Denis Matsuev: Franz Liszt - Totentanz, S. 126 (with Zoltan Kocsis)

[@hello_there3528]

This is the most epic one can get. Nothing beats this, let's be honest!

[@marekvollach7831]

Absolutely CORRECT and it was controlled FIRE from the start from both the conductor and from Matsuev

[@yoyogie69]

That's amazing, but Cziffra was something else

[@andreamoscatelli4266]

Pace too tho

[@anthonyaveray]

Great, great pianist. Visceral in the extreme, breathtaking.

[@michielplomp2137]

If we could bring Liszt back to life, he would be proud. Stellar performance, could well be one of the best Totentanzes ever performed.

[@luisalvarez8546]

Qué interpretación más intensa,fantástica ,donde se complementan un pianista virtuoso un excelente director ,una complementacion inusual .Muy lindo.

[@Tizohip]

6:57 THIS IDEIA IS FANTASTIC

[@ZigfilVorzh]

Maravillosa interpretación y una Excelente dirección! Totentanz, de mis temas favoritos del gran Liszt! Gracias por compartir este video

[@sH-cr5zc]

凄い迫力‼︎ 正に『死の舞踏』です。このピアニストとオーケストラは、F・リストが表現しようとした世界を、見事に再現したのではないでしょうか？感動しました‼︎ 日本🇯🇵より💐💐💐😊💕

[@mateodanielcoelho8404]

The Dies Irae part was absoltely breathtaking.

[@aaronjorgefridman5662]

ASOMBROSO. Uno de los pianistas jóvenes de más futuro

[@aaronjorgefridman5662]

Uno de los comentarios en inglés menciona la Sinfonía Fantástica de Berlioz. Es así. Además se puede "escuchar" un anticipo de la Danza Macabra de Saint Saenz

[@angelrolandolermajimenez7225]

@@aaronjorgefridman5662 Esta pieza está basada en el canto medieval llamado Dies Irae, perteneciente a la antigua misa de difuntos. La melodía fue empleada en una gran variedad de estilos y épocas, incluyendo la música para cine.

[@aaronjorgefridman5662]

A Lerma Gimenez, gracias por el comentario. Enriquece

[@ernesthoven]

BRUTAL version!! 👏🏻👏🏻👏🏻🫶🏻

[@wrstrfgh]

denis nailed this monster!

[@TheStableGenius]

FANTASTIC!

[@Tizohip]

THE BEST OF LISZT

[@238assante]

ouf, that concert had both the 2nd piano concerto and Totentanz... guess Matsuev is athletic enough for that..haha. But my admiration goes to Kocsis , and 2 years later he was dead. :(

[@choibyeongwoog988]

Bravo,, unbelievable performance!!

[@이성호-t3q]

참 좋습니다!

[@DaHeichef]

Outstanding performance, rivalling Cziffra's!

[@Tizohip]

Great classic BY Liszt

[@ValzainLumivix]

Cool

[@tudomnem2840]

No one can beat Cziffra’s version. DM is a typewriter, just a showman, nothing more.

[@amgx9670]

13:01: slayed

[@martinprochazka5280]

Very catchy

[@TortugaLuv]

Anyone else reminded of dream of a witches sabbath from symphony fantastique at the beginning?

[@claudiodigirolamo2898]

Marie-Claire Chapman yes, actually considering the personal relationship that was established between the two, and therefore the mutual influence (more of Berlioz on Listz than vice versa)

[@trisymphony]

both use the same ‚Dies Irae‘ Gregorian chant/melody

[@j.r.6664]

@@trisymphony exactly. And they're not the only ones. Another famous composer, who used this theme was Rachmaninov.

[@ValzainLumivix]

6:10

[@Scorpionthepianist]

Insane

[@peterectasy2957]

Denis Matsuev as a pianist and Zoltán Kocsis as conductor ? it should be opposite -)

[@MaxLima1]

09:22 - nice cheating

[@Pianodoc97]

🤷‍♂️🙉 one practices 100h to get this passage right and people just cheat is just crazy

[@Gunpla_shrimp]

What is his cheating here? Genuinely curious

[@MaxLima1]

@@Gunpla_shrimp he doesn't play the left hand jumps

[@JohannesBrahms-1833]

09:18

[@JohannesBrahms-1833]

besssssssssssssssssssssst

[@pianistjacobonunez5077]

Un porreo de notas sin ningún sentido en la estructura musical le doy matricula de honor en el porreo

[@Pianodoc97]

Le damos honores de meterle duro con todo sin escuchar ni esperar por la orquesta, 1r premio 💥

[@fonorecord]

A Tarantella 😂 too much quick... Michelangeli and Ciani (Italy) were the best in TotenTanz

[@Pianodoc97]

The orchestra cant play! Slow down!!!!😭😭

[@endo1987]

This is not TotenTANZ. Matsuev is rushing as ALWAYS. Poor orchestra.

[@bachopinbee5991]

He looks like Podrick from Game of Thrones😂😂😂

[@stephenarnold6359]

Can vulgarity attain greater heights than this of Liszt's?

[@Barbapippo]

It's Matsuev that makes it vulgar; his only aim is to break any metronome record (and I don't think the late Kocsis was particularly happy with it). Listen to Michelangeli, for example: his interpretation is much nobler than this circus number. Liszt was a great composer, he deserves to be treated more seriously and respectfully by pianists.

[@marekvollach7831]

Reminds me of the power of Gilels

[@angelobonacci461]

Xbme pesta troppo sembra che zappi

[@simonetom]

9:35