The RODE Wireless PRO is NUTS!

[@fofopho]

This is the wireless system I’ve been waiting for. Locking 3.5mm jack is an underrated upgrade.

[@kouleeofficial]

I’ll wait for the DJI mics new mic.

[@jean-pierrechapoteau1556]

Yep!

[@ericcoen8894]

Never use DJI garbage

[@deanlowe2580]

@@kouleeofficial And I'm sure they will be fine, but Rode is pro stuff, at a different level.

[@dsdddsd4543we]

Look at how far the industry has come. I remember purchasing the original Rode Wireless Film-Maker Kit for $399 back in like 2015. We now have two transmitters, 32 bit float internal recorder, and a much smaller unit. Well done to Rode.

[@AndresHernandezFilms]

and time code!!!

[@StreetActivism20120]

How much cancer will we get with this frequency strength? Jk

[@HollywoodweddingfilmsGREECE]

Well... Filmmaker's Kit is still the KING 👑 in an out of line of sight situation. This is something that has not been improved in almost the last decade. Is this something, or what ? Nevertheless, Wireless PRO is an astonishing piece of technology. Congratulations to RODE for making it happen in an affordable pricing. They deserve all the credit.

[@Alecxace]

features many of us asked for in the Wireless Go 2!

[@1imanni1]

@@HollywoodweddingfilmsGREECE I also agree that the Filmakers kit is King!

[@saradietschy]

Can you imagine shooting weddings a decade ago with this type of gear 😭 my setups were so janky man

[@dslrvideoshooter]

I know! Too easy!

[@AfricanFilmmaker]

I just realized the whole video didn't have any music and it felt so good and calm, made me focus on the product! love it!

[@TechSource]

Did he really not include a mic sound test or did I skip it? Wtf?

[@kovafilms]

I know haha no sound test but for good reason. He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these especially being the "pro" version but was disappointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.

[@r00kiet80]

Just watch a go2 sound test its the same mic

[@dslrvideoshooter]

Same as the GO II 👍

[@blackbugmedia]

The on-board mic has Max SPL of 100 db, which is kind of low. That's probably why everyone is complaining, saying it clips too easily.

[@ab85main73]

Too dramatic, life is not that serious.

[@ChaseTheSummit]

Great video dude! However, I did wait 16 minutes for an audio sample of the 32 bit float vs 16 bit float of the RWG2 and was left unfulfilled 😂

[@kovafilms]

He mentioned It a little bit. He said he did wish they upgraded the actual onboard mics for these bur was dissapointed they are the same from previous versions. You don't get higher audio quality with the bit rate of the file. 32 bit just has more information, so in post, you can bring up quiet sources without bringing up a high noise floor. And on the opposite end, if the source audio is too hit and distorted. It's like dynamic range on a camera or even the data speed which it records at. More information, more flexibility in post.

[@Dannington]

The 'every 4 hours' timecode jam will be because the timing crystals in most cameras can vary by a field (half a frame on 25/30 fps cameras) every 30 mins - the Rode devices themselves might be more accurate but this re-jamming will be because of the variance in cameras.

[@KarlRock]

I hope I can turn off that new record-on record-off button. It’s gonna get tapped by mistake at some point. You’re right about the finish, when wearing it on a t-shirt I don’t really want it shining and taking attention (plus that new big record light).

[@robhephner]

You had that option previously. Yes, it is able to be changed in the app.

[@tonyhailstone]

The new record button on the transmitters can only be changed to start/stop recording (when unit is set to manual) or start a new clip (when set to auto record). It is WAAAY to easy to press. A firmware update really needs to address the lack of option to lock the button (or at very least require more than just a tap to activate)

[@robthedrummer5190]

Another improvement idea, though it likely would add cost: A small 'pelican-like' charging case with splash proof connectors and latches instead of the zippered fabric unit.

[@ParsclickTV]

Rode said this mic turns on and off automatically with camera is that the case? I agree with the big logo and glossy front. I don’t know why we have to advertise rode logo when we pay to them

[@Snider-Films]

Thanks!

[@dslrvideoshooter]

Thank you so much for the support!

