Dil Chahta Hai | Through the Lens of Psychoanalysis

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For Educational Purpose Only!
The movie that started the wave of 'Multiplex Movies', this video essay analyses Dil Chahta Hai through the lens Freud's theory of The Id, The Ego and The Superego along with its impact on the narrative style in Hindi cinema.
#DilChahtaHai #AamirKhan #FarhanAkhtar #SaifAliKhan
Movie Detail:
Name: Dil Chahta Hai
Director: Farhan Akhtar
Screenplay: Farhan Akhtar, Kassim Jagmagia
Editing: A. Sreekar Prasad
Cinematography: Ravi K. Chandran
Farhan Akhtar Interview: www.youtube.co....
Script consultant for the video: Alka Hingorani
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Twitter: / vinitmasram
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[@alexi891990]

Dil Chahta hai. I'll tell you why this movie was soo good. Akash's dad calls him when he's in Australia when akash is all upset about the girl... "hey akash kaise ho beta?", Akash "mein theek hoon dad" * sniffs * , "beta is everything alright?", "aise baat nahin hai dad, kaam mein busy rehta hoon so", "beta, Akash......Beta tum wapas aao, I want you to come back". THAT SCENE RIGHT THERE PEOPLE. the emphasis on the word "BETA". You don't see the connection between both of em in the whole movie and then this is dropped. There you go. This is exactly how my father would react. It takes a crack in the voice for you're dad to know something's not right. Life's not like Kabhi khushi kabhi gham where my mom figures im getting off the bus in brindavan society, thane. A father mate. A father.

[@TamannaDebroy]

absolutely

[@somnathdas8945]

I didn't get that Kabhi Khushi Kabhi Gham portion.

[@bharatbshetty]

Same here bro ..

[@akrimony]

Well, you haven't met my dad!

[@amanchaturvedi8282]

bro starting me ek baar ko chhodkar pure scene me "beta" word hai hi nhi... jabardasti ka emotional kar rha hai sabko...🤣

[@beerbiceps]

This is some of the best Indian content I've come across on KZbin! Subscribed and waiting for more. Absolutely brilliant.

[@ahadgarabkar9498]

BeerBiceps ikr! 🤗

[@lavinimoria7146]

You just HAD to write 'ikr', didn't you? Why did you do it? I think when you don't have anything to write, simply don't comment, rather than writing bullshit.

[@saswatrath609]

Bro you're channel also finds it's place in that list.

[@aagantuk7370]

@@lavinimoria7146 why did you have to write anything?

[@parikshitrao4208]

@@lavinimoria7146 just take your sorry ass somewhere else man. Just by your own logic you didn't write anything of substance either.

[@jaym3916]

Seriously, the Psychological angle to these character was a blow to my mind, like "didn't saw that coming."

[@sidderverse]

didn't see* ell.stackexchange.com/questions/33920/should-i-use-the-past-tense-with-did

[@Cheetah44]

My mother teaches psychology. This video will be a most wonderful educational tool for her young students! Their next chapter will probably be taught by a film critic, how extraordinary! You're an independent filmmaker for now, but I really hope you keep making more of these as well. You are a great teacher, and it's one of the highest compliments a person can get.

[@johncooper1566]

I think you missed a major motif present in the film. In nearly every shot containing the 3 characters, sameer is always placed in the middle of akash and Sid , further symbolising his role as the ego. great analysis, subscribed! though you could bring some energy into your narration.

[@imaanhossain5252]

can u pls elaborate on what u r trying to say ...how does sameer symbolise ego?

[@nilaykasture3671]

No please, we don't want any critic here .... We've got vinit and he does his work better!

[@theawantikamishra]

@@nilaykasture3671 if you don't know, let others speak, the comment section is for discussion, not hero praising

[@basheeerz]

@@imaanhossain5252 sameer is the balance between them both.

[@saurabhsaroha]

I prefer vinit's restrained grounded narration.

[@riyabehl9635]

This is an Indian Every Frame A Painting, and I cannot be more excited for more videos. Keep it up!

