I love that you can color grade from the multicam timeline. I didn't know you could do that and have it pass through to the multicam edit. Some other great side tips I didn't know. Thanks for this. -H
@TheModernFilmmaker2 жыл бұрын
Happy to help! Thanks for the kind words my friend 🙏👊✌️
@IthacaDon Жыл бұрын
I appreciate the video Marcel and your intro and outro are top notch. I have to watch it again but it would sure help if you showed how you were going back and forth with the screen capture and clip to compare. Not sure what you were doing with the mouse or keyboard to slide back and forth.
@adbrainfilm Жыл бұрын
What a great tut! I tried a similar workflow but with Davinci color managed and the effect wasn't even half close to yours!
@popcorn59682 ай бұрын
This is a very good tutorial Thanks my man
@connormoore8156 Жыл бұрын
Wow this is amazing! Literally my gh5 footage matches my p4k defo use Vlog to get it 99% bang on
@TheModernFilmmaker Жыл бұрын
Happy to help! The color space transform shocks me every time 🤣 thanks for the comment Connor! 👊✌️
@JStan546 ай бұрын
Thank you for the tutorial. Great job!
@erickbueza Жыл бұрын
Cool guy. Thanks for making it simple to match shots from two different cameras.
@BrennanMartin2 жыл бұрын
This was great! Thanks. Was able to grade a gh5 10bit with a 10bit fs7 Great,
@TheModernFilmmaker2 жыл бұрын
That's awesome! The GH5 and FS7 match really well with this technique. Thanks for the comment 👊✌️
@CamsCampbell2 жыл бұрын
This was so helpful. I’m all in with Resolve now and use two cameras often (both Sony) 8-bit. The general advice seems to be to shoot in cine2 or HLG3 on 8-bit cameras, rather than log. Would you go along with that?
@TheModernFilmmaker2 жыл бұрын
Glad this helps! This has been a big debate for years whether it is worth it to shoot LOG without 10-bit. In my experience Sony can tend to fall apart in the skin tones when shooting 8-bit log so I will agree with this as long as you don't need to match to other cameras shooting in log or raw.... When I don't have to match to other brands with my Panasonic I film in Standard mode all the time because I love the look. Good question thans for the comment
@FuegoPazzo5 ай бұрын
Thanks for this. The way I had seen before was a lot more simplistic and not as good probably using the grabbed still and pasting to the other footage. This is still a tad confusing, particularly the cst but I'll get better.
@maricelp116 Жыл бұрын
Best for multicam video
@mycarpet_ofdreams Жыл бұрын
Hey! Thank you so much for this! What are the Color Managment settings that you use before you start working on the footage?
@Mav540i2 жыл бұрын
This is a great tutorial. Many people use high end cameras as an “A” cam and then something smaller as a “B”. So this really helps. Does this apply to all BRAW setups matching with LOG like c-log 3 with canon?
@TheModernFilmmaker2 жыл бұрын
Thank you! I appreciate the kind words 🙌 and yes this would apply to mixing almost any Cameras 👊✌️
@sacramentovideographer2 жыл бұрын
Thank you for this! helped me a lot.
@thatsav6801 Жыл бұрын
Thanks for this😊
@Fedor_Tkachev_Music2 жыл бұрын
thanks, I want a second camera now)
@TheModernFilmmaker2 жыл бұрын
Lol I started with 1 and now have 3 and a drone. You can do it Fedor! 👊✌
@masbass10112 жыл бұрын
This us excellent. You didnt explain how to collapse the multicams back into the timeline.
@TheModernFilmmaker2 жыл бұрын
Thank you for the comment! There have actually been some great updates since I made this video. I am going to make an updated tutorial with new tips 👊✌️
@lucasllama Жыл бұрын
@@TheModernFilmmaker Seriously though, how do you collapse it back into the timeline??
@GaryCunninghamyouareenough2 жыл бұрын
Much appreciated man 🙏🏻
@TheModernFilmmaker2 жыл бұрын
Thank you Gary! 👊✌
@GaryCunninghamyouareenough2 жыл бұрын
@@TheModernFilmmaker Thank YOU sir for the constant grind and amazing tutorials 🤟
@GioMogav Жыл бұрын
Thanks bro
@JonahHache Жыл бұрын
thanks!
@romainclark67052 жыл бұрын
Wall behind does not match.
@TheModernFilmmaker2 жыл бұрын
Pop quiz: what is the difference?
@uncleanAlibertine12 жыл бұрын
great!!!
@TheModernFilmmaker2 жыл бұрын
Thank you 👊 ✌️
@emounaconsulting83142 жыл бұрын
thank you for sharing, What lens do you use?
@TheModernFilmmaker2 жыл бұрын
Thanks for the comment! I am a big fan of the Sigma 18-35 and 50-100 f1.7.... Great lenses for the price
@TomSidProductions11 ай бұрын
Idk if I'm going crazy, but the skintones still feel "off" between both angles. Maybe it's just my phone screen.
@kgouvia2 жыл бұрын
I just shot a video with a Sony a73 in Vlog and a GH5 in HLG3 was that a mistake or should I have both in Log?
@TheModernFilmmaker2 жыл бұрын
HLG is like Log's little brother but it is not technically Log. For best results I would shoot SLog on Sony and Vlog on Panasonic when planning to match them together.
@kgouvia2 жыл бұрын
@@TheModernFilmmaker Thank you. I have been watching your videos for a while. Great Information everytime.
@bigtank49972 жыл бұрын
Is it true when grading 8 but footage you shouldn't use qualifiers, use primaries over secondaries, use hsl curves for secondaries and you should use grain to cover up banding
@TheModernFilmmaker2 жыл бұрын
Some might say that is true but that is a rule I have never followed. I mainly shoot RAW these days but for years I used the qualifier with 8bit footage. You may not be able to push it as far but you can absolutely stoll use it. Thanks for the comment 👊✌
@bigtank49972 жыл бұрын
I tend to get more 8 bit footage then anything else are there any other helpful hints or rules we should follow when grading 8 bit?
@MylesandMylesAway Жыл бұрын
You lost me completely at 4:30. How do I know what to pick? Was this something that had to be done before I even got my footage? Very unclear
@oldchapelstudios4791 Жыл бұрын
Why don’t you just use the colour space transform on both cameras, converting to the output colour space? Rather than converting one to the other then using a LUT. CST is not accurate than the LUT