[@jermainenaidoo]

Was just about to get the DJI mic... thank goodness I waited! Well done Rode

[@DiegoJoseSJaime]

Somehow I hated Rode for being expensive and not precisely the best audio, but this time I have to say I'm impressed. This looks amazing, but that's thanks to DJI Mic, it made them improve a lot just because the old version was worse in every way. Hopefully this device makes DJI release a powerful system for the DJI Mic 2

[@djfago6240]

Fact

[@Gerald_G]

Yes I kept wondering when Rode would finally catch-up.

[@King.breaker]

DJI is amazing. I love

[@BigJohn95]

I really like my DJI Mics. Super easy

[@danieldougan269]

It's not just the sound quality that matters here. It's the practicality and peace of mind of having 32-bit float audio recorded in the transmitters and a backup track on your camera at the same time. This kit is a no-brainer.

[@mattdayphoto]

I use black washi tape on my Wireless Go II for that shiny surface as well. Way less noticeable if you’re wearing it with their magnet kit. It’s not ideal, but if you plan on keeping it fully covered at all times, you could try to use a really light sandpaper to create some texture for the gaff tape to better grab onto it. Might not slip off as easily. But I’m with you, a matte texture on those would have been nice on the “Pro” model.

[@TacticalCactusMedia]

Finally a 32-bit float capable device for lav mics! Great video as always Caleb.

[@JanneAirDotCom]

there's been plenty for years, but an affordable one. :)

[@TacticalCactusMedia]

@zackdarce was not a fan of Tascam’s design, nowhere near as portable as the Rode lavs. The fact you don’t have to hide a pack on the body is huge for event work.

[@mattgray9297]

This set is a steal. Really looking forward to using it in the field soon.

[@JoshCameron]

This is a MUST for me - Can't wait to pick these up. Great video Caleb!

[@kubburdigital]

have they fixed the groundloop issue, ie having the receiver plugged in while using

[@audreysegura8933]

What a great review ! I’m super excited ! Order some today ! And love your voice !!

[@nfarc7542]

These look awesome! I can't wait to see DJIs response to this. I have the DJI Mic now, and am very happy with them. I like DJIs touchscreen.

[@Youthman]

I just ordered mine as there are several upgrades over my Rode Wireless Go II

[@dslrvideoshooter]

Yo Youthman! Seen a lot of you stuff as I just finished my home theater custom build ha! Keep up the great work.

[@loudvicbeaulne2650]

The feature i'm wishing to see is to be able to sync more devices to it. Like 5 lavaliers with their transmiters, a boom with transmiter, and a single receiver.

[@BrianMillsMFA]

Holy crap. I ALMOST bought the DJI Mic kit yesterday. So glad I didn't! Locking connector + 32 bit float recording are HUGE UPGRADES!!!

[@BrunoPozo4Real]

I have been so happy with these updates. Mine just came in today and I can’t wait to use them on my next project. Great review and product from Rode

[@nicolasjcapra]

The real video I was waiting for... Always appreciate the SUPER in depth reviews like this!!

[@suddenbreakfilm_rva]

Same here!

[@OzKidzFun]

What an interesting camera cage you have in the video. Could you show that in more details please.

[@robetus]

I was going to ask the same thing, it looks incredible. You basically built a box around a DSLR. You added a link to a rig but it's not this. Hoping for a new video with this design.

[@6-Iron]

Great. They come out with something that solves all of the problems of the Wireless Go II after we bought it!

[@DanteJDM]

I'm so glad you brought up the glossy finish. That was the first criticism I had when I first saw these and I hate that Rode decided against a complete matt casing. But they sound promising otherwise. Thanks for the great review!

[@ausdoug974]

Extremely helpful as always. I’ve learned so much from your videos. Thank you for creating this for us.

[@DavidHorizonFilms]

DJI will definitely come up with 32bit audio soon in their mics! I switched from Rode go II to the DJI mic and I love them so much more, they are also much smaller. Can't wait for their upgrade!

[@nodaysoff2005]

DJI is still better. That 32 bit is nice, but the average person won't notice the difference

[@brkylmz]

@@nodaysoff2005 rode's lavalier mics are huge difference.

[@SamEmilio2]

@@nodaysoff2005 That's what I wonder with it too. With paying even half attention to what's going on, and the backup track on my DJI Mics, I've never felt like I needed float

[@davebattle74]

Can. you tell me more about how you attached it to your Sony headphones? What clip do you have on your headphones that it'll attach to?

[@deanlowe2580]

I must say I've been using them for a week now and they are amazing

[@JarradShaw]

I am so excited this new mic finally came out.