[@AkshatJha]

+Riya Behl Exactly what I thought!

[@caustic576]

+Riya Behl A cross between @Nerdwriter and @EveryFrameAPainting to be precise. Latter is specifically about cinematography/directorial analysis, whereas Nerdwriter goes beyond film production and allows us to see his essays in Social / Society's context. Our guy here has managed to pull off both in a 8 minute video! Cheers to him.

[@manishchandra7551]

yeah,

[@siddharthchillale]

my thoughts exactly!

[@goludas]

Usually, the toxic nature of the KZbin comments section makes me stay away from it but I have to make an exception here. Your narration and analytical style of videos has to be some of the best I've ever come across on YT. Best in India by far, and probably one of the best internationally(you're like the Indian NerdWriter!). We need more of you. Bravo and keep up the good work!

[@vikas4483]

I am from small town and I watched this movie with my friends when I was in 12th std. I was the only one who loved this movie among my friends at that time. After watching your analysis I can say we subconsciously try to relate ourselves when we find something we wish to be or believe we are belong to it.

[@respectedyoungster]

To this day, Dil Chahta remains my favourite movie of all time (both Bollywood and Hollywood). I was only 9 years old when I first watched it, but I have a DVD copy of it, which I pop in from time to time just to laugh, and reminisce upon the simple and wonderful things in life - such as friendship, and love. Fantastic work, with this analysis! I really hope we see more films like DCH!

[@prateek0119]

respectedyoungster true said same here

[@PoemProseSecondary]

Ab people will tell you that how come you like a Bollywood movie over Hollywood movies.😂🤦

[@olddelhifilms]

loved the analysis (Y)

[@pallavibhojak]

Great pick about Aakash being the character shown eating twice or thrice

[@avijitsharma]

This is the best thing I have seen in ages coming out of India. Brilliant.

[@navbharsharma447]

Nearly in tears....Dil Chahta is such a gem of Indian cinema.....

[@princeSharma-yz2tp]

Missing Aamir of 2000-2009 decade.. Kya Filmography di yaar bande.. iss decade way better than any 90 actor Even this decade, he destroyed records, from 300 to 2000cr But waise films naa milli... hope this decade voh fadd films mille, then next decade Mahabharata

[@rohansohan3913]

Dil Chahta Hai was really a beautiful and also way ahead of its time film, i have watch it maybe more than 30 times but still i'm not bored of it, that film has the entertainment at its own way, Really a watchful cinema ❤️

[@souradipta]

Sync sound is another thing Farhaan used so well in DCH. Just love the movie. Yes you are right, the second half has scope of a crispier edit, a 20 minutes less cutting of some drama viz the marriage scene. Bro, your explanation brining in ID Ego and Superego was mind blowing.

[@supreetsahu1964]

Man, I gotta watch Dil Chahta Hai again!

[@moseisley8129]

O man! You have filled in the shoes of other incredible video essayists like Now You Se Me anmd Easrthling cinem!! Brilliant job Vinit!

[@CinemaBeyondEntertainment]

+Abhishek Vakil I'd suggest you follow 'Every Frame a Painting' and 'Nerdwriter1'. In my opinion, those two are best at it.

[@AmolThakore]

+Cinema Beyond Entertainment hey please do delhi belly

[@bobbyaldol]

+Cinema Beyond Entertainment couldn't agree more with "Every Frame a Painting", can you make a similar video on comedy in Indian cinema and seizure inducing fight scenes.

[@sdd1563]

