Demi Lovato - Expectation vs. Reality (Attempting Her HARDEST Vocals!)

[@wuwu5916]

Its like reality vs reality

[@jshot9397]

She lives for those G5s & A5s

[@Marquiiiss]

Can I just say I love her G5’s!! And A5s!!

[@danielcdquiroz6792]

I like "For You" those runs and the G5 is so 🔥😍.

[@rasyidahanuarify]

"queen of g5s"

[@juandediosmartinrodriguez6277]

I am a lovatic but I think the owner of that crown is Ariana Grande, she is the queen of C5 tho

[@onepleiadian]

Juan de Dios Martín Rodríguez Ariana is more the queen of G#5’s

[@ewiijah]

Ariana Carey agree

[@karenrodriguez.7576]

She's the queen of everything 💕

[@varunravi27]

@@juandediosmartinrodriguez6277 Ariana's the queen of G#5s. Demi probably takes C5 or A5 and Tori takes G5.

[@dhrubaintisher8169]

Is she addicted to G5s? oh Demetria!

[@unknown6182]

dhruba intisher Hit that notes with ease

[@nikollovato4870]

yes she can do that all...why? because she'e real singer not fake as others...she sounds same in studio same live...she has real talent...she is better than many divas in the world

[@florenciaelizabethchavezbe6049]

I totally agree!!!

[@nicoletti345]

She’s so amazing it’s crazy

[@tianeyjaeh]

Demi has proven all the haters wrong. She can hit the notes but sometimes she has her days and she’s human just like everyone else. We all make mistakes and just because she’s “famous” or she’s “Demi Lovato” she’s expected to always hit the notes and never miss it and always be perfect. But I feel like you could’ve used better footage on some of them.

[@PlanetGreenEyes27]

Expectations: Hits them vocals *everyone screams GODDESS* Reality: Hits them vocals *everyone screams GODDESS* 👑👑👑

[@BriGoesRawwr]

I forgot how much I loved the unbroken era. 😭

[@eusamanth_a]

You don't do it for me anymore climax is the hardest, for me!

[@marcelocecejunior]

Samuel you must see this video by Matthew S about most difficult songs on Tell Me You Love Me album. kzbin.info/www/bejne/iny5ppJmi7OMh9E

[@lanz6417]

Ikr

[@eusamanth_a]

Marcelo Jr // yeah, i saw. Matthew kills ❤

[@eusamanth_a]

Sim, mas esse é o motivo. Porque você tem que ter uma boa respiração pra conseguir suportar os segundos e deixar todos as notas com qualidade, principalmente o G#5 que é o último e o mais forte. E eu acho que é por isso que ela tá tendo dificuldades com essa música em específico. Essa linha de raciocínio vale também pra Tell me you love me. Isso porque na parte mais alta da música quando ela fraseia o F#5 em seguida sustenta o Eb5, e em seguida sustenta um poderoso F#5. Você também tem que ter uma boa respiração e controle pra não perder a força no último F#5, já que ele é o mais marcante. Eu sei disso porque acontece comigo quando eu canto essas músicas. O A5 de Sorry not sorry não é fácil. Mas as vezes notas baixas e bem executadas são mais dificultosas do que apenas sustentar um A5 e terminar com uma run. Sorry not sorry é melhor de se fazer porque você tem uma pausa pra se preparar antes de cantá-lo. Entende?

[@eusamanth_a]

Entendo. A minha questão não é exaustão, é somente a respiração mesmo. O caminho que se percorre até atingir o G#5 e sustentar ele. Sorry not sorry é moleza pra mim, pra falar a verdade rs. É que o D5 do refrão soa como uma nota de 4° oitava. Mas é claro, tem dias que eu não consigo. Como qualquer pessoa também.