[@marsgizmo]

great review! 👏 Your future accessories ideas are very good, fully agree! I'm actually thinking to make some 3D Printed mods for it, i.e. a bigger case, in which you can plug the transmitters with the Lavs attached + all other accessories. But this is stretching it too much into Pro gear and might be better just getting Pro gear at that point.

[@charlesjiang5243]

having never worked with time codes before, I would love to see an in depth explanation/tutorial on how it works in real life once this is released!

[@skymakai]

Totally agree about the shiny finish. I use gaff tape on my v1 Rode Go to cover up the shiny finish. I really don't know why Rode decided to stick with the same form factor, either. Maybe they're working on a real UHF update to their other wireless system. I can't wait for Curtis Judd's review of the lavs. For $399 including lavs, they can't be that great... but we'll see.

[@KGFIQ]

that's who I'm waiting on, I rock with Caleb for most things video but audio I really think Curtis is the best on youtube, runner up is Gerald Undone for just overly detailed breakdowns on gear in general

[@petercofrancesco9812]

I believe the audio quality is the same as the GO which isn't fantastic but good enough for weddings or youtube videos.

[@kovafilms]

This is a great update for Rode. Definitley a fantastic device however i think they are running into hardware limitations and are trying squeeze out as much as possible into an old design that they dont want to invest into R&D for a totally brand new device. Honestly i think the 32 bit float and timecode are novel updates but im concerned how they will fare against competitors. I used to own these Rode wireless mics and was completely surprised how while they worked, were lacking in futures, accessories and cheaply made the actual product was. If im going to be real, as a now DJI mic owner. When, not If, DJI makes their version 2 wireless mics with 32 bit, locking lav mics, and timecode with the amazing hardware it has... Its a no brainer. I think Rode has got to completely start over if they want to compete in the "pro" space.

[@walkwithyan]

very detailed and clear explanation. thanks. but, correct me if i'm wrong, you did not give a sample of its audio quality. i guess that's for another review? looking forward to that. 😊

[@WupperVideo]

I would really like to see some more transmitters in the Rode Wireless Pro series, like a handheld mic with cardioid capsule and a XLR plugin transmitter with P48 power.

[@TheThrillerZone]

Such a superb review. As always. IMHO, you’re the very TOP of the heap in camera/tech/info. Cheers!

[@AxlfroProductions]

A huge feature that many of these wireless lavs don't include anymore is the ability to switch frequencies, like on the Sennheiser G3's for example. Shooting in cities, there are often times where interference is an issue. Being able to switch channels or frequencies is such an underrated feature and arguably the most "pro" feature of all.

[@GurmeetSingh-fr8uo]

That’s true. What do you recommend

[@podcastdude]

True but to be honest I’m more like to use the onboard recording with the timecode for final sound and just use the wireless for monitoring.

[@NewsRedial]

Is there a way to just buy one transmitter? having a Rode Wireless PRO would be great but I can't afford the pack and don't' need it. I would be just happy to have one transmitter and a lav and then upload the audio file to my computer later.

[@ricardorgomez]

This is so amazing, it's a bit overwhelming. But as you and others have mentioned, we've come a long way for audio recording in the last few years. I remember when 32-float files were first introduced. Making quality-sound pretty much a no-brainer. Saved on my Wish List. Thanks for the great review.

[@QuantumMango]

Overwhelming is what I was thinking as well.

[@WupperVideo]

It’s great, that you can now directly copy the files from the devices. On the Wireless Go II, you always had to use the Rode Central app in the same version, than the transmitters, or you have to format the devices first, which is fatal, when you want to backup the files first…

[@JustinDoesTriathlon]

Definitely very interested in a comparison between this and the Diety Theos.

[@MEHRZEUG]

Me too, I have both on preorder and am curious which one to cancel

[@gerardneedham]

I was waiting for a sound test of the internal 32bit vs the 16bit via the receiver into the video file clip

[@adinwalls]

I have the DJI system which I love. But for anyone new to the market, this Rode system is definitely better. Caleb, what camera re you using for the top down shots?

[@shamsiqbalrhone7850]

That's I can see a passionate filmmaker ! Thank you for the great great content.❤

[@AndyLSB]

0:54, 6:16 nice teaser for the screen "holder", I need one for my FX30 rig

[@EmbraceMaking]

Hopefully they fixed the high pitch noise that is nearly impossible to get rid of from the first Wireless GO units. I paid a few hundred back then and they were incredibly disappointing with no offer from Rode on replacements when I contacted their support. It was a common problem that was well documented. I'm looking to upgrade my gear again soon but hesitant to send them another few hundred after my first bad experience.

