The RODE Wireless PRO is NUTS!

[@fofopho]

This is the wireless system I’ve been waiting for. Locking 3.5mm jack is an underrated upgrade.

[@kouleeofficial]

I’ll wait for the DJI mics new mic.

[@jean-pierrechapoteau1556]

Yep!

[@ericcoen8894]

Never use DJI garbage

[@deanlowe2580]

@@kouleeofficial And I'm sure they will be fine, but Rode is pro stuff, at a different level.

[@dsdddsd4543we]

Look at how far the industry has come. I remember purchasing the original Rode Wireless Film-Maker Kit for $399 back in like 2015. We now have two transmitters, 32 bit float internal recorder, and a much smaller unit. Well done to Rode.

[@AndresHernandezFilms]

and time code!!!

[@StreetActivism20120]

How much cancer will we get with this frequency strength? Jk

[@HollywoodweddingfilmsGREECE]

Well... Filmmaker's Kit is still the KING 👑 in an out of line of sight situation. This is something that has not been improved in almost the last decade. Is this something, or what ? Nevertheless, Wireless PRO is an astonishing piece of technology. Congratulations to RODE for making it happen in an affordable pricing. They deserve all the credit.

[@Alecxace]

features many of us asked for in the Wireless Go 2!

[@1imanni1]

@@HollywoodweddingfilmsGREECE I also agree that the Filmakers kit is King!

[@saradietschy]

Can you imagine shooting weddings a decade ago with this type of gear 😭 my setups were so janky man

[@dslrvideoshooter]

I know! Too easy!

[@DeliRevv]

This wireless system is exactly what I’ve been looking for. As a legal videographer who films depositions for trial, I have been using Sony wired lavalier mics for over 27 years. While the sound was always decent, setting up the cables was always a major pain by trying to keep them from looking like a spaghetti jungle and the small mic cables were always getting caught up in the wheel wells of the chairs and people always fidgeting with the cables creating unwanted noise and damaging the wires. I recently purchased two sets of these mics and it didn’t take long to get the hang of them even without reading the manual. What took me 15-20 mins to setup and breakdown before now only takes me seconds and that’s more than worth its weight in gold. Plus, the record feature as a backup is an added bonus in case my camera, Hauppage recorder and/or OBS should fail. These are a major game changer for me and there’s no way I would ever go back to my old mics now.

[@mattdayphoto]

I use black washi tape on my Wireless Go II for that shiny surface as well. Way less noticeable if you’re wearing it with their magnet kit. It’s not ideal, but if you plan on keeping it fully covered at all times, you could try to use a really light sandpaper to create some texture for the gaff tape to better grab onto it. Might not slip off as easily. But I’m with you, a matte texture on those would have been nice on the “Pro” model.

[@ParsclickTV]

Rode said this mic turns on and off automatically with camera is that the case? I agree with the big logo and glossy front. I don’t know why we have to advertise rode logo when we pay to them

[@AfricanFilmmaker]

I just realized the whole video didn't have any music and it felt so good and calm, made me focus on the product! love it!

[@KarlRock]

I hope I can turn off that new record-on record-off button. It’s gonna get tapped by mistake at some point. You’re right about the finish, when wearing it on a t-shirt I don’t really want it shining and taking attention (plus that new big record light).

[@robhephner]

You had that option previously. Yes, it is able to be changed in the app.

[@tonyhailstone]

The new record button on the transmitters can only be changed to start/stop recording (when unit is set to manual) or start a new clip (when set to auto record). It is WAAAY to easy to press. A firmware update really needs to address the lack of option to lock the button (or at very least require more than just a tap to activate)

[@ChaseTheSummit]

Great video dude! However, I did wait 16 minutes for an audio sample of the 32 bit float vs 16 bit float of the RWG2 and was left unfulfilled 😂

[@kovafilms]

He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these bur was dissapointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.

[@davebattle74]

Can. you tell me more about how you attached it to your Sony headphones? What clip do you have on your headphones that it'll attach to?