[@Demispickles]

YASSSSS KING MATTHEW STRIKES AGAIN WITH AN AMAZING VIDEO

[@Mark-lx6hg]

I think it would be cool to choose succsseful and unsuccsseful attempt, we know that she slays almost anything but it would be cool to show that everybody can fail, anyway great video as always

[@paguroshow8881]

She is even better live

[@pratamaa.620]

Even tho she never sing Aftershock, but I love her rendition in Stayin Alive 😍 One question: is there a background E6(?) in Aftershock? GREAT VIDEO!! 😘😘

[@saronsl8750]

yes there is

[@queengab3792]

This RIGHT here is what a TRUE QUEEN is!!!! I am stunned she is absolutely amazing!!! Great vid btw!!

[@eusamanth_a]

The last intro is so emotional 💔

[@dhrubaintisher8169]

Concentrate got me like.....👬🙌

[@muskaansengupta806]

I'm pretty sure this wonderful (likely superhuman) lady can range above (and below) the range of a grand piano.

[@jadad399]

Yet another amazing video 🙌🏽🙌🏽 Props to you King 😂

[@Lovatix]

Expectation: *im gonna fail* Reality: *destroys high notes*

[@makimnx]

😘😘😘😘😘😘😘😘much kiss demi 😚😚😚

[@bluntxwiig1612]

Well my QUEEN DEMETRIA Nailed it all the time!! 👑😍😱

[@unknown6182]

The A5 is for sure her own

[@imjustsuperiorrr]

1:10 she literally sounds like a guitar

in confident... live i think she did G#5-A5(peak Bb5)-G#5

[@zoegrace9960]

LOVE your new profile pic! And Thanks for the video!❤❤

[@jeffreystill1328]

We need a revamped version

[@NawiTheCore]

When the reality surpasses the expectation

[@ivanedeva8754]

This video should be like reality vs reality cos she is the best and when she sing her songs on live they sound excacly like when shes recording it on studio

[@ysmjaeger6930]

Essa versão de Daddy Issues no final dos vídeos sempre ME MATA! Onde você conseguiu ela? Preciso disso na minha vida ❤

[@eusamanth_a]

Né? Acho que ele criou as duas intros. Eu acho tão linda ❤❤❤

[@pratamaa.620]

NOTIFICATION SQUAD, WHERE YA AT?????

[@eduardgil3836]

Matthew A. Pratama here :)

[@jjsingsAlot]

Sup dude 😎

[@Lovatix]

Dam those G5s on cry baby isss sickkk! It even has vibrato!

[@someonenew5198]

She's amazing!!! Hey Mat. how is your studying going?

[@lovatoslave]

Well, it's going pretty good! I've been managing my time to conciliate my study routine with KZbin (because I don't work so YT it's my only source of money) and now I'm able to make videos quite faster due to another computer I just bought so everything is on the line. =D

[@rubyposieofc2152]

Queen Of G5's & A5s :)

[@elvandrerandallcoakley8492]

The old ways one is so impressive although the mid note was slightly flat.

[@christellejerul4303]

Demi😍😱🎤

[@eduardgil3836]

Fourth! Love your channel!

[@lucagabriel1391]

wait im confused. whay did you put aftershock and then stayin alive?

[@knightofthenight1007]

She got me feeling like Ooooooooo 😍😍😍

[@eusamanth_a]

0:30 why is she with the same "an intimate perfomance" clothes? And where was that perfomance?

[@eusamanth_a]

Oh, ok. Thanks ❤

[@wade1593]

She always struggles to hit the confident note. 😭💔I bet that was the only time she hit an a5 in that song live. She hit it with a g#5 everytime

[@Ducadsv]

Ashton no there more times

[@pratamaa.620]

Ashton there are some perf. with A5 (Example: she was practicing Confident with A5 on a performance somewhere in Dubai(?))

[@markowsky_01]

A5 is off key

[@patchulozada9777]

g#5 is in the key

[@eusamanth_a]

No. You guys are wrong. A5 and Bb5 is in the key. But G#5 not. And i don't know why she has problem to hit that fucking A5/Bb5 on Confident. Is not that hard.

[@varunravi27]

Imo, You Don't Do It For Me Anymore, Sorry Not Sorry, Concentrate and Smoke and Mirrors are the only songs in this video that actually have difficult climaxes. I believe Concentrate and Smoke and Mirrors both have phrased A5s, which are not easy to do at all. For SNS, you should've chosen the one at Break Room 86, that one is one of her best performances of the song. Also, Heart attack has a G#5?