[@andreasdk]

Why not include any sound test in a 16 minute video?

[@beccamitchell05]

Probably cause it isn’t much different from the other recent rode updates

[@andreasdk]

@@beccamitchell05 Yeah - guess we'll have to watch other reviews to actually get an impression of what is most important: The audio quality!

[@beccamitchell05]

@@andreasdk and it’s not that I disagree that audio quality ids important but the features are what is most different so spending time comparing just wasn’t his point this time. And honestly, nobody is gonna watch just one review on these anyway lol

[@andreasdk]

@@beccamitchell05 Well, I wasn’t planning to dig deeply into these since I’m a big fan of my DJI mics. It just reminds me about how I also watch a ton of reviews about smartphones and only about 1% cares about actual sound quality in the calls (which a mobile is still being used for a few times a year ;)). This however is without doubt the main function. If these sounds greater than my DJI mics I might be interested. The rest is specs.

[@gentd-jm4bd]

Nice to see they have responded to the DJI Mic.

[@ConcordStudios]

Whatever that zve1 cage was in the beginning is everything that I need in my life

[@GrindhousePerformance]

I had a lot of peaking issues with the wireless go II using their GO Lav. Even with internal gain (and camera gain) all the way down, anyone with a projected voice was impossible to record without peaking. Have you done any audio tests comparing the units?

[@pawelkochanski2343]

32 bit gets rid of this issue

[@w123luke]

What makes these any better than the DJI option? It seems like most of the changes made were to catch up to the DJI variant. But for me personally I see the DJIs as the better option still (I don't use time code at work so that's not necessary for me) because they have both an output for camera and headphones on the receiver, as well as pins to charge off of in the case rather than using the USB port. The touch screen for me is way easier to use than navigating with buttons plus all settings can be changed on the receiver itself. Finally the mag is built into the clip on the DJIs so no need to add an extra attachment on to use the magnet. Sorry for the long post. This isn't supposed to be a rant but I'm just curious why anyone might choose these over the the competition.

[@JadeesVlog]

I have the DJI and I love it.....But I have to admit this Rode system has a "Loud" limiter. NO peaking no matter how loud you shout....To me that's the only thing they have on the DJI...but im not trading in my DJI tho...Its smaller and look so much more professional......

[@w123luke]

@@JadeesVlog oh that would have been useful for me today. We shot in a plane and no one had a way to get the audio off coms so I clipped the DJI mics on the headset mics. It worked but my god will the audio be clapped out 😂.

[@Staystrongbrotherx]

@@w123luke I use them too, to avoid I just use the secondary audio track as a backup with a volume of -6 dB

[@racooninvasion]

Awesome video, Caleb! I jsut got your FX30/LUT videos, appreciate your hard work!

[@PiecesofVinyl]

QUESTION - you mention it can charge while using - when doing this with the Rode GO II - there is TERRIBLE interference when you do this either when charging a transmitter or when charging a receiver - another complaint of my Rode Go II's - there batter life sucks - at least on the receiver. Also - there was a HUGE bug with the RODE and the FX3 - when using the Rode Go II or any rode wireless - into the built in mic port of the FX3 - there was a bad grounding issue - this does not happen with DJI wireless mics - does it happen with the PROs?

[@SirSeabass]

I cant wait to get a set. I was getting ready to by the Zoom F1 with 32bit float, but this looks more in line with what I want. Cant wait to get my hands on it.

[@tbip2001]

I knew rode would do it! The best part is we will likely see other manufactures follow suit and thenprice should come down

[@Mike0193Azul]

They really listened and added som fantastic features. Based on a glance at it’s specs I believe and hop that they support pro lavalier mics that require minimum 5v

[@luissinsin]

I have (2) Wireless Pro Systems. Two things they should add are these. #1- A way to to Jam Sync Timecode from an external device or at the very least, a way to Sync 2 or more receivers to each other. #2 - A Timecode Mode where Left channel outputs Transmitter 1, Right channel outputs Transmitter 2, and the USB can output or input Timecode. This would make these units infinitely better. I would hope these can be achieved via firmware.

