Divine Sampling - Fastest Cinematic Sound Design in Kontakt (using only 4 samples)

[@NigelMerrick]

Wow. This was simply mind-blowing to me. Like many people, I have the full version of Kontakt, but have only used it to play already prepared sample libraries, mostly from the big name companies. Not only are many of those sounds and instruments overused in the cinematic production world, they can mount up to an incredibly hefty financial investment that is hard to make a good return on. The constantly never-ending sales, and relentless release schedules from some of these companies, can be overwhelming. I'm sure that a lot of new producers, for example, spend a small fortune in the mistaken belief that they "need" to have the latest and greatest sample library, when these methods you describe are actually better in a multitude of ways. The uniqueness of the sounds we can create for ourselves, being one of the most valuable assets. Your videos are an absolute must-watch, with a refreshing style and calm approach that is immediately captivating. Great work, and I hope you keep it up and reach a much wider audience. Wishing you all the very best from here in Memphis TN. (I, too, was very sad that Vangelis passed away. "Albedo 0.39" was the first album I ever bought back in 1976, so he had a very special place in the development of my musical interests and, ultimately, my choice of instruments and sound today).

[@chromofonic]

You are spot on (especially about the new producers). I've got to pin your message.

[@BrightThunder]

💯💯💯

[@BrightThunder]

@@chromofonic 👍👍👍

[@bojantanasic221]

I totally agree with you. Couldn't have said it better. This preset hopping and instant sounds are more present with the gen-z generation.

[@chromofonic]

Correction. The Send Levels module "sends" the sample to the Send Effects section, from where it is routed to the instrument's output. Also, I dedicate this Episode to Vangelis, who sadly passed away today. His charisma always inspired me. RIP Vangelis.

[@jackpisso1761]

OMG... No... Truly a sad day for me. For me V was the inspiration that got me into music. I loved both his music and the man. RIP

[@faxinadu]

make it happen!

[@thesouringgentleman]

Love your way of presenting. I’m returning to music and sound design after 10 years of illness, and this is getting me back up to speed. Thanks for sharing your experience with us.

[@MartinJG100]

A fascinating expose, Chromo. Simplicity at its best. PS - 0:12 :)...

[@confuzen-su4oq]

Brilliant! Best kontakt tutorial i have ever seen. Thank you very much. 🙏🏻

[@Markrspooner]

This is amazing, really impressive how easily you did this

[@GuilhermeRamos]

I'm sampling a three-string rabeca: G, D, A (a typical instrument from the Brazilian Northeast). In the first adjustments it's already looking beautiful! When I'm done, I'll show you! You are an inspiration, man! thanks for the generosity!

[@chromofonic]

Sounds very interesting! I'm curious to hear how your instrument turns out.

[@bartoszstepkowski]

I think in a composer world where we are (literally) bombarded with new libraries releases, originality and "unique" sounds are gonna be important to stand out.I always like that idea of record something like : instrument, ambient or whatever and turning that into expressive instrument but that thought of "this is too complicated" was too much, to go through and now after I watched some of your videos, I may try it. ;). Your channel is very interesting, I'm glad I found it :D.

[@stalktheowls]

Not only is your process to cinematic sampling inspiring, but your acting as the "lost soul" in the film is superb. Bravo!

[@IvyWillowMusic]

Well, you got another subscriber off this video alone, and I'm making my first kontakt instrument I feel is worth saving! Thank you, this was so easy to follow

[@chromofonic]

Brilliant! In the upcoming video I will be giving tips on how to practically approach sampling using applied psychology. Since you saved your first instrument, it will be relevant to you.

[@The-Weekend-Warrior]

I have a big issue with your channel - which I discovered just recently by the way... I'm going through your videos and I LOVE your production style, humour and amazing creative talent.... I'm only afraid that I will have deprivation symptoms as soon as I catch up with your videos and will be here waiting for the next one to be posted :))))) Amazing work man, I applaud your sane approach to things and infinitely enjoy your sense of humour :D Thank you!

[@chromofonic]

🤣 thanks for that. Do not fear, I will continue producing videos soon enough ;)

[@coleashmore]

So good! I’m learning so much about sampling! Very inspiring! Thanks Chromo!

[@wrigleyfield9042]

Great video! Inspiring. Thanks for sharing.

