G. F. Händel: Sonoi i colpi della sorte (from "RODELINDA") FILIPPO MINECCIA

[@danielebrichetto6884]

La tua voce tocca nel profondo dell'animo. Riesco solo a dire: SUPERBO!

[@jennyobrien4185]

Sincere and agile performance, the darkness in your voice is my absolute weakness. ❤️

[@raule.tarulla6366]

Mineccia, un contratenor fuera de serie. Espectacular !!! Todo lo que interpreta lo hace suyo, le imprime un sentimiento que es muy difícil encontrar en otros. No exagera en recursos, su gestualidad en cada palabra y frase del aria, de cualquiera que interprete, hace vivir la complejidad de los sentimientos del personaje. Es un gusto oirlo y en videos de grabaciones, o en vivo, mejor aún donde se ven las expresiones gestuales y corporales. No hay muchos que logren transmitir eso a pesar de ser excelentes cantantes.

[@cristinaborghese62]

Sono perfettamente d'accordo. Filippo è davvero eccezionale, per le qualità vocali e interpretative. Mi incanta ogni volta.

[@kaysmulczynski8025]

Ich liebe die Leidenschaft der Musiker und wie es mit der Stimme verschmilzt.... so viel Feuer .... wirklich schön

[@HelenaWilliams8696]

CAPTIVATING & PRISTINE Countertenor voice. Once again, it adds to the pleasure of listening to be able to hear the different parts, vocal, string and the harpsichord so clearly.

[@fortepianowalter]

Bravissimo Filippo! complimenti!

[@zoelafleur5938]

magnifique grave et cadence respectée aucun artifice bravo et toujours merci quelle émotion !

[@leticiagormley7946]

Marvelous!!

[@klemperer100]

Bravo come sempre, Filippo . Spero di poterTi ascoltare in concerto un giorno.

[@kaysmulczynski8025]

Ich habe es 1000 mal gehört ...... es raubt mir den Atem .... wunderschön 🤩 BRAVO ..... mehr geht nicht für mich

[@olivierteixeira3757]

C'est une merveille cette aria d'Unulfo (le fidèle ami du Roi supposé disparu) dans l'Opéra RODELINDA de Handel !! Vous chantez très vite !

[@danielrodriguez9630]

Bravo.

[@talvela100]

Bravo e bella presenza scenica, speriamo di vederti spesso in teatro.

[@jacquelinemaria5572]

Splendid

[@lucileartaud1762]

Intemporelle!

[@danielrodriguez9630]

Tiene nombre de Rey. Ya lo dice todo....

[@elmarwiesmann7547]

Hope I can hear that at Theater an der Wien soon ...

[@aldo5831]

MERVEILLEUX

[@mariaesperanza6548]

Now I come to really like him!

[@rosy3385]

Un merveilleux contreténor que je ne connaissais pas et c'est bien dommage tant il a de talent !!!

[@olivierteixeira3757]

"Les coups du destin, pour une âme forte, s'ils sont rudes, ne sont pas mortels" !...

[@kaysmulczynski8025]

Wundervoll

[@kaysmulczynski8025]

So viel Feuer 🔥

[@GillyWhitfootHaysend]

Yes, yes, I know that composers have a certain sound, but doesn't anybody think that this tune sounds like "For Unto Us A Child Is Born"? And, Unulfo's other aria sounds kind of like "And The Glory Of The Lord Shall Be Revealed"?

[@kickme63]

Well, I do not own what we in Italy call "orecchio assoluto" but I think that you are right comparing this aria with the Messiah chorus. Surely the rhythm is different. Concerning the second you mention depends if you refer to Unulfo's "Un zeffiro spirò". In this case I have some more hesitation. Anyway it was quite common to "recycle" pieces at that time (Vivaldi was pretty talented doing so). Consider that Rodelinda is dated 1725 while the writing of the Messiah is of 1741. This was completed in only 6 days and is widely recognized that Haendel used former music to compose it.

[@kaysmulczynski8025]

Und so viel Leidenschaft