Dil Chahta Hai was significantly ahead of its years. Very accurate and incisive analysis. Keep it up! Please do the increase the volume of audio or add subtitles the next time, please...🙏🙏 The comparison of Akash, Sameer and Sidhharth to Freud's Id, Ego and Superego was absolutely brilliant. So insightful! The dynamic and conflict-filled relationships between the 3 main male characters and their respective parents is yet another example of the complexity of this film. It serves to add to the characterisation of the central male trio. Akash is always shown to be emotionally distant from his parents just as the Id is so distant from the conscious mind. But that much needed father-son bond is certainly present in the depths and comes to surface when Akash talks to his father on the phone from Sydney and his father senses the disturbance in Akash when his voice breaks. Akash is never shown to have spoken seriously and openly about his deep-seated feelings, he rarely addresses his emotional issues, which really makes his character represent the Id which is like a vast ocean of all those unaddressed and unconscious emotions. Only an internally conflicted and dilemma-ridden girl like Shalini can be suitable for Akash, who is capable of bringing out the his emotional depths to the surface. If one were to search in the Id which is a storehouse of the most basic and primal elements, the unconscious and the hidden, it would be quite a quest. Akash's initial refusal to accept the existence of love and the refusal to believe that he too is capable of falling in love and the later admittance that he has fallen for Shalini represents that very quest and search within the vast emotional storehouse of Id. Akash, on the surface, appears to have it all, the wealthy background, the good looks, the charming personality, the sassy wit and the popularity in college years. But there is something missing and only the audience is made to sense that. His unconscious quest for that hidden, missing element of himself which he, envitably, finds in Shalini symbolizes, all the more, why he represents the Id. The bond with Sameer and his parents is funny and cute to watch but also highlights the practicality of his parents' perspective of life. Sameer's mother wants Sameer to get married to the daughter of the old couple who are their long-time friends and who come from the same social circle as them. Sameer's mom casually retorts "toh kya hua? Tumhare dad aur meri shaadi bhi toh arranged thi." Since the ego is less passionate and more practical than the Id and the superego, we get a glimpse of how Sameer's character has been raised in a practical environment that emphasizes the realistic aspects of life. Siddharth and his mother on the other hand, share a prickly yet a strong bond. His mother is always concerned about him and time & again, this concern changes to unwanted prying and probing on his mother's part as Sid irritatedly says "Haa Maa lekin kuch baatein aise hoti hai jo share nahi kii jati." My favorite part of the movie is when Tara analyzes his paintings and manages to hit the nail on the head and discovers things about Sid which his own mother was unable to do. This, further, clinches in how Tara and Siddharth's relationship is perfect. But perfectionism itself is an ideal that can never be reached just as the idealistic realm of the Superego, thus, resulting in a heart-wrenching end when Tara dies. Sid's unconditional love for Tara, the nature of their idealistic and "un-named" relationship, Sid's love of art and painting all show how Sid represents the Superego. It's all so beautifully intricate. So much so that even their bedrooms, costumes, choice of women, over-all lifestyle, etc. highlight the differences in their characters. Sameer being the ego plays a more balanced role of the mediator between the ever-conflicting Id(Akash) and Superego(Sid). So the three psychological agents of Freud are represented in the movie by the main trio(Akash, Sameer & Sid) to not only carry the plot of this character-oriented movie forward but to also highlight the humaneness of the male camaraderie that the 3 of them share which is becomes absolutely essential to bring about a sense of completeness and balance. Even if a single friend of trio were to disappear, there would be incompleteness. We see that imbalance occuring due to the constant ebb and flow in the friendship that the 3 share, we sense the imbalance when they fight, have disagreements or go apart just as the normal human individual would be incomplete if one of the 3 principles (Id, ego and superego) were to disappear. In that sense, this movie is also a coming-of-age or bildungsroman.

[@karl12342000]

You are absolutely correct when you say Farhan Akhtar has that potential to capture the imagination of whole generation of the country... Waiting for some magic to come out from his Magic Lamp...🤔🤔🤔

[@mathangisripada]

I really appreciate your effort to bring out the true essence and underlying factors of Indian cinema/global cinema! Farhan Akhtar is by far one of the most talented and most creative film makers of our country! Too bad there are hardly any films from his pocket that could grab the attention like 'Dil Chahta Hai', one of my all-time favourites. He knows or at least tries to know what strikes the right cord at the right moment.

[@divyang7777]

absolutely great. you have covered several aspects of the movie and allowed viewers to understand the real meaning. keep analysing best movies, I am following you. ..

