Рет қаралды 502
This Tarantella -Studio , was composed around 1969 by the Guitarist Teacher and Composer Eduardo Caliendo. (he was my guitar teacher either in Naples or at Domenico Cimarosa Conservatory in Avellino , a nice town 40 km east the city of Naples ).
(E. Caliendo - Naples 1922-1993)
Tarantella is a group of various folk dances characterized by a fast upbeat tempo, usually in 6/8 time (sometimes 12/8, accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance tammurriata in Campania, pizzica in the Salento region, Sonu a ballu in Calabria.
Tarantella is popular in Southern Italy and Argentina. The term may appear as tarantello in a linguistically masculine construction.
In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region,was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the Tarantella.
R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground.
In 186 BC the tarantella went underground, reappearing under the guise of emergency therapy for bite victims.
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Eduardo Caliendo (Naples, 10 November 1922 - Naples, 26 July 1993) was a guitarist, composer and teacher of Italian guitar.
Born in Naples in Via Santa Maria Antesaecula by Ettore Caliendo, the famous Neapolitan mandolin player who has always been a member of the Calace Academy.
Since his birth his father started playing the music and indeed advocating his love for the whole and in particular the Neapolitan music, he composed for him "Serenatella piccerella" on verses by the poet Pasquale Cinquegrana and had it performed by a whole orchestra of picks underneath his home on the day of his first name on October 13th. He began studying guitar with Pasquale Serrano, guitarist of the Calace Academy.
In collaboration with Roberto Murolo he is the protagonist of the "Antologia della canzone Neapolitana" series by Durium, still today one of the most important and meticulous works on Neapolitan song. In the seventies he also collaborated with the singer-guitarist Egisto Sarnelli. He also composes songs for and with guitar including: Moresca, Tarantella cu 'Pulicenella, Marine Algae, Tarantella, Fantasia' and culure, Cale capresi and many others often dedicating them to his students.
He is sentimentally connected to the artist Vincenza Paesano (aka Enza Dorian), an opera singer who favors the Neapolitan repertoire and takes him around the world (Canada, South America, Belgium) alongside large personalities of the time (Nunzio Gallo, Tito Schipa jr, Pina Lamara, Vera Nandi, Achille Togliani). He dedicates his whole life to music and above all to teaching so much to consider his pupils as children who constantly attend his house in Via Aniello Falcone.
In the 1950s he was professor of guitar at the Liceo musicale di Napoli. In 1970 he received the Carulli prize in Castellamare for his artistic and educational merits. In 1972 at the State Conservatory of Music "Domenico Cimarosa" in Avellino he was called to occupy the professorship of guitar strongly desired by the then director Vincenzo Vitale, famous leader of Neapolitan pianists, where he remained teacher until the year of his retirement.
From his school come talented guitarists like Corrado Sfogli, Eugenio Bennato, Eduardo Bennato, Gianfranco Caliendo, Patrizio Trampetti, Fausta Vetere, Mauro Di Domenico, Lucio Matarazzo, Angelo Pugliese, Mario Fragnito, Gianvito Pulzone. He also graduated under his guidance dozens of guitarists including Maurizio Gaudiosi, Filippo Sica, Angelo Tuorto, Luigi Fricchione, Giuseppe Allegretti, Gianluca Marino Maurizio Giobbe and many others. In 1993 he died in Naples.
His nephew Gianfranco, son of his brother Mario, was one of the solo singers and the guitarist of the popular band Il Giardino dei Semplici.