[@Dannington]

The 'every 4 hours' timecode jam will be because the timing crystals in most cameras can vary by a field (half a frame on 25/30 fps cameras) every 30 mins - the Rode devices themselves might be more accurate but this re-jamming will be because of the variance in cameras.

[@Snider-Films]

Thanks!

[@dslrvideoshooter]

Thank you so much for the support!

[@robthedrummer5190]

Another improvement idea, though it likely would add cost: A small 'pelican-like' charging case with splash proof connectors and latches instead of the zippered fabric unit.

[@PoisonedStudios]

If I already have the wireless 2 but don’t want to upgrade to the pro. Can I just buy the charging case as an accessory. Also is there a way to timecode my wireless go ii to my cameras audio so I don’t have search and match audio files to my videos

[@TechSource]

Did he really not include a mic sound test or did I skip it? Wtf?

[@kovafilms]

I know haha no sound test but for good reason. He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these especially being the "pro" version but was disappointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.

[@r00kiet80]

Just watch a go2 sound test its the same mic

[@dslrvideoshooter]

Same as the GO II 👍

[@blackbugmedia]

The on-board mic has Max SPL of 100 db, which is kind of low. That's probably why everyone is complaining, saying it clips too easily.

[@ab85main73]

Too dramatic, life is not that serious.

[@jermainenaidoo]

Was just about to get the DJI mic... thank goodness I waited! Well done Rode

[@totoroutes5389]

Receiver is lacking headphone port. Funny that Rode includes timecode connection for the camera but there is no way to monitor the audio during use of the timecode, camera operator will just have to wait for the playback, since timecode is already a lot of convenience better not include too much.

[@timnoonantv]

Hi mate. Great video. Quick question - do you know if you can link two receivers to the transmitters? So that you could get audio or timecode into multiple cameras at the same time????

[@audreysegura8933]

What a great review ! I’m super excited ! Order some today ! And love your voice !!

[@JoshCameron]

This is a MUST for me - Can't wait to pick these up. Great video Caleb!

[@Youthman]

I just ordered mine as there are several upgrades over my Rode Wireless Go II

[@dslrvideoshooter]

Yo Youthman! Seen a lot of you stuff as I just finished my home theater custom build ha! Keep up the great work.

[@nfarc7542]

These look awesome! I can't wait to see DJIs response to this. I have the DJI Mic now, and am very happy with them. I like DJIs touchscreen.

[@AM2PMReviews]

I want to learn more about how to use time code with multiple cameras. My FX3 has a time code but I dont know how to sync with other cameras and this audio.

[@w123luke]

What makes these any better than the DJI option? It seems like most of the changes made were to catch up to the DJI variant. But for me personally I see the DJIs as the better option still (I don't use time code at work so that's not necessary for me) because they have both an output for camera and headphones on the receiver, as well as pins to charge off of in the case rather than using the USB port. The touch screen for me is way easier to use than navigating with buttons plus all settings can be changed on the receiver itself. Finally the mag is built into the clip on the DJIs so no need to add an extra attachment on to use the magnet. Sorry for the long post. This isn't supposed to be a rant but I'm just curious why anyone might choose these over the the competition.

[@JadeesVlog]

I have the DJI and I love it.....But I have to admit this Rode system has a "Loud" limiter. NO peaking no matter how loud you shout....To me that's the only thing they have on the DJI...but im not trading in my DJI tho...Its smaller and look so much more professional......

[@w123luke]

@@JadeesVlog oh that would have been useful for me today. We shot in a plane and no one had a way to get the audio off coms so I clipped the DJI mics on the headset mics. It worked but my god will the audio be clapped out 😂.

[@Staystrongbrotherx]

@@w123luke I use them too, to avoid I just use the secondary audio track as a backup with a volume of -6 dB

[@NewsRedial]

Is there a way to just buy one transmitter? having a Rode Wireless PRO would be great but I can't afford the pack and don't' need it. I would be just happy to have one transmitter and a lav and then upload the audio file to my computer later.

[@lukasEgg]

If I understand it correctly, there is no option to jam sync the rode time code from an external source. This makes the great addition of timecode kind of limited for bigger applications. It would be nice if you could jam sync the transmitters trough the input jack, imo this could be done with a software update.