[@rext4607]

Hey it's a great video .......just work for the audio.........it is not that good but the content was great

[@aritramarik4487]

Just watched Dil Chaahta hai for the first time. It's 2023. I'm 21. The movie is 22. I've graduated this year from college and this movie still holds as much ground as it did back then. While the movie certainly has its flaws, which I'm too inexperienced and young to notice, I am absolutely taken aback by the cinematic masterpiece it is. Came to your video after watching it and I loved the video as well. Thank you.

[@kieranjohn3589]

Enjoyed the review and I'm very excited to watch it tonight!. Have been exploring indian cinema in the last few months. What are your favourite Indian films? So far I would say Salaam Bombay is the most perfectly balanced and raw. Dev D similar to SB, Swades innocent, wholesome and heartwarming, 3 Idiots creative and playful, Agantuk The Stranger simple and conversationally interesting, Nayak The Hero similarly conversationally gripping & Drishyam remake was a fun and clever journey. Oh I think Apur Sansar is the most tragic so far. Also Piku was great fun, road movies always are. Kabhi Kabhie I think has the best soundtrack i've heard of classical and love song. The Lunchbox and Udaan were fantastic human stories. Love to find films that merge all facets of indian cinema from bollywood to realism. Keep up the interesting reviews. Thanks

[@soulonloose9912]

K John try anurag kashyap movies.

[@thebraveheart6081]

Love how modern the character of all those characters were back then even 2 decades ago. Just watched the movie yesterday 👌🏻

[@saurabhsaroha]

I have seen this video multiple times. Watched the whole video again just to hear this line in the end: "But that was 2001 and this is now. A whole new generation stands in the queue for the movie, hoping that this might finally be the filmmaker who will capture their imagination"

[@slayer5251]

But what about other fantasy gener and high concept hamre pas itne sare epic story's h

[@PRASANTHVP]

direct more movies Farhan. i love u r movies. Don is the reason why i turned into an srk fan.

[@arghyaasrivastava1037]

Too good. That's some deep analysis. I didn't want the video to end.

[@zingkhe]

excellent analysis. Like the id, super ego and ego parallels. Farhan Akhtar is so simple yet stylish. Love this movie as well as the others.

[@jayasreesreenivasan9316]

This analysis deserves applause! keep the videos coming!

[@joshuaravel]

So well put and amazing narrative and just a perfect example of capturing the audiences interest without losing the plot and idea. I'm not even sure if the director of the movie had thought of this...

[@SK160593]

Incredible analysis. The background score by Shankar Ehsaan Loy gave so much depth to all of the scenes.

[@srinivas731]

WHAT AN SUPERB ANALYSIS.REALLY AN REFRESHING VIDEO YARR . GREAT WORK.SUPERB!SUPERB!

[@rdbtumpy]

Such great analysis man... Please do for more films ..

[@sagarkaushik]

NO offence but the thing you mentioned about piku using fats cutting close up shots was wrong according to me. The fast cut close up along with the use of hand held shots represent instability and chaotic nature of the scene and time in the film. It visually symbolises how unstable things are for the charatcers during that point of time in the film. still it is my personal opinion.

[@CinemaBeyondEntertainment]

+sagar kaushik Your observation is right Sagar. For me, the problem is that the style is repeated for almost 80% of the film. Observe the editing from the scene where 3 of them are in the car when Piku is driving for the first time and tell me, wouldn't that scene been fantastic had they done it in single take.

[@sagarkaushik]

+Cinema Beyond Entertainment oh, I agree with you on that one.

[@annapurnafood1085]

@@CinemaBeyondEntertainment Those fast cut have to use if acting is not good. If sunny deol is dancing director have to use fast cut shooting.

[@Arteberus]

Dude this blew my mind! The first time I've liked a video or subscribed to a channel. More! Soon! If you are in Bombay I want to hang out!

[@mortlachstudio]

And the theme background music in this movie.omg..its amaizing.

