John Ireland - Piano Concerto in E-flat major

John Ireland (1879 - 1962) - Piano Concerto in E-flat major (1930)
I. In tempo moderato [0:00]
II. Lento espressivo [9:07]
III. Allegretto giocoso [16:38]
John Lenehan, piano
Royal Liverpool Philharmonic Orchestra, John Wilson (2011)
John Ireland's Piano Concerto is a work in three movements and typically lasts around 25 minutes. It is his only concerto; a planned second piano concerto eventually became his Legend for piano and orchestra.
"The concerto was written in the spring and summer of 1930 and it was seen at the time as a British response to Prokofiev’s Third Piano Concerto, and was thought terribly modern for its use of fibre dance band mutes by the trumpets. Advance publicity for the concerto harped on the dance band connection, possibly suggesting Ireland to be another Gershwin, and it attracted a large audience. To us apparent resonances of Ravel’s G major concerto merely record something that was in the air, for the Ravel had not then been completed and would not be heard in London for another eighteen months.
Although Ireland’s concerto is customarily described as being in three movements, only two are marked in the score, the music moving straight on from the slow movement into what is de facto the high spirited finale, Allegretto giocoso. The first movement opens with a ten-bar reflective orchestral introduction, the theme on strings perhaps an echo of the plainsong he would have known in church, and the magical distant horns at the fourth bar seeming to be heralding some far-off world coming slowly into view. This forms a sort of motto, becoming a resource for later invention and is incorporated into the first main theme in the piano solo that follows. It is entirely characteristic of Ireland that when the piano joins, instead of fiery figurations he gives us what is to all intents and purposes the opening of one of his evocative piano miniatures. However he also knows when to stop, and the music accelerates to the catchy faster theme first presented on trumpet and clarinets which is heard many times during the movement. The concerto is notable for the way Ireland links extended passages of unaccompanied piano with orchestral colour and only uses the full orchestra at the climaxes.
A slow version of the second theme of the first movement opens the second movement and is followed, as in the first, by a solo passage that could be one of Ireland’s evocative miniatures. It would not be too fanciful to describe this movement, with its yearning falling sevenths in the strings, as a love song. Eventually a side drum tattoo breaks the reverie and with a miniature cadenza leads into the energetic finale. To a British audience at the time the use of Chinese block to rap out the rhythm must have seemed cutting-edge. Here the slower second subject includes one of Ireland’s motivic references, in this case a figure of four semiquavers quoted from Spring will not wait and We’ll to the woods no more, both works dedicated to Arthur Miller, an earlier constant companion. Themes from the earlier movements return, and with the second the solo violin sings a regretful counter-melody. This tune is said to be from a student string quartet written by Helen Perkin, but the allusion to his pianist seems to have been more elusive, and wherever it appears he thoroughly disguised it."
(source: Hyperion)

[@nathanturczan]

4 minutes in and I'm so excited that there's 20 more minutes of this.

[@Emiliasooo]

2:06 That theme is too good

[@tobennaisaaconyirioha3985]

wow the orchestra in the second movement is haunting, like the worlds best church choir.

[@sabaneyev]

thank you!! such a wonderful concerto

[@steveegallo3384]

Exciting, ingenious, marvelous.....John Ireland RUUUUULES!

[@DavidHartley88]

Exquisite, virtuosic, sublime....John Lenehan ROCKKKKS!

[@PianoHypnoshroom]

unfortunately rarely played concerto today (even though it was formerly popular)

[@user-ig7sd2rr8v]

wow wow wow how is this not more popular

[@Varhostak]

Bohatý koncert plný impresionistických obratů

[@eporeon]

movement III has such a fun melody

[@kuang-licheng402]

nice

[@minjuncho4157]

23:50 the ending part - prokofiev piano concerto 3??

[@ShaunakDesaiPiano]

This piece was thought to be an English response to that same concerto, according to Wikipedia.

[@jonathanwalkerpiano]

@@ShaunakDesaiPiano Hi Shaunak, yes, Prokofiev's 3rd Piano Concerto revitalised the genre at the beginning of the 1920s, and most piano concertos over the next two decades were greatly indebted to that piece.

[@dan27music]

I was hearing some of the ending of Stravinsky's Petrushka

[@PaoloLucci]

Non per nulla è stato l'insegnante di pianoforte di Benjamin Britten!

[@tjr879]

where can i get the score?

[@morganhayes8641]

Stainer & Bell ?

[@jjmcnamara5236]

Funny how his name is john ireland yet he's English! 🤣 amazing concerto none the less

[@citizenworld8094]

great recording but missing a score. Thanks all the same.

[@carlhopkinson]

Notes in search of a melody.

[@chickenwaffles9638]

words in search of a sentence

[@julianbrown7976]

That's meant to be a joke right ?