[@fishergary3967]

you are the whole package great stuff love your attitude -easy to follow great sounds from as you say crappy notes "amazing" THANK YOU

[@creativecollection4357]

Thank you!!!🙏🏾 this was very inspiring.

[@cesarpignata]

Thank you for sharing the knowledge. I love your vídeos.You are the best.

[@rawl747]

I must say that I am truly impressed by your techniques which provide so much texture and variation from so little in the way of initial samples as the source. You inspire me to do some real world ambient sampling. I guess I will have to save up and purchase a portable recorder to do so. Recommendations for a good value in portable recorders similar to what you used for this video to capture the wind and cityscape sample would be appreciated!

[@chromofonic]

Thank you. I'm glad you get it. I found that the Zoom H1n, although basic in functionality, it fulfills most needs if used correctly. However, the more expensive models offer flexibility in recording such as using external mics hooked to the recorder. Wind is a bit tricky. You will need to experiment with microphone positioning :)

Please come back

[@shinyisshiny7780]

brilliant. what an emotional scene too.

[@quetzalmarchiori]

8O ... KONTAKT genius!!!! When you will publish your book? ... Thank you very much for your amazingly educational videos!

[@chromofonic]

😂 I am considering getting a Kontakt tattoo first, before publishing my book ;) Thanks for watching.

[@quetzalmarchiori]

@@chromofonic absolutely right! First things first!!!

[@emanuel_soundtrack]

very cool. I composed a piece for your free Fourier Model and linked in the last video but maybe your filter is on. It is on my channel, last one. Thanks!

[@chromofonic]

Loved your composition! I think I might build a custom-made instrument with more than one sample to do justice to your piece. I couldn't find your link in my last video. I think my filter should allow that.

[@emanuel_soundtrack]

@@chromofonic thx, the honor is mine! Well, i posted on your video of the vst and later in the next video because maybe you didn’t see old comments. In my channel i have also a weird behavior regarding notifications and my settings , i can’t see all. If you do any vst i like and i have free time i may compose something with it and let you know, sure. Or even some walkthrough with suggestions of use. I think you would be the guy to properly create a “hybrid orchestra” or hybrid chamber ensemble, from few samples and a lot of touchs of magic. If I said in another comment: the paradigm next will look like this, home studios will explore the properly virtual and poetic capabilities, while big companies will dominate these heroic sampling works, like 1 Million Stradivarius played at once (…) and all samples with correct name (…), or “The Instruments Of Ancient Aegypt in Museum of the Alexandria Library Recorded with Gold Diafragma Mics” For my opinion , a vst instrument (that we download or buy) is good when it blends in many situations (piano) . When it is too specific and rigid (like not enabling good counterpoint), even despite some ADSR faders or these things, I find not optimal for buying - but this doesn’t mean it is by definition useless. But the convolution tip inside Kontakt is gold, good to know. I heard similar from Vemus Theory channel, but not in Kontakt. For now my mastery is the Sampler in Logic. Since i wanted so badly to control Sul Ponticello/Sul Tasto, I learned and tried a lot of things there. The track My Power is God’s power is with Logic’s orquestraand 3-2 corrections with EW. First time (despite i have all EW instruments…) First time i tell it ;) invite you to subscribe

[@MartinHeidenreichMusic]

Novel award and Bordell award....hahahahah. You will get those 1k subs sooner than you think, believe me. Your content is getting better from video to video! Keep up the good work

[@jackpisso1761]

You're awesome :) Great educational video, as always! Truly inspiring techniques. I thank you for making these! Cheers

[@QuiemRe]

16:44 it would be great if you made kontakt library of this sound for us. It is so atmospheric!

[@dylanschiavonecomposer9116]

Awesome. Subscribed.

[@orologidalpassato]

That's magic! Thank you for the very useful video! What about the bus 2? Did you use convolutions only for bus 1?

[@rudolfdesadeleer7995]

as always an amazing video

[@AlessandroMastroianni]

Amazing as always!

[@leflutebear]

Love it 🥰

[@SiTheMon777]

These videos are gold dust, you should have 1000''s more subs Chromo. Thank you mate

[@chromofonic]

Thanks for the support. Jokes aside, I am happy with a few select subscribers that share my passion for the power of sound, sampling and music. 👍

[@creativecollection4357]

😳🔥🔥🔥🔥

[@macker202]

Wait hold up, isn't this basically what spitfire audio's BT Phobos does?