[@anantambisht4895]

Agree with all the concepts. Id ego superego concept was mind blowing

[@SriVatsav786]

Please do one for RGV's Satya...Satya's friendship with Bhiku matre and matre's nurture for satya just fascinates me everytime

[@jayparkashsingh7671]

Xxxx

[@jayparkashsingh7671]

Jay prkash To The Same and I have

[@positivegradient]

This video is amazing. Superb analysis, and of course it's enormously meaningful for me because Dil Chahta Hai holds an important place in my mind and heart. You said it - the film that captured our imagination.

[@rahulgaikwad1331]

This was the best movie I have seen in a long time. Trendsetter and way ahead of time. Now one had done Psychoanalysis of this movie before (as far as I know), this tells how different perspective of movie, give a new meaning to it. Good job for putting up a well researched movie review.

[@bibhurout3611]

I mean the sigmund freud theory of personality to the movie link was amazing. I imagine, even Farhan Akhtar did this movie keeping in mind or subconsciously depicted the characters?

[@captaindeadpool313]

I know I'm in the minority here who thought this movie was rather overrated. Its still a great movie btw, just was way overhyped when it was recommended to me. For starters, while I like all the characters having a distinct personality and egos, I was disappointed by how much more screen time Amir khan got compared to Akshay Khanna, who was the most interesting of the characters for me. Also, I was sold that this was a movie with none of those cheesy over the top bollywood romance vibe. only to be bored as hell during the whole pretty zinta and Amir khan subplot. It wasn't necessarily awful, but the movie spent a lot of time in it compared to other ones. I personally was more invested in the Akshay Khanna storyline. Then there's the saif storyline which is just a rushed love story in its own imo. I personally am a sucker for movies that revolve around friends and their journeys/adventures, whether funny like Golmaal, Andaz apna apna, or a bit more serious like ZNMD, or a mix of both like 3 idiots. I love those movies so I was really recommended this movie by my friends. I'm not a fan of romance, especially the overly melodramatic type, the kind Amir and Pretty zinta had in this movie. My least favorite pare of the whole movie was at the end when the bully character who gave amir's character a black eye in an earlier scene basically backs off just cause he was shown a hand, and then turns cartoonishly crazy and still after everything tries to fight the hero, and lose after a single hit. That scene was cringe to me. I realize that this is a classic movie that many love. I too did enjoy this movie for the most part, but I didn't end up loving it to same extent others did.

[@tarunwadhwa9723]

Well, Nice analysis.. Keep it coming .. especially some old movies like 'Do Bigha Zameen' , 'Pyassa'.. Its disheartening to see Farhan not continuing in Direction, It would be great to have him back with another cult movie like Dil Chahta hai.

[@4dityanarayan]

I'd always thought there's a similarity between the characters and the levels of personality! Love you for solidifying my opinion :)

[@parthbhansali278]

Amazing prospective and great analysis, loved your work and looking forward for more

[@ritwikvideos]

My first youtube subscription. This is amazing and inspiring. I just took a workshop with a few 20-year-olds on Iceberg and then, I discover this. Great content. Wish you all the best and a rocking 2018

[@mayank101sehgal]

One of the best and underrated you tube channel!! a crash course on film making itself! keep posting more videos. love it

[@BookWormsOriginal]

It was mindblowingly awesome...! man you seem to have studied every second of the film! great work buddy...

[@Ajagzram]

This is still one of my favourite hindi movies and I loved your analysis. Provided a fresh perspective. I've subscribed to your channel. Wishing you all the best!

[@urduthoughtsdiaries]

❤ Chahta Hai is All Time Favourite

[@Guurur]

This film is a trendsetter of hair styles which changed all over India after the release. Also, a must watch Bollywood films of all time.

[@gaurishukla24]

This is absolutely brilliant! Such a fresh perspective

[@sharanyatiwari4361]

GENIUS!

[@smitpatel341]

first time I have seen 'analysis'..bro..well done..I mean u comes with psychology and that ego,superego...amir's eating..wow...All the best!

[@sudeeplohar6871]

Bro you r doing great work.There is lots of Hollywood movie analysis videos but we do not have any Indian film analysis youtuber. I think it will helps Indian people to understand the art of filmmaking.