[@ylberazizaj]

Finally Rode learning from the competition... but since I have DJIMic it's comming to late....

[@PiecesofVinyl]

Sorry - one other question - you mention connecting to a phone - in the past this required a VERY SPECIFIC USB cable - only provided from Rode and even then - it was hit or miss - is connecting to an iPhone even doable or reliable? Essentially I shouldnt need it - with the exception of possibly formatting on the go.

[@GB-AK]

Excellent review however you forgot to cover the included cleaning cloth.

[@antonius6302]

Hi Caleb, if you film with multiple cameras you can record the timecode in the image and then later put the code of that frame in the meta, then all the footage is still in sync

[@timnoonantv]

Hi mate. Great video. Quick question - do you know if you can link two receivers to the transmitters? So that you could get audio or timecode into multiple cameras at the same time????

[@HesDeadJim]

Oh man. Just bought the DJI mic 4 days ago... Lets see

[@lukasEgg]

If I understand it correctly, there is no option to jam sync the rode time code from an external source. This makes the great addition of timecode kind of limited for bigger applications. It would be nice if you could jam sync the transmitters trough the input jack, imo this could be done with a software update.

[@Jbobonline]

Thank you Caleb, wonderful content as always. Assuming I do not use time code, and am recording two people interviews using my wireless go II - I only see the portable charger as a “feature” upgrade ☺️

[@danieldougan269]

This seems like it would be so useful for filming weddings!

[@sipapito]

Which microphone did you use for this video? The sound was excellent!

[@streamiumlive]

This is Rode's response to DJI's offering. I'd be very interested in a Rode vs DJI shoot-out. Do you know if the case can be charged while it is providing top-up charge to the devices? I was a little surprised at the price. Was expecting these to be considerably more expensive. Great overview - thank you

[@JanneAirDotCom]

@dslr video shooter . Just as a food for thought. You said: "since they recommended to sync every four hours I imagine there's some kind of drift". That's a valid point 100% but we never think of in relation to what that drift occurs. Maybe that BM cam's internal clock (on which it relies on after sync) is speedy, maybe that Alexa's internal clock is lagging behind? Maybe the most bullet proof, most accurate clock ever on a device would have to be recommended be to re-synced ever so often. Not because of that device providing the sync is imprecise, but because the receiving end is.

[@jsardone]

Sounds quality of the lav?

[@PerfectlyNormalHumans]

WHAT is that FX3 rig from the intro? I have never seen mounting options like that... you going to do a video on that?

[@perzeon]

This is one of those product launches that completely changes the game. The only limitation is really that most cameras can't sustain Timecode very long for the jam part, not rode's fault though. Thank you RODE, I will for sure have them.

[@gruvie]

If Rode will come out with a XLR transmitter that will work with this system, I‘ll would buy this.

[@TechOutAdam]

I truly can't think of a flaw with this. I mean, it really is a Pro microphone system. The price doesn't even make me flinch. Beyond worth it.

[@davebattle74]

I can think of two :) One would be the inability to disable the record on/off button while recording. At the very least it should be a long hold to turn off recording, similar to Tentacle. The 2nd is not having bluetooth so you can monitor/start-stop recording/adjust settings via you phone. Plugging in directly is a decent option but not practical during a shoot. Otherwise it seems great. I'm enjoying playing around with it right now.

[@jalabi99]

RODE strikes again! Raising the bar

[@MenocOne]

hey caleb! always enjoying watching your videos. 👍 could make a part2 vid for wireless audio monitoring with low latency plz? been 4years, tech got better since (or so i hope)!

[@totoroutes5389]

Receiver is lacking headphone port. Funny that Rode includes timecode connection for the camera but there is no way to monitor the audio during use of the timecode, camera operator will just have to wait for the playback, since timecode is already a lot of convenience better not include too much.

[@pauls6043]

how sensitive are the lavs that come with it? The ones that go with the Go 2 peak way to quickly.

[@mediamannaman]

I was JUST ABOUT to pull the trigger on the DJI mic kit for my first lav set as I start my first YT channel ... and then I saw this. Honestly, I've never worked with timecodes and I have no idea how much 32-bit float will actually improve the sound quality, but this has high quality, more features, and a better price if you consider than DJI does not include separate attachable lav mics, which I was going to have to buy, so that pushes the DJI price up from $330 to over $400. If anyone knows of a BETTER lav mic kit for a beginning KZbinr let me know. This looks like the one to me. I've worked as a voice over with my own home recording booth, so I'm familiar with audio editing and not afraid of working with the extra features in this Rode system.

