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Prelude to the Summer of Love. NYC happening in Sheep Meadow. Original unedited raw camera footage. Kodak Ektachrome 80 ∆O S•aftey Film (1966 Rochester) Music, sound effects and ambient vocals added by T.S. "Zak" Brown.
Do you remember? Did you see beyond the horizon? Did you taste that great experiment, that anticipation of transcendence? Were you in the park with thousands of new friends? Did you feel the wonder, the kinship, the possibility of endless love? Who were these freaks - what became of them? No one could forget opening the door to passion, purpose and aimless hope. This happened moments before the summer of love - in fact, it opened the door. It was a kick in the pants, a feathered tickle, a contrast to conformity, and and unexpected doorway. It touched something at the edge of conscious being, like a beckoning to become something wild and free. If you were there, you old boomer you, and can make a video response, I'd love to cut it into an expanded version. Send it in, let me know - for it seems the world is on a different (bad craziness) timeline, and it is high time, yes, high time, we switched it back to what it would, could and should be.
From Wikipedia: The Easter 1967 be-in was organized by Jim Fouratt an actor, Paul Williams editor of Crawdaddy! magazine, Susan Hartnett head of the Experiments in Art and Technology organization and Chilean poet and playwright Claudio Badal. With a budget of $250 they printed 3,000 posters and 40,000 small notices designed by Peter Max and distributed them around the city. The Police and Parks Departments quietly and unofficially cooperated with the organizers. An estimated 10,065 people participated in the event at the Sheep Meadow in Central Park. The majority of participants were hippies. They were joined by families who had attended the Easter Parade and members of the Spanish community who were notified of the event by Spanish language posters. The New York Times described them as “poets from the Bronx, dropouts from the East Village, interior decorators from the East Side, teachers from the West Side and teeny boppers from Long Island” and said that “they wore carnation petals and paper stars and tiny mirrors on foreheads, paint around the mouth and cheeks, flowering bedsheets, buttons and tights”. The event was guarded by small number of police. At 6:45 a.m. the first police car arrived. The car was covered with flowers while the crowd chanted of “daffodil power” at which point the police quickly retreated. While police held their distance most of the day, 5 officers did approach two nude participants, at which point the officers were surrounded while the crowd chanted “We love cops/"Turn on cops”. The situation was defused when the crowd at the urging of other participants backed off. At 7:30 at night the police beamed lights on the group and used bullhorns to tell participants to disperse. Again the police were rushed by participants. Following a brief period of tension the police decided to let the event continue. Black and white film footage from this event appears in the 1972 film Ciao! Manhattan.
Digital transfer, color timing, garage band music, SFX, and ambient sounds added by T.S. "Zak" Brown / eidolonmedia.com
Footage salvaged at garage sale in 1999, Chicago, Ill. Developer's imprint on leader: Nestingen, 30 Mar 1967