Eventide DSP 7000 with Synth.

A demo of the Eventide DSP 7000 with the Prophet 08.
Factory presets were used, tweaked a little.

[@gjc82071]

Amazing. I am at a loss for words as to how incredible this thing sounds.

[@paul_malhotra]

Hah! This demo was a big reason for me getting mine! Cool to see you also got one after seeing this! Nice Demos on both of your parts!

[@elektronzer3809]

Just bought one of these. Can't wait!

[@dominusthirteen8108]

I just bought a DSP 7K because of this video!

[@thebrightsideok]

Wow, awesome! You’re gonna love it.

[@falangistavaleroso9689]

@@thebrightsideok I can get one for 1500 euros, I think I like it more than the dark h3000 I had in the 90´s , i do hardtechno, 1500 is too much?

[@thebrightsideok]

@@falangistavaleroso9689 DSP7000’s aren’t very common, I’m not sure what the going rate is. But I think 1500 euros is probably a great price if it is in good working order.

[@Eventual420]

I used to have the 7500 and sold it and for an Orville then H8000. The presets carry forward, with some exceptions like the 4000GTR and Eclipse and 9000 have unique sets, same with the Broadcast. I have all these in the Orville. The 8000 has newer presets where things are combined into larger patches like delays hidden in reverbs and pitch shifters fluttering away. Italo’s FX Soundworks are a big update for the 7000/Orville generation and the 8000 also benefits from some of the newest. Echorec, Anubis, Rotospheres I use all the time. They’re easily connected by combo 1/4 TRS/XLR jacks. The AES signals needed to be converted to SPDIF and ADAT for them to connect digitally, I never used FW because I’m all PC. Analog is also very nice where you can expect to hit the algorithms nicely, since they’re input sensitive. Digital is nice and clean though, no noise, but the returns can sometimes be quiet and get pushed up in the DAW, even compressed/limited if you really want to hear the Eventide come up in a dense mix, which is common since the effects take up all kinds of room within a mix. Guitar players will appreciate the Sampler to record things on the fly, providing you have a MIDI foot switch paired up with them and a MIDI hub which can communicate on the base channel and base +1. That’s a bit tricky and that’s what makes the Orville, 8000, 9000 such a beast to wrangle. Routing is easily done in a DAW so you can send one into another for series or just parallel them together, the easiest way. But getting things to go into a Sampler, also tricky, can be done taking B into A with a copy of the dry signal. Mult-ing makes a lot of dreams come true. You just gotta love those Eventide sounds. They do it all, and a post process is very clean and faithful to the source, without eating up CPU on your tracking DAW. Plus, anything you have in the DAW can go out and get effects in a post process, allowing you to comp takes and send for a pristine reverb/delay. Definite love.

[@thebrightsideok]

Have you tried the H3000? That’s my favourite Eventide.

[@Eventual420]

@@thebrightsideok No, not properly.

[@Eventual420]

@@thebrightsideok I’m curious, why do you prefer the 3000 series?

[@thebrightsideok]

@@Eventual420 While the H3000 lacks the multi-processing and high-fidelity of the later Eventides, it has killer tone and mojo. It sounds massive. The hardware plays a large part in its sound, as there is lots of analog filtering going on. The later model Harmonizers dont have this. (The analog side of the H3000 was designed by Dave Derr, who designed the Distressor). It’s excellent for any instrument and vocals. I made a demo of it too. It’s electronic sounds, but if you check out Italo’s site, there is plenty of guitar demos. kzbin.info/www/bejne/o6e0p56pmZafj5I

[@mohammedsayed7989]

Investoren got the 7500 but i still can't setup that unit in effect loop in my guitar preamp, stereo efx loop ,the unit sounds not good , Maybe i miss somthing with eventide analog setup, or the unit is default, can you please help me to set the unit right ? Thank's

[@afterthefox7]

very nice , wish it was longer.

[@Hamudi2000]

Great Piece of hardware

[@yahnsolo]

Galaxy Borders, nice one :D

[@MusicalEngineering]

@ 1.45 wtf

[@jarik9194]

nice) my dream eventide

[@rockanthems]

How do you hook up the synth? BalancedXLR? I have a H8000fw Hmmm it looks like it only has unbalanced input but only XLR outputs ...doesn't make much sense to me .....can you tell me how you hook up your Eventide?

[@markorfila3832]

Never selling mine !

[@dirkkeersmaekers4343]

And now with a h9000!

[@dasspezial]

hey mate, is there much difference between the 4000 vs 7000 ?

[@thebrightsideok]

I’ve never used a 4000, but I believe it should sound pretty similar to the 7000. The 7000 has more processing power, and maybe slighter better converters, but in practice they are probably quite alike. They also share many of the same presets.

[@dasspezial]

@@thebrightsideok thanks mate :)

[@dasspezial]

@@thebrightsideok "

[@lordha-ha4242]

dam

[@rockanthems]

So I hooked up a Eventide H8000fw to my vintage Memorymoog ...all I get Is Horrible Static.

[@ahabfoul8056]

did you get that problem solved ?

[@WearySisyphus]

This unit is nowhere to be found.

[@thebrightsideok]

Yes these are one of the more rare Eventide's, but do show up on Ebay from time to time (where I got this one)

[@WearySisyphus]

How does it compare to newer H8000FW ? THanks!

[@thebrightsideok]

Haven't used an 8000, but know it has slightly better converters, more dsp processing power, and more in/outs. They do share a lot of the same presets though.

[@WearySisyphus]

Thanks for the reply. I don't understand, though, why the converters of the machine would matter as you can enter directly in digital (from your interface).

[@thebrightsideok]

Yes I was referring to digital to analog conversion. Going out digital should be the same quality on both units I think (not 100% sure though)