[@mattgray9297]

This set is a steal. Really looking forward to using it in the field soon.

[@WupperVideo]

I would really like to see some more transmitters in the Rode Wireless Pro series, like a handheld mic with cardioid capsule and a XLR plugin transmitter with P48 power.

[@OzKidzFun]

What an interesting camera cage you have in the video. Could you show that in more details please.

[@robetus]

I was going to ask the same thing, it looks incredible. You basically built a box around a DSLR. You added a link to a rig but it's not this. Hoping for a new video with this design.

[@antonius6302]

Hi Caleb, if you film with multiple cameras you can record the timecode in the image and then later put the code of that frame in the meta, then all the footage is still in sync

[@BrunoPozo4Real]

I have been so happy with these updates. Mine just came in today and I can’t wait to use them on my next project. Great review and product from Rode

[@BrianMillsMFA]

Holy crap. I ALMOST bought the DJI Mic kit yesterday. So glad I didn't! Locking connector + 32 bit float recording are HUGE UPGRADES!!!

[@WupperVideo]

It’s great, that you can now directly copy the files from the devices. On the Wireless Go II, you always had to use the Rode Central app in the same version, than the transmitters, or you have to format the devices first, which is fatal, when you want to backup the files first…

[@AparnaJain1]

I could never make the rode wireless go 2 sound good. Sarah Dietschy has the same complaint. What are your thoughts about the sound quality of the pros vs the DJI wireless mics? I’m quite disappointed that my wireless go 2s always have a hissing sound when I record with them.

[@MenocOne]

hey caleb! always enjoying watching your videos. 👍 could make a part2 vid for wireless audio monitoring with low latency plz? been 4years, tech got better since (or so i hope)!

[@TacticalCactusMedia]

Finally a 32-bit float capable device for lav mics! Great video as always Caleb.

[@JanneAirDotCom]

there's been plenty for years, but an affordable one. :)

[@TacticalCactusMedia]

@zackdarce was not a fan of Tascam’s design, nowhere near as portable as the Rode lavs. The fact you don’t have to hide a pack on the body is huge for event work.

[@walkwithyan]

very detailed and clear explanation. thanks. but, correct me if i'm wrong, you did not give a sample of its audio quality. i guess that's for another review? looking forward to that. 😊

[@DavidHorizonFilms]

DJI will definitely come up with 32bit audio soon in their mics! I switched from Rode go II to the DJI mic and I love them so much more, they are also much smaller. Can't wait for their upgrade!

[@nodaysoff2005]

DJI is still better. That 32 bit is nice, but the average person won't notice the difference

[@brkylmz]

@@nodaysoff2005 rode's lavalier mics are huge difference.

[@SamEmilio2]

@@nodaysoff2005 That's what I wonder with it too. With paying even half attention to what's going on, and the backup track on my DJI Mics, I've never felt like I needed float

[@skymakai]

Totally agree about the shiny finish. I use gaff tape on my v1 Rode Go to cover up the shiny finish. I really don't know why Rode decided to stick with the same form factor, either. Maybe they're working on a real UHF update to their other wireless system. I can't wait for Curtis Judd's review of the lavs. For $399 including lavs, they can't be that great... but we'll see.

[@KGFIQ]

that's who I'm waiting on, I rock with Caleb for most things video but audio I really think Curtis is the best on youtube, runner up is Gerald Undone for just overly detailed breakdowns on gear in general

[@petercofrancesco9812]

I believe the audio quality is the same as the GO which isn't fantastic but good enough for weddings or youtube videos.

[@DanteJDM]

I'm so glad you brought up the glossy finish. That was the first criticism I had when I first saw these and I hate that Rode decided against a complete matt casing. But they sound promising otherwise. Thanks for the great review!

[@Jbobonline]

Thank you Caleb, wonderful content as always. Assuming I do not use time code, and am recording two people interviews using my wireless go II - I only see the portable charger as a “feature” upgrade ☺️

[@pauls6043]

how sensitive are the lavs that come with it? The ones that go with the Go 2 peak way to quickly.