[@elssss149]

i have a question, is the G#5 higher or lower than the G5?

[@mylord9395]

fantastic bastard one semitone higher

[@elssss149]

Yousuf Shahzad thank you!

[@jjalbizures6968]

Whenever a # (represents a sharp note) after the letter of the note (like E#6) it is 1 semi tone higher.

[@elssss149]

Jj Albizures thank you so much for the explanation!

[@amiahedmondson6320]

Half a step higher!

[@suhaankhan8147]

5:06

[@xOSweetOx_RBLX]

First?

[@walidmahdab8475]

G5 isn't that hard tbh .. Great video .. And what a queen

[@macoroniandfleas946]

Mohamed Walid Mahdab if you belt it it really is

[@varunravi27]

@@macoroniandfleas946 True... mixing a G5 is easier, but belting is not as easy that high. I normally use a balanced mix from C#5-G#5 because my chest voice beyond the fourth octave is quite weak so I can't completely carry it above a B4. Edit: I've started using a more chest-dominant mix as my comfort in the fifth octave has increased (I use a chest-dominant mix from G#4-F5, a balanced mix from F#5-G#5 and a heady mix above G#5)

[@Lovatix]

@@varunravi27 how to mix??? Plsss tell me I really wanna belt G#5s and A5s plsss

[@varunravi27]

​@@Lovatix Before getting to the mixing part itself. you have to identify where your voice shifts from chest voice to head voice (basically when you have to use your chest to project the note and when you have to use your head to project the note). This is known as the secondo passaggio in musical terms (above one's secondo passaggio, he/she will have to use their head to aid in projecting the note). This is a list of secondo passaggis for each voice type: Bass: Db4/D4 Baritone: E4/F4 Tenor: G4/Ab4 Contralto: Db5/D5 Mezzo-soprano: Eb5/E5 Soprano: F5/Gb5 Depending on what your voice type is, one of these notes would be your secondo passaggio (I, for one, am a boy soprano and my voice is going to break in a few months. My secondo passaggio is F5, which is the same as listed above). Beyond your secondo passaggio, your voice will sound a lot more nasal/thin for whatever note you're hitting above your passaggio (this is noticeable for pop singers like Ariana Grande and even Demi, who is the main subject of this video... if you listen closely to Ariana's voice in live performances, you would notice that above Gb5/F#5, her voice becomes thinner). After identifying your passaggio, you need to practice how to sing through it (this is the important part). This can be done through mixing as it blends chest voice and head voice. If your vocal technique is really good (i.e.:- there is very little tension present in your vocal cords when you sing G#5s and A5s), using a balanced mix is the best approach (it is when the proportions of chest voice and head voice are equal). It is nearly impossible to achieve a perfectly balanced mix, but you should try as hard as you can to do so. Or, you could use a chest-dominant mix by using your chest to project the note more than you use your head (warning: don't incorporate too much chest voice because it could cause a lot of strain on top notes like the ones you mentioned). It is possible to properly belt G#5s and A5s, but you must have a well-developed chest voice and chest coordination in order to do so. I usually have to go for a nearly balanced mix (with a little bit more of chest and a slightly nasal placement) in order to hit G#5s and A5s because, as I mentioned in my previous reply to the comment, I have a weak chest voice. Using a head-dominant mix (where you use your head to project a note more than you use chest) works too, but it won't help reduce strain... it only makes your upper belts/mixed notes sound thinner and more like head voice than actual belts. However, beyond a certain point, you have no choice but to use a heady mix in order to be able to sing perfectly centered notes like Bb5 and B5 in mixed voice. Here's a small vocal exercise you can do to improve your mixed voice: lip trills (in the fifth octave if you are a soprano and in the fourth octave if you are a bass, baritone, tenor, contralto or mezzo-soprano) Sorry for the rant! 😅Hopefully this will help you improve your mix so that you can mix G#5s and A5s like you wanted to.

[@Lovatix]

@@varunravi27 thanks but i still dont know chest voice-

[@nikolasborges8848]

Second