The man is kind, professional, and a master of his craft.

[@Producelikeapro]

Thanks ever so much for sharing

[@davidallenhammond2777]

Thank you both for a wonderful interview. It was fantastic! What a wonderful and talented person David is. Thanks again.

[@Producelikeapro]

Thanks ever so much David!

[@sixstringalliance4417]

Thank you David and Warren, great interview

[@Producelikeapro]

Thanks ever so much

[@Joey-rp5vg]

Super cool and humble dude David seems. Thanks very much for the great interview. Cheers

[@Producelikeapro]

Absolutely! Thanks Joey!

[@RockandRollWoman]

Love your interviews, which take preparation and skill. Music people have fascinating non-linear lives. I will listen to this one tomorrow... today I'm trying to grok Gordon Lightfoot's department from this mortal coil.

[@Producelikeapro]

Thanks ever so much my friend! I really appreciate your support!

[@godamidiot]

Really appreciate how much I've learned from your channel. After almost 30 years of playing and recording It's helped fill-in the method to the madness I can do by ear, one day I might even be able to talk musically instead of "bappa doo doo bappa doo doo burra bap." Thank you.

[@Producelikeapro]

Thank you so much for sharing

[@aquabot]

Another awesome interview, Warren!

[@Producelikeapro]

Thanks ever so much!

[@JohnAdamIan2]

the Crown Lands album he mentions is fantastic! feels like Rush has passed them the torch.

[@Producelikeapro]

Thanks ever so much for sharing

[@RobertSvilpaMusic]

I *really* loved what David did with the Vapor Trails remix - that really turned a big fat mess of a recording into a seriously great gem that exposed just how good the material really was.

[@Producelikeapro]

Thanks ever so much for sharing!

[@plapclips6799]

David is always amazing

[@Producelikeapro]

Yes! He certainly is!

[@TakeFlight]

Placebo's "Battle For The Sun" is a perfect album!!! Their newer albums lack a good producer.

[@Producelikeapro]

Thanks ever so much for sharing

[@hrorm]

This will be great :)

[@Producelikeapro]

Yes! David is truly wonderful!

[@madazza]

Silverchair!!!!!! 🤘

[@Mister_Jahn]

You are having an important discussion about creativity here.. I find that there's a philosophy to pragmatism and there's an urgency and drive to having an edge that comes from one's background. I deal with this as someone who produces (we call it curating) in the visual arts as well and when I work with famous artists you see this extra edge and acuity for something they want and they just wont settle for something that's merely good or like something else. They just aren't satisfied with that. I tell people I curate art like music producers like Glyn Johns produced.

[@Producelikeapro]

Thanks ever so much for sharing! I really appreciate it

[@shayeasy]

Warren’s comment about the focus on the cleverness of music really struck a chord with me. Burt Bacharach talked about the danger of being enchanted by a bar and losing sight of the bigger picture arrangement. So much loop based music these days and not enough space for real creativity to flow.

[@thesongacademy5017]

Wonderfuil interview

[@Producelikeapro]

Thanks ever so much

[@gasarockband]

✨️Diorama by silverchair > Masterpiece! ✨️

[@Producelikeapro]

Marvellous!

[@paulEmotionalaudio]

Omg amazing… John Leckie!!! Yes! It’s like a top trump deck… collect them all. What amazing people. Working with someone like Bill would be incredible.

[@Producelikeapro]

Yes, Bill is amazing!

[@Producelikeapro]

Here is one of the two John Leckie interviews I did:- kzbin.info/www/bejne/g4CYoa2NjN5kn8k

[@textnotepro]

So Warren, it looks like you need to reach out to John Leckie now ! I think that one will need to be planned as a three-parter to go from 1970 (Tape Op on George Harrison 'All Things Must Pass") and the 50 years since then.

[@Producelikeapro]

We've done two interviews:- kzbin.info/www/bejne/g4CYoa2NjN5kn8k

[@Producelikeapro]

Here is the second one:- kzbin.info/www/bejne/g6qxpZZjlLSpZtU

[@textnotepro]

@@Producelikeapro so I guess this came out before I followed your channel. Fantastic I look forward to seeing this and part 2. Thank you for taking the time to reply and share these with me. I am looking forward to seeing what you do in your uk visit.

[@splashesin8]

😊

[@Producelikeapro]

Thanks ever so much!

[@astrologiaeaudiobooks7278]

I came here because of Diorama.

[@TakeFlight]

Silverchair's Young Modern would of been much better with the guitar louder un the mix. Thats why most fans dont like it.

[@TakeFlight]

@Bloom Tik Bloom no my friend my can barely hear them. The piano and strings are way louder than the guitars.

[@TakeFlight]

@Bloom Tik Bloom no. Young Modern. The album after that.

[@Producelikeapro]

@@TakeFlight I love 'Young Modern' it sold really well, especially as it came out 6 years later when the market for CDs etc was dying! It's masterpiece!

[@abzulooks6012]

@@Producelikeapro "Young Modern" is a brilliant album, the Van Dyke Parks string arrangements are just terrific. And "Those Thieving Birds" is the best Trick-Of-The_Tail era Genesis track that Genesis never wrote.

[@Producelikeapro]

@@abzulooks6012 agreed 100%!