[@billem16]

i might need to get this for filming weddings. I currently use Tascam DR10L for weddings, and for my commercial/corporate/interview gigs I use the Sennheiser G4. But it would be kindof nice to monitor audio during a wedding (BUT also even if audio cut out, it's not like I can go stop the wedding ceremony to fix anything lol so maybe it's best I don't monitor and continue with my Tascams). But I do love my Sennheiser G4 for corporate work and monitoring audio on it, I wish they could record a backup track on the transmitter like these. Anyways these look cool.

[@PiecesofVinyl]

QUESTION - you mention it can charge while using - when doing this with the Rode GO II - there is TERRIBLE interference when you do this either when charging a transmitter or when charging a receiver - another complaint of my Rode Go II's - there batter life sucks - at least on the receiver. Also - there was a HUGE bug with the RODE and the FX3 - when using the Rode Go II or any rode wireless - into the built in mic port of the FX3 - there was a bad grounding issue - this does not happen with DJI wireless mics - does it happen with the PROs?

[@Mike0193Azul]

They really listened and added som fantastic features. Based on a glance at it’s specs I believe and hop that they support pro lavalier mics that require minimum 5v

[@PiecesofVinyl]

Sorry - one other question - you mention connecting to a phone - in the past this required a VERY SPECIFIC USB cable - only provided from Rode and even then - it was hit or miss - is connecting to an iPhone even doable or reliable? Essentially I shouldnt need it - with the exception of possibly formatting on the go.

[@marsgizmo]

great review! 👏 Your future accessories ideas are very good, fully agree! I'm actually thinking to make some 3D Printed mods for it, i.e. a bigger case, in which you can plug the transmitters with the Lavs attached + all other accessories. But this is stretching it too much into Pro gear and might be better just getting Pro gear at that point.

[@racooninvasion]

Awesome video, Caleb! I jsut got your FX30/LUT videos, appreciate your hard work!

[@icekiller181]

What I'm missing is an XLR Slug for the Wireless Pro because its looks like they are discontinuing the Rodelink series, I know you can have an interviewer stick, but it's missing an item that does phantom power for a reporter mic or a shotgun on a boom pole like an MKh416

[@GabrielJoseRodriguezRecords]

I just might get this kit over the DJI microphones. Thank you so much 👏🏻

[@MensHealthMinistries]

The clip showing the wireless pro connected to the shotgun mic… isn’t there supposed to be another cable connected into the camera’s microphone Jack?

[@mediamannaman]

I was JUST ABOUT to pull the trigger on the DJI mic kit for my first lav set as I start my first YT channel ... and then I saw this. Honestly, I've never worked with timecodes and I have no idea how much 32-bit float will actually improve the sound quality, but this has high quality, more features, and a better price if you consider than DJI does not include separate attachable lav mics, which I was going to have to buy, so that pushes the DJI price up from $330 to over $400. If anyone knows of a BETTER lav mic kit for a beginning KZbinr let me know. This looks like the one to me. I've worked as a voice over with my own home recording booth, so I'm familiar with audio editing and not afraid of working with the extra features in this Rode system.

[@6-Iron]

Great. They come out with something that solves all of the problems of the Wireless Go II after we bought it!

[@EmbraceMaking]

Hopefully they fixed the high pitch noise that is nearly impossible to get rid of from the first Wireless GO units. I paid a few hundred back then and they were incredibly disappointing with no offer from Rode on replacements when I contacted their support. It was a common problem that was well documented. I'm looking to upgrade my gear again soon but hesitant to send them another few hundred after my first bad experience.

[@swiftdetecting]

is there a lead included so can use this with phone as well ? also can you put one on interview people and also have one mic on camera without lav to record interviewer ?

[@AxlfroProductions]

A huge feature that many of these wireless lavs don't include anymore is the ability to switch frequencies, like on the Sennheiser G3's for example. Shooting in cities, there are often times where interference is an issue. Being able to switch channels or frequencies is such an underrated feature and arguably the most "pro" feature of all.

