It's probably the third piano concerto of Ries that I listen to. All of them are very good. Perhaps I should listen to all of his pieces!
@JayyCee13 жыл бұрын
7:21 i love how he quoted Beethoven's 3rd symphony
@benlindsay60123 жыл бұрын
This is a really fine piano concerto.
@mierpat8884 ай бұрын
This piece is very beautiful. I like it much. Thank you for it.
@johnphillips59933 жыл бұрын
Ferdinand Ries is really underrated
@thomase133 жыл бұрын
Extremely underrated!
@kimsahl85555 ай бұрын
Or overrated.
@kimsahl85555 ай бұрын
Or extremely overrated.@@thomase13
@williamtaittinger45292 ай бұрын
Ferdinand was a real G
@ihaveacoolnickname3 жыл бұрын
This concerto reminds me of...nothing... except Ries. The more I hear his music, the more impressed and moved I am. I wish all the sheep would open their ears and minds and stop comparing him to others. Hear his own voice. It's worth listening to.
@bartjebartmans3 жыл бұрын
This concerto was not for nothing his most successful piano concerto and quite popular til it got forgotten, same happened with Moscheles #3, Field #2, Hiller Concerto, Bronsart.
@ihaveacoolnickname3 жыл бұрын
@@organman52 Unless you are a composer as well, you have no business calling anyone a non-entity. If you are a composer, let's see your work.
@FreakieFan3 жыл бұрын
@@ihaveacoolnickname Doesn't matter what he is. Calling anyone a non-entity (and their work 'garbage', whether you actually believe that or not) is supremely condescending. Robert is clearly just an embittered asshole, whether he's a composer or not.
@poedlaulceap24173 жыл бұрын
"This concerto reminds me of... nothing... exept Ries" Este es el mejor comentario que leí sobre la música de Ries. Hay una especial obsesión en los comentarios de youtube por estar comparando a Ries. La mayoría de comentarios en vídeos de su música se trata de eso... Una manía que no pasa con otros compositores... sólo con Ries. Estoy de acuerdo con vos. ¡¡Qué bueno poder apreciar a Ries por su música!!
@FreakieFan3 жыл бұрын
@@poedlaulceap2417 Virtually every moderately successful composer (living or dead) that isn't part of the famously established canon of classical music will, and is getting, compared to some other composer from said established canon. This is certainly not exclusive to Ries.
@charlestimberlake5522 Жыл бұрын
Until hearing this, Ries was only a name to me (took a course once, Beethoven and His Age), but he was a fine composer and should not have been pretty much forgotten. Thanks for posting this concerto!
@one_noobish_boi85393 жыл бұрын
Exquisite Concerto! P.S. I see Ries quoting Beethoven's 4th Concerto at around 9:55 ....
@paolozignani3 жыл бұрын
Exact!
@mirrors12 жыл бұрын
It is like an homage to his Maestro.
@erika6651 Жыл бұрын
I believe he might be quoting the Triple Concerto's finale in the 3rd movement as well.
@manacht27273 жыл бұрын
4:56 this part is heavenly beautiful!
@farrelpermadi54713 жыл бұрын
Agree! I love that part very well!
@back2backband13 жыл бұрын
dedicated to Clementi wow
@calebhu63833 жыл бұрын
why is that a wow?
@FreakieFan2 жыл бұрын
Most beautiful slow movement of a piano concerto ever. Certainly of the late-classical / early-romantic era.
@bayreuth792 жыл бұрын
More beautiful than Beethoven’s slow movement from the 3rd, 4th and 5th Piano Concertos? I definitely don’t agree with you. Ries’ slow movement is charming but that’s about all
@davidbukowski34633 жыл бұрын
Thanks for the upload, keep 'em coming!
@dorianmarko3 жыл бұрын
Haven't heard this before, really like it!
@nicosuarez69623 жыл бұрын
6:45 Great!!
@henryopitz32545 ай бұрын
Agreed. My favourite part!
@Amourtendresse11 ай бұрын
Qu'est ce que c'est beau ❣️🙏🎶💓🎶✨
@fredericchopin75382 жыл бұрын
Splendid!
@steffen51213 жыл бұрын
Wow. An impressive work. I can tell even by the first movement. Great complexity, although formal simplicity.
@reflixij21313 жыл бұрын
Wow! Cool.
@user-ru8vy1uz7c3 жыл бұрын
Bravo bravo bravo brilliance music concerto
@divox9pqr3 жыл бұрын
Brilliant with flashes of bravura and wonderful thematic material for both orchestra and piano. Why isn’t this music performed on the concert stages?
@bartjebartmans3 жыл бұрын
This concerto was his most popular and most often performed also after his death. Franz Liszt heard his father Adam Liszt play it often and was according to Adam "obsessed" with it. The concerto fell into obscurity end of 19th beginning 20th Century. The same happened with Moscheles #3, Field #2, Hummel #2 and #3.
@Lisztman13 жыл бұрын
It’s likely due to the fact that music history crowns the high points of a style, and not the catalysts. We all love Liszt, Schumann, and Chopin, but it’s the Moscheles/Weber/Dussek/Vorisek/Hummel/Ries/etc generation that set the stage for the Romantic Era. Same with the early Baroque (1620-1660) of Sweelinck/Frescobaldi/Froberger, or the early Classical (1710-1740) of Stamitz/Sammartini. It’s a shame, though; great pieces in all areas of music history
@MikJFr3 жыл бұрын
It's the one and only Ries concerto I've seen performed on a leading local chamber orchestra's concert stage. It was applauded very enthusiastically, probably also because the audience hadn't expected such a virtuosic work.