[@sattwiksuman]

great job! amazing! kudos!! fod diya! I tried several other words, phrases and expressions but nothing can articulate the emotions of this huge DCH fan at this point. Thank you!

[@smitdave8267]

Loved the Id, Ego and Superego analysis. Awesome.

[@prajishj.3074]

No words to describe this analysis....simply brilliant

[@gss2129]

wow.. superlike the interpretation.. one of my fav movies.. Liked the insight abt the repeat value due to longer mid shots that enables viewers to linger on and see things a bit differently each time. Thanks buddy.

[@netjumper5185]

Good one !! DCH has always been one of my favourite movie...Its been a long time i last watched this movie, and its heartening to see these clippings and the physcological analysis of the same !! Though the voice over could have been more captivating.. :) (y)

[@zbaksh101]

+cinema beyond entertainment I think Dear Zindagi might be that film you mention at the end... the one people in line are waiting for

[@CinemaBeyondEntertainment]

Actually not. I understand you like the film and hence you are saying thins, but Dear Zindagi was one of the most lazily written and even more lazily directed film. The character arc were to steep to believe and it never felt have strong footing in terms of its narrative focus. Don't let your personal taste lure you into believing in its quality....which it unfortunately lacks direly.

[@CinemaBeyondEntertainment]

@Rahul Kumar - Watch a lot of different good films and then read about them from some good authors/critics/theorists...

[@RahulKumar-ng2gh]

hey thanks for replying, can you do one video essay on gangs of wasseypur and pyassa

[@CinemaBeyondEntertainment]

I already did one on GoW but it has been taken down by copyright trolls. Pyaasa, surely, someday.

[@prashanttiwari5855]

Indeed the best movie in our generation. Changed the entire legacy of movie making in bollywood. Complete and flawless movie.. can watch n no of times and every time loved it even more then before. Not sure, if such art and be redeveloped again.

[@prateek91286]

In depth research and beautiful correlation of psychology concepts with movie. Brilliant work. I am deeply impressed.

[@rinpertin2076]

GOA TOURISM REALLY OWES DIL CHAHTA HAI MOVIE FOR INCREASING IT'S REVENUE😂👍👍

[@addacdj]

now...I know why I love to watch this movie again and again

[@tridibeshsen6492]

i never subscribe a channel after watching few videos beacuse a single hit doesn't make any sense,but your musical analysis of GOT,made me eager to check your other contents,and they were amazing,and i love the different approach of yours without any pleading for like and subscribe.

[@AmitJha21]

Farhan Akthar may find it difficult to capture the imaginations of youths because now he is part of the system and his thought process is contaminated by mainstream masala movie style.

[@akargosrani28]

I really hope you explore more Indian movies. This is much needed. Please do something about the audio. You need to be just a little bit louder and audible. The audio in this was all over the place and it was just too distracting. All the best! We await more.

[@arunthomas189]

This was an awesome analysis. Thank you for doing this. Its my favorite Hindi movie of all time. Did you use a stereo mic of some sorts to record the voice over narration? If you did I would suggest use only one channel from it and have that feed both left and right channel in your editing software. Its always best to use a mono signal for voice overs. Otherwise it gets very distracting. Once again keep the great work!

[@Rishab007akoi]

lovely video... Dil chahta hai divides my life into the innocent phase and the mature phase... Farhan Akhtar plz find your creativity in you

[@arnavsharan3245]

You have made a big fan out of me of your videos... editing is awesome and the critique runs so deep that it becomes nearly impossible to be unbiased about the director, quite on contrary to superfluous blabbering of many. Going awesome.

[@agoshgaur]

This has reminded me how deeply this film touched my generation of good-content-starved cinephiles in India. Have to agree with BeerBiceps about content quality of this video; good stuff. I liked Lakshya too though.

[@simranchopra5407]

Waaahooo!!! What a wonderful explanation. I have a question - does a director and writer consider all the aspects shared? Or is it more intuitive and they are inspired characters from real life? Please do share a video on the character development process from a writers room. Thanks a lot.