[@GurmeetSingh-fr8uo]

That’s true. What do you recommend

[@podcastdude]

True but to be honest I’m more like to use the onboard recording with the timecode for final sound and just use the wireless for monitoring.

[@dandonovan1]

I am a still photographer getting into video. This looks fantastic! I have some quick interviews coming up and am thinking about using a mic boomed over my subject, attached to one of these transmitters. Any suggestions for a microphone for this purpose? Thanks!

[@gerardneedham]

I was waiting for a sound test of the internal 32bit vs the 16bit via the receiver into the video file clip

[@ricardorgomez]

This is so amazing, it's a bit overwhelming. But as you and others have mentioned, we've come a long way for audio recording in the last few years. I remember when 32-float files were first introduced. Making quality-sound pretty much a no-brainer. Saved on my Wish List. Thanks for the great review.

[@QuantumMango]

Overwhelming is what I was thinking as well.

[@streamiumlive]

This is Rode's response to DJI's offering. I'd be very interested in a Rode vs DJI shoot-out. Do you know if the case can be charged while it is providing top-up charge to the devices? I was a little surprised at the price. Was expecting these to be considerably more expensive. Great overview - thank you

[@IKwispyI]

Hows this vs DJI mics. I like how the dji screen faces out instead of upwards

[@GrindhousePerformance]

I had a lot of peaking issues with the wireless go II using their GO Lav. Even with internal gain (and camera gain) all the way down, anyone with a projected voice was impossible to record without peaking. Have you done any audio tests comparing the units?

[@pawelkochanski2343]

32 bit gets rid of this issue

[@ausdoug974]

Extremely helpful as always. I’ve learned so much from your videos. Thank you for creating this for us.

[@TheThrillerZone]

Such a superb review. As always. IMHO, you’re the very TOP of the heap in camera/tech/info. Cheers!

[@rogeriogomesosorio4755]

Great video, as always. I do have a few questions: can I record internally 32.-bit rate and, at the same time, send the signal to the camera? Also, does it bring any cable that allow me to connect and use the rode with my iphone? Finally, a suggestion to rode: there has to be a way to be able to connect more than 2 TX; 4 would be great.

[@fakollpadittforetag5258]

Gr8 review! 1. Any thoughts on battery life? My Go II receiver randomly cuts off the power after maybe 18 months of usage. 2. Did you notice any of the occasionally hissing noise that the prev model has? Cheers!

[@ForsgardPeter]

Can you turn on the recording in transmitters from the receiver?

[@peterdirection4608]

I’m trying to get the best sound on a stage about 150 feet away (i generally do small theater jobs) from a Sony a7s DSLR. Can’t figure out if the quality of the sound would be better just throwing one of these little wireless transmitters on the stage floor or putting the videomic + shotgun on the dlsr…or 3rd option which is using both by connecting the shotgun to wireless pro near theater speakers. Thanks by the way.

[@luissinsin]

I have (2) Wireless Pro Systems. Two things they should add are these. #1- A way to to Jam Sync Timecode from an external device or at the very least, a way to Sync 2 or more receivers to each other. #2 - A Timecode Mode where Left channel outputs Transmitter 1, Right channel outputs Transmitter 2, and the USB can output or input Timecode. This would make these units infinitely better. I would hope these can be achieved via firmware.

[@SirSeabass]

I cant wait to get a set. I was getting ready to by the Zoom F1 with 32bit float, but this looks more in line with what I want. Cant wait to get my hands on it.

[@voncruzvideos279]

Would be great to connect timecode via Bluetooth on the atomos monitors, what do you think?

[@gentd-jm4bd]

Nice to see they have responded to the DJI Mic.

[@charlesjiang5243]

having never worked with time codes before, I would love to see an in depth explanation/tutorial on how it works in real life once this is released!

[@berlinwallvideo]

Thanks for the review! There are the Tentacle Sync E and the Ultrasync Blue Timecode Generators out there. I am going to sync my Tentacle Sync E via Mode 5. But there is no way to sync my Ultrasync Blue via Bluetooth! It would have been nice, if Rode would have looked for more ore better time code integrety.