@lalearkun94703 жыл бұрын
Very nice gift ı have taken thanks TO Composer and Barje
@LuisPerez-rs5ke3 жыл бұрын
A great composer
@user-jz2sx3ij1x5 ай бұрын
Это романтичнее Бетховена,но на его уровне.Ай да помощники,один по пяти нотам гениальное Адажио сверстал,другой по указаниям непревзойденный Реквием дописал,какие то неувязочки получаются...а концерт то для секретаря слишком гениальный получается
@paolozignani3 жыл бұрын
Che entusiasmo, che passione romantica e che clima eroico e tempestoso! Davvero beethoveniano!
@sousafan1003 жыл бұрын
i think i've downloaded more ries than any other composer - what does that tell you...ha
@orlandomiglionico78043 жыл бұрын
I mov. see W.A.Mozart Concerto k 503
@paulwl31593 жыл бұрын
Ries was Beethoven’s copyist: Beethoven: Will you be my copyist? Ries: Yes please 2 years later … Beethoven: Do you have to copy everything I write?
@stevencovacci976410 ай бұрын
maybe an influence on Mendelssohn -- Piano Ct. 2
@erika6651 Жыл бұрын
Dude was the bridge between the Beethoven and Hummel schools.
@chantalmonjardino67932 жыл бұрын
Acabei de o ouvir Tendo trabalhado com Beethoven a mim pareceu me Mozartiano.E a ti?
@calebhu63833 жыл бұрын
5:15
@aramkhachaturian80433 жыл бұрын
Alright who disliked the video
@ironflange3 жыл бұрын
Aram Khachaturian? I thought you were dead!
@dmitrysofronov86243 жыл бұрын
But why does his 4th concerto come before the 3rd (1809 and 1813)? (Great music)
@bartjebartmans3 жыл бұрын
Has to to do with publisher. Here is the list in order of composition 1. #6 (1806 but published as late as 1824) 2. #4 (1809) 3. #2 (1812) 4. #3 (1812) 5. #5 (1815-17 publ. 1823) 6. #7 (1823) 7. #8 (1826, publ. 1827) 8. #9 (1832) #1 is a Violin Concerto.
@dmitrysofronov86243 жыл бұрын
@@bartjebartmans Thanks!
@_PROCLUS3 жыл бұрын
II. Larghetto - (attacca) 14:43
@marcosPRATA9183 жыл бұрын
É como escutar um Chopin clássico/romântico.
@giobrach3 жыл бұрын
This one certainly reminds me of Beethoven's Third and Fourth Concertos, but also of the later Mendelssohn's Concerto for Violin and Piano in D Minor at times... also nice quote to the Triple Concerto at the beginning of the Rondo :D
@samuelcabellogonzalez75903 жыл бұрын
Piano's first appearance: 02:24
@ironflange3 жыл бұрын
There are no oboes in this; gives it a darker sound.
@Sshooter444 Жыл бұрын
kinda strange
@nomaybeyes56812 жыл бұрын
26:15
@user-dv5yp5fd7y3 жыл бұрын
No.3 sounds more Hummel compared to No.2
@bartjebartmans3 жыл бұрын
Ries wrote this concerto a couple of years before Hummel's 2nd and 3rd. That makes this one of the earliest piano concertos anticipating stylistic developments of future Romantic composers. Maybe even a tad before John Field.
@ulengrau63573 жыл бұрын
Interesting potpourri of various styles. Wouldn't go to a performance of this, but it's wonderful for such works to be catalogued as an important part of how influential certain major figures in Classical music were.
@bartjebartmans3 жыл бұрын
You listen to it on KZbin and then have to let the world know that you wouldn't go to a performance of this. What is the point again of you commenting? The potpourri thing shows also a flawed mindset.
@danielharris94033 жыл бұрын
This work blossoms in countless ways - as a scholar, I see this and future listening experiences as aid to my improvisational vocabulary at the piano and to structuring/arranging compositions; it warms me to imagine Ries showing reverence to earlier masters similarly so.
@paulwl31593 жыл бұрын
Is your potpourri comment the result of your reading similarities with later works in an anachronistic manner - in the same way that people refer to Mozart as sounding Beethovenian, instead of the other way around? As if Ferdinand Ries was living at the middle of the nineteenth century and lazily mining the styles of his predecessors?
@bartjebartmans3 жыл бұрын
@@paulwl3159 Yes I run into that a lot. For instance how much Hummel sounds like Chopin, etc. Many seem to not understand that pianists wrote concertos for special occasions with the idea to keep a steady income, not an easy undertaking if one looks at the competition they had. There was always this stress to keep audiences happy so they were invited back next season, for that reason the finales often had recognizable melodies and specific technical difficulties to dazzle, John Field used Irish or Scottish folksongs or melodies which sounded like one, so did Moscheles, so did Ries, etc. etc. They had to tread a fine line of being not too commercial, too showy and facile but also not too modern, the last thing they wanted was to baffle the audiences. They left that up to Berlioz, Liszt, Wagner, etc. who came from a whole different vantage point.