[@vikhyathkamath]

This can easily be my favorite You Tube channel, if you keep making such quality videos! Your analysis on the film was so on point! Yes, you are right. Farhan (as a director) is much more capable than this. I think his sister Zoya has shown the same kind of potential. She is one of my favorite directors. Would love to see her films being anayzed. I couldn't have thanked you more for coming up with such a different perspective on Bollywood. There are tons of interview and gossip channels that are so immature. Please keep coming with the good work!

[@rahulgandigudi]

This is a top quality stuff... Hits your sensibility with deep analysis... My all time favourite dil chahta hai...the movie totally elevated me to next level.. I feel so good about myself that my fav movie is dil chahta hai... The movie is an experience its like a breath of fresh air

[@twilight9237]

I love Farhan akhtar’s movie making ... a very different directorial instinct he shows in his few made films.. spot on brother!!!! I also find Asmr in your narrative... very soothing voice which adds to your brilliance

[@CinemaBeyondEntertainment]

You might want to change that "brother" word :P

[@twilight9237]

Dint mean to offend... but Absolutely taken your comment!

[@CinemaBeyondEntertainment]

Just kidding...

[@twilight9237]

lol...I know..

[@MayankJha]

You have analysed my favourite movies and they were spot on...you made me love them even more.....you are super awesome man i cant wait to see your own work which will be super awesome for sure

[@rohitkhaitan5099]

Vinit, I just saw your videos analysing DCH and The Dark Knight. In both videos you have given me a really interesting angle and a great reason to watch these movies again. I admire the way you dissect the technicalities of movie making as now-a-days the number of people who demand such basic accuracy is really low. Great job. Well done! and waiting for more.. P.S. You could do a video on the vedic subtext and philosophy of the Matrix Triology.

[@mishasinghal9016]

WOW! Just wow, just keep continuing such analysis!

[@ranjithputhenmarath8082]

Wonderful analysis ... You brought in new perspectives about this movie..congrats for that .. Hope to see more such analysis about epic movies in future..

[@abhishek7dbecks]

Really appreciate the content, and looking forward to more of such intelligent analysis of Indian movies (and overseas as well).

[@sudeeplohar6871]

We can see these ego and superego concept in lots of literature, like the short story The Fly.

[@rajkadolkar6637]

keep doing the analysis for bollywood movies.. you look good at it..

[@mtarkes]

There is human life beyond romance and songs which our bollywood films seldom realise.

[@arushisharma793]

great work guys! as an aspiring filmmaker i really appreciate such in depth analysis. wish you guys would explore mor of color theory and keep these videos coming. looking forward to seeing more!

[@EmDeey]

Subscribed halfway through! Brilliant work,look forward to more of your content!

[@ArindamNandiredington]

I m surprised that you have only 8k subscribers. Expecting more videos. Keep it up!!

[@shankysays]

Thanks for giving Indian "Lessons from the screenplay".

[@sunilkrishna6788]

Sensible video after a long time.. great analysis buddy. Also great ending.

[@sw1696]

First time i have ever subscribed a channel after watching half of video. Great analysis. Keep it up Sir.

[@lalitkhopade6747]

Best analysis I've ever seen. Hats off to u man 🙏 🙏🙏

[@Rajaking1997]

Finally Some great content about Bollywood. keep going. well done.

[@shehzadimalikzaman5351]

Surely going to discuss this in my class. I am going to study psychoanalytic theory in literature. Thanks a Million.

[@pradyunmanoj6716]

Tbh, i liked Don and Don 2

[@marsnbars4826]

A wonderful analysis of the movie. As a filmmaker, I did learn a lot from your review. However, These three were only the primary characters and primary characters do need the support of the secondary characters to establish space and enviroment ..Would have love to see you add the secondary characters ( sadly the females were secondary) in your future narratives.

[@Urjaswit]

Incredible! please keep making these videos.. Looking forward to next one!

[@arundhatisharma2491]

This the best content I have got on KZbin... brilliant work... perfect analysis and the part where u relate everything to Freud's theories dats superb... Please do a video on" 15 park Avenue" it is a wonderful movie ...