[@anomalousstudiosllc4609]

im loving Rode's wireless series, but i use deity microphones with them. So im curios if there's any way to jam sync the Deity timecode system with these. After 2 years with the RGW 2, im most excited about the charging case. These days i can charge the pucks the night before a shoot, and ill roll in with a half drained battery on all units. Keeping them in a charging case seems like the best way to make sure they stay charged

[@ConcordStudios]

Whatever that zve1 cage was in the beginning is everything that I need in my life

[@shamsiqbalrhone7850]

That's I can see a passionate filmmaker ! Thank you for the great great content.❤

[@sipapito]

Which microphone did you use for this video? The sound was excellent!

[@ylberazizaj]

Finally Rode learning from the competition... but since I have DJIMic it's comming to late....

[@enriquemartin8655]

Thank you for your presentation. I do plan on purchasing this device, I do have a perhaps silly question. Do I need to have a cell phone to have access to the software in order to use this device. properly?

[@JarradShaw]

I am so excited this new mic finally came out.

[@kubburdigital]

have they fixed the groundloop issue, ie having the receiver plugged in while using

[@loudvicbeaulne2650]

The feature i'm wishing to see is to be able to sync more devices to it. Like 5 lavaliers with their transmiters, a boom with transmiter, and a single receiver.

[@OrtizFilms]

Good review. The part I found funny is on 14 minutes, where you suggest a new device. I think it was just a matter of asking Rode for a TC-1 Deity unit for these mics. LOL! If they can let us receive timecode in the Rode transmitter units, this will make very productive timecode and will let us even have more mics on the field with the same timecode., Timecode will be usable in short shoots with only one camera for now. I have been using it in some sports jobs the Hollyland marks and the menus are awesome and the quality build is the best. The 32-bit float is the attractive part of these units.

[@elcano091]

As always great first impressions/review video! But I do have a question: can the receiver change the gain of the transmitters individually? Like, if I want to have one at -12 and the other at -6? And I understand that with 32 bit float probably negates this need but still.. less editing is less editing.

[@joelmoralesiii9427]

Ok, so do they peak easily like the wireless go ii’s? Did they fix the interference problem with the A7siii? Had to buy some RFI EMI filters for the wires to get around it.

[@tbip2001]

I knew rode would do it! The best part is we will likely see other manufactures follow suit and thenprice should come down

[@whiterock1865]

So is that glass or plastic on the front? Any change in durability/construction of them?

[@davebattle74]

Is the monitoring Live, no delay? With Tentacle you can't monitor when recording. I assume you can do that with this since you can use it to transmit to a camera, correct?

[@rurikau]

This is really cool, and it has all the features I am looking for. However, the price point that it is at is a bit up there. I am wondering what actual functionality I am getting out of this Rode setup as opposed to using two Zoom F2?

[@liamdanielmcevoy6622]

I would absolutely love if in future firmware you could jam-sync the timecode of the receiver from an external source. It sounded like in the Q&A that they are working on that. I've tried unsuccessfully to jam the TC of my Atomos (Timecode systems) One, using the rode as the master. In a perfect world you could slave multiple Rode kits to a master TC generator via RF or BlueTooth (at the least)

[@Worldwarrior01]

Could the Rodes Pro be integrated with your idea for the ultimate record center, to sync time between the recording and the remote wireless audio.

[@adinwalls]

I have the DJI system which I love. But for anyone new to the market, this Rode system is definitely better. Caleb, what camera re you using for the top down shots?

[@mcelliot]

absolutely agree with having further timecode units to daisy chain a few cameras. Please......

[@nguyenphung8940]

One question: can we adjust gain/sensitivity of each transmitter individualy ? Tks

[@danieldougan269]

This seems like it would be so useful for filming weddings!

[@dyong888]

You just gave DJI ideas for their DJI Mic ver 2 system. Nice video.

[@HesDeadJim]

Oh man. Just bought the DJI mic 4 days ago... Lets see

[@GB-AK]

Excellent review however you forgot to cover the included cleaning cloth.

[@DanilMinardi]

are you going to make a video on the rig you show at second 8 in the video ? ( red camera like sony )