Here is our full interview with Jason - kzbin.info/www/bejne/qam1aXiAo7J-oac
@aarononuora706Ай бұрын
This is so validating to hear a director who recognises how exposing and vulnerable it can be for an actor being on set seperate to every other department (and the director is your Bridge!)
@donnabailey5662 жыл бұрын
I used to be a professional actor and everything he says here is absolutely correct. There's nothing worse than to work your butt off on set, and the director never recognizes your work. It's a very disheartening experience.
@aerosyph7676 Жыл бұрын
It also just feels awkward. On my mark, with the lights on me and I can’t see anything in the dark or hear what anyone is saying. Please tell me what’s going on. Am I completing your vision? Do I need to change it? Are we moving on? Doing another take? From which line? It doesn’t make me angry at all, but I think it becomes very inefficient.
@emhu25942 жыл бұрын
I feel like this is applicable to anyone who manages people
@Waqulah9 ай бұрын
I know as someone who wants to direct, I am terrified to actually direct simply due to asking people to do anything outside of what they have alrwady done. My own insecurity so I know I have to work on myself so that I can be a good director. I LOVE THESE VIDEOS.
@pitpride12202 жыл бұрын
Jason gives such amazing advice. He's the one that made me realize I can actually direct. To not be afraid .I'm not great at the more technical aspects yet. But I love actors and am great at connecting with people. His tips showed me I can lean in to what I'm good at!
@chaplinesque1112 жыл бұрын
God bless you, Sir. This is incredibly well-articulated. As an actor, this was music to my ears. This ep should be used as an educational video at film schools everywhere (seriously) because for some surprising reason most directors are out of touch, and really awkward in this department.
@samsungminlee2 жыл бұрын
Jason summed up working with actors and having sympathy for them so well in such a short video. He's insightful as always. Thank you for sharing FC!
@filmcourage2 жыл бұрын
Thanks Sam! We love this one!
@speakFILM.2 жыл бұрын
Jason's on set tips are superb. Logical and practical advice that humanizes the filmmaking experience.
@thewirv2 жыл бұрын
Every single thing that Jason's saying here is incredibly valuable! But I would love to hear him talk about this point of editing that you asked about in the beginning 😂
@CriticalEatsJapan2 жыл бұрын
Love his attitude👍
@filmcourage2 жыл бұрын
'How To Direct Actors Part 1' - kzbin.info/www/bejne/b5q1k2ytn9lqjcU
@blkshprd2 жыл бұрын
Loved this -- the subtlety and precision of these notes
@filmcourage2 жыл бұрын
Do you have a difficult time speaking with actors on set?
@TonyIgnatova2 жыл бұрын
In the film school I went to we had to take a course on acting to help us understand how to direct actors and boy was that unhelpful! I'd love to learn more on the topic!
@hiandrewfisher7 ай бұрын
Great notes for any manager
@thewatcher85732 жыл бұрын
really great advice!
@sunlightpictures83672 жыл бұрын
Great interview. Directors should also take an acting class, you'll understand the process more, where actors are coming from and how to speak their language. If you're not ready to take a class, read Judith Weston's book "Directing Actors". I'd even suggest film directors regularly direct actors in scenes or even a one act play to keep your skills honed. It also helps to have lots of actor friends who can give you advice.
@silksteam3 ай бұрын
this guy speak pure gold
@peterbent56902 жыл бұрын
Great video. Thanks for sharing this knowledge 😎✌🏾
@filmcourage2 жыл бұрын
Thanks Peter!
@AltairZielite2 жыл бұрын
This is an extremely helpful video. Thank you.
@ShowCat1 Жыл бұрын
What great insights!
@marconeves19792 жыл бұрын
AMEN!!
@BucketOfMarbles2 жыл бұрын
The director is the ONLY person who’s job it is to monitor the performance of the actors
@shanewarrenjones2 жыл бұрын
facts
@leonoradompor87062 жыл бұрын
I am an actress, director, and a writer***
@cedrickcunningham5842 Жыл бұрын
I'm working on a text only short story. My plan for the actors/actresses of their part is to live a total lie behind the text. Because if you remove the imagery, you control much more of the unexpected from the audience. For example: Someone is going to read this comment and think to themselves. Maybe he's right. He's an idiot. He could definitely be on to something, but I would rather not think on it much longer. That example represents the reader and the possibility of a range of perspectives. Not being able to pinpoint an ending unless the writer indicates an actually ending. "Say it's like a book, but there is no picture to be painted." - CTC
@drstrange69982 жыл бұрын
are Directors there for dually blind folded? the page / Continuity's.
@peterpan14352 жыл бұрын
Directors who are ineffective or inefficient at interacting with actors on set have most likely had no prior experience in theatre - both as a director and as an actor. Actors are the very core of a movie, for heavens sake.
@currentphonograph7487 Жыл бұрын
I'm about 2 do my debut acting role & can't find my caravan with ⭐ on the doors
@Dimitriworldleader2 жыл бұрын
Может надо учиться этому как отдельному навыку. Надо знать что должен делать актер так хорошо, чтобы не думать про актера как актера. Надо думать про актера как персонажа фильма
@filmcourage2 жыл бұрын
Действительно, вот целое интервью, которое мы сделали на эту тему. - kzbin.info/www/bejne/opiXqoONltNkoJY
@esonefilms2 жыл бұрын
I’ve never heard this before. I’m not sure why you would be a director if you can’t speak to actors. It’s irrelevant who they worked for. That’s just my opinion. This has nothing to do with Jason, his advise always on point. I just think you should not be a director if you can’t do your job.
@corpsefoot7582 жыл бұрын
Well, they could be a Kubrick type: a glorified cinematographer who simply got out of hand, to the point where they actually tell actors to stop asking them questions about performances because “You’re the actor, so you should figure it out on your own” (as Kubrick once said to Malcolm McDowell). To their loss, of course, but still.
@reptongeek Жыл бұрын
Another anecdote is from Ben-Hur which was directed by William Wyler. In one scene Charlton Heston kicked a pot and Wyler asked for another take. Heston stopped kicking the pot because he thought that wasn't what his director wanted. However eight takes later he found out that WAS what he wanted. But my question is why did we need Take 2
@esonefilms Жыл бұрын
@@reptongeek Variety in the shot possibly. If the director doesn’t communicate what he wants, it becomes a problem for the any actor who is not psychic. I’m not familiar with the relationship between Mr Heston and Mr. Wyler. Maybe they didn’t have a good relationship which could have made communicating more of a problem. A good director in my opinion would have communicated better. I wasn’t there so I’m just speculating😅🤓.
@esonefilms Жыл бұрын
@@reptongeek Variety in the shot possibly. If the director doesn’t communicate what he wants, it becomes a problem for the any actor who is not psychic. I’m not familiar with the relationship between Mr Heston and Mr. Wyler. Maybe they didn’t have a good relationship which could have made communicating more of a problem. A good director in my opinion would have communicated better. I wasn’t there so I’m just speculating😅🤓.