Miorița / Archaic epic ballad

[@alexandragrisca9588]

Voce? - Da! Dar cat suflet! O rasuflare trecuta prin inima!

[@mariaifrim7233]

"Pe o gura de rai... " Divin! ❤️

[@doce7678]

''Miorița'' is a ballad produced by Romanian folklore. Alecu Russo, the discoverer of the ballad, considers that "the shepherd of our plains and mountains has produced the most beautiful pastoral epic in the world". The Mioritic motif was a source of inspiration for Romanian and foreign writers, composers and artists. It has been translated into over 20 foreign languages. It is considered one of the four fundamental myths of Romanian literature. The Mioritic song is considered one of the most representative Romanian folk creations of pastoral nature and represents a symbol of the permanence of the Romanian people, the pastorate being an ancient occupation. The "reconstruction" of the genesis of the song allows forays into the culture and ethnographic realities of the traditional Romanian village. Mioritic fatalism represents one or more philosophical theories in which the fatalistic position of the shepherd from the Romanian popular ballad ''Miorița'', represents the position of the Romanian people towards life.💙💛❤ "Mioriţă" is the diminutive of the noun "mioara" and means "sheep" Miorița is a specific Romanian archaic term. We Romanians usually say"oaie" . The story is: Three shepherds go down the valley with their sheep - the theme of transhumance. Each of them is the representative of a Romanian historical region (Moldova, Transilvania and Muntenia). Two of them (the Transylvanian and the Muntenian) are advised to kill the third (the Moldavian). Miorița (the sheep) reveals to the shepherd the intentions of the two comrades, at the same time advising him to take precautionary measures. The Moldavian shepherd's reply concerns testamentary indications: the desire to be buried "behind the sheepfold", and to have a whistle placed on his head. Sensing the mourning of the sheep and the pain of his mother, the shepherd asks the sheep to hide the fact that he was killed and to offer them as a pretext for his disappearance, his marriage to a girl of an emperor's daughter - the theme of the wedding-death allegory.

[@33limestone]

Magnific! Aş vrea să o aud şi la cimpoi. Nu ştiu de unde le ai, dar dacă se poate, te rog.

[@nelufulanicocutarescu]

Când vei avea canal pe Spotify , Fabr1s ? Anuntați-mă si pe mine cu vreun comentariu. O să scriu această întrebare la cele cateva sute de video-uri pe care le aveți, trebuie să fii si pe Spotify la ce înviere din morți e muzica asta !

[@sergiusdacian]

You're very welcome! ;)

[@sergiusdacian]

search for Miorița on wikipedia.

[@scarlettviolet6490]

Somebody knows how old is this music?😲😲😲

[@petrecorneliu8488]

First time Alecu Russo in 1846, is a old Romanian balad

[@stefanSS1480]

It is a very old folk song, it was composed by the romanian folk, the first "official" version as a textbook was selected by Vasile Alecsandri. He toured the Moldavian countryside, collecting, reworking, and arranging a vast array of Romanian folklore, which he published in two installments, in 1852 and 1853. The poems included in these two enormously popular collections became the cornerstone of the emerging Romanian identity, especially the ballad Miorița.

[@takezotsukaharamasteriljim9610]

să știți că îi întâmplare adevărată MIORIȚA