[@coffeenerdaaron]

Mine will be here tomorrow, can't wait!!!

[@PoisonedStudios]

If I already have the wireless 2 but don’t want to upgrade to the pro. Can I just buy the charging case as an accessory. Also is there a way to timecode my wireless go ii to my cameras audio so I don’t have search and match audio files to my videos

[@JonMurray]

Rode finally adding all the features and including all the parts!

[@onocoffee]

I've seen a couple videos, since Rode released their video, that complained about the timecode, comparing it to the Deity TC-1 and one even demonstrated drift happening well within four hours. Evidently, when jamming TC, the cameras (sony, bmd and canon) demonstrated drift well within four hours (ten minutes) and that with the TC-1 plugged in to each camera, the drift was significantly less. I see this issue more as a problem with the cameras maintaining time than the Rode's jamsync. Which leads me to the question I have with the PRO - can you use one PRO as a master TC and jam other PRO receivers mounted to multiple cameras? This would be an excellent feature and render those other issues moot.

[@Mintyseden]

Great question. I think your only option is the diety tc1, or the atomos solution

[@mribi]

Or tentacles

[@uldmedia]

No, that is not possible. Rode said in their FAQ video that the receiver can only be used as a time code master and not as a slave.

[@seecraig]

@@uldmedia until the next generation where Rode develops a time code master device and receivers that can wirelessly lock to it while each is hooked up to a separate camera. If the demand is there, they will do it although DJI will as well they way they're leapfrogging each other.

[@onocoffee]

@@uldmedia That's one feature that would level up the PRO.

[@BradfordBenn]

After listening to the improvements section, I am finding many of the requests being beyond the price point. Also many of the features being asked for about audio routing and muxing can be done using multitrack recorders or similar. The adapter cables are already available from other companies, quite easily. Many of the features you are calling out are available from other brands already, but at a higher price. Given the target market and price for the products, I think the package is pretty much nailing it.

[@JacobCarlson]

Mic seems very cool, but now I really want to see the updated rig!!

[@5centsmedia]

My biggest question is can you lock out a wearer on the device so they dont accidentally turn off the recording?

[@AM2PMReviews]

I want to learn more about how to use time code with multiple cameras. My FX3 has a time code but I dont know how to sync with other cameras and this audio.

[@dyong888]

You just gave DJI ideas for their DJI Mic ver 2 system. Nice video.

[@GaricsPeter]

Nice. While I like the addition of 32 bit, timecode and a locking connector, for a $100 less the Lark Max has every other features with a better case, build material and touch screen.

[@AparnaJain1]

I could never make the rode wireless go 2 sound good. Sarah Dietschy has the same complaint. What are your thoughts about the sound quality of the pros vs the DJI wireless mics? I’m quite disappointed that my wireless go 2s always have a hissing sound when I record with them.

[@slevinshafel9395]

can i put dynamic microphone on it? will bost it or need preamp?

[@martinXY]

How does the auto gain handle extraneous noise when the person you are recording is silent, e.g. air conditioning, people far away, traffic noise.

[@flochfitness]

Great ideas and great breakdown Caleb! Can’t wait to play with mine as I preordered a week back 🙏🏻🙏🏻

[@Nickknows00]

Why do create a system that records 6 channel so up to 6 transmitter could connect. Still only 2 is not pro

[@evanthecameraman]

Me: Rode can we have real, usable and reliable timecode? Rode: We have timecode at home. ...timecode at home...(Rode Pro).

[@evanthecameraman]

Also, why do I get the feeling Caleb already knows something is coming from Rode. The Wireless Code box idea he mention even had a supposed price of $79.....suspicious. Caleb are you aware of the next release and "predicting" it in front of us?

[@RebeccaGold]

Okay, a silly question, as I know nothing about sound. Does this sound you are recording on these devices go directly to the picture being recorded in real-time? Because I hate syncing sound up on my timeline. Also, I'd like you to show me how these mics can be hidden on actors. Are these mics and set up good for drama shoots?

[@MrPhillipsTheChangeAgent]

Yes if it’s connected to camera it will. However sometimes there will electronic voice. Most of the time I use the audio from internal recording. Software will sync for you.