Jane Campion & Sofia Coppola on The Power of the Dog and Filmmaking Process | NYFF59

Following her Best Director win at this year’s Venice Film Festival, Jane Campion returned to NYFF with her first feature since 2009’s Bright Star: The Power of the Dog, the Centerpiece selection of NYFF59. Known for her incisive portraits of womanhood, Campion turns her lens to masculinity in this new film, which adapts Thomas Savage’s 1967 novel of the same name. The results are thrilling: The Power of the Dog is a mesmerizing, psychologically rich variation on the American western, and a compassionate examination of repressed sexuality and the fragility of patriarchy.
We were thrilled to welcome the legendary New Zealand director for an extended conversation with filmmaker Sofia Coppola (On the Rocks, NYFF58) about this latest entry in Campion’s masterful, decades-spanning career.
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[@goesmobile]

Always great when a director interviews a director. Learn so much about their artistry and vision.

[@stantheman1610]

When is Coppola gonna put something out?? Has she got her sights on BC?

[@65g4]

Just saw the film today on Netflix loved it. I plan to see it in the theatre as well.

[@slammajamma5435]

Wonderful film with actual character development & themes. The intensity was palpable & it really hit home.

[@TheHowingFantods]

Spectacular film. All of Jane Campion's films are stellar. She's amazing.

[@DrNancyLivingCoCreatively]

Jane's work has changed my life. I work w Narcissm. Very timely: overt Phil and no one can work with Peter or actually either until they transform as Phil did. And it cost his life. They dominate and control lie and cheat. Peter becoming a doctor is chilling: my dad MD was covert. Dressed up like a gentleman and patients loved him. Came home and beat all bloody. Rose for self protection groomed and enabled Peter. I have great compassion for men's issues and time for this to end. The planet suffers under the falsity. Thank you Jane Campion and all.

[@thisiskdn]

Suggestion to NYFF: Use clip mics for the guests instead of handheld mics... it was very distracting with Jane's audio going in and out, both in this clip and in the other discussion with the actors included. It's also tiring for the guests when they need to keep holding up their mics for an hour.

[@victorprzybyszewski5405]

thank you for this!

[@SleepFan771]

Wonderful to hear Jane Campion & Sofia Coppola's insights into directing

[@AspenBusinessConnect]

Fantastic Film. Thank you Aspen Film for bringing it to us.

[@zorakovac]

alright the one person who thumbs downed this that doesnt love two legends having a delightful chat

[@Rossie123able]

Absolutely genius. This film really held me and refused to let me go.

[@kashesan]

I loved this film.

[@Nomoredrama2000]

Jane is a genius!

[@cristiaanamariesaint4458]

Jane is an animal abuser.

[@avastans]

@@cristiaanamariesaint4458 Fake news buddy. PETA isn't as a reliable source

[@brunacabral4732]

QUE SACO, ESTAVA ESPERANDO MUITO POR ISSO

[@justaride77]

😍 Love them both!

[@disierra-amado5596]

is that Sophie Marceau in the background?

[@michaeldonovan4793]

the woman with the orange skirt? spitting image...

[@KatE-iz5hl]

I think it is Benedict cunberbatchs wife

[@disierra-amado5596]

@@KatE-iz5hl I just googled her and yes, they look so much alike! And her name is Sophie too.

[@qunchezchilds3146]

My love

[@michaeldonovan4793]

two of our foremost women directors...power of the dog was superb...great interview although i bet they'd be more relaxed talking around a dinner table...coppola, especially...their backgrounds and work processes must be quite different...love the aussie humor of campion...bad oversight that the camera never showed tanya...unless it was the woman who looked like sophie marceau by the curtain with the orange skirt in the beginning...spitting image...

[@sam.jones89]

Jane is not Aussie she is a New Zealander

[@JosephMarvinOliver]

Anyone knows who was the director they mentioned who made these creepy, but non-horror dramas that involved family conflicts? It was either an Australian or an European filmmaker

[@ML-yw4hv]

They talk over each other so much 😂

[@65g4]

I think their close friends its more like sisters finishing each others sentences

[@grease112]

for god's sake, let her speak. why are interviewers always so focused on themselves?

[@65g4]

Their close friends have been for a long time. Its like sisters finishing each others sentencing. They were both talking over each other thats what friends do. Its different from a junket interview.

[@grease112]

@@65g4 it's just unprofessional. She should be accommodating her audience, otherwise just have a chat in her own time.

[@65g4]

@@grease112 i get it but its americans they really they cant help themselves. I love Sofia and Jane im a fellow New Zealander we are very proud of her over here.

[@Crunch_Buttsteak]

@@65g4 lol ''its Americans", crazy how the whole world generalizes us based on celebrities & news.

[@abdelsoudy9217]

Boring movie, not much to watch, very slow and predictable

[@65g4]

Not at all i loved it fascinating film. It obviously wasnt your film you should stick to Marvel

[@abdelsoudy9217]

@@65g4 I don't mind Marvel if it's good and worth watching, you would be an ignorant if you only watch one kind of movies especially ones made to serve and promote a specific interest like this boring movie, at some point you should realize that people are using your cause to make money in the name of art but it's not

[@cristiaanamariesaint4458]

Why is this woman being awarded? Jane Campion promotes animal abuse. Did no one witness the lead actor beating a horse for no other reason than to fulfill Jane Campion's ego? Its not ok to abuse animals, not for art, not for any reason. I say she be whipped just as he did to the horse and see how long she takes the beating. A HORROR FILM:

[@gentlemanjake8005]

It was produced by New Zealand, and they probably have different standards. I understand where you’re coming from, but at no point did it appear that the horse was ever struck. Also, Sofia’s father would scoff at this complaint.

[@cristiaanamariesaint4458]

@@gentlemanjake8005 the horse was in obviously under duress. I’m not really interested in either Sophia Copolla’s opinion nor her fathers.

[@kimhesketh2016]

Are you for real? That didn't actually happen. It is a manufactured scene. No horses were abused.

[@cristiaanamariesaint4458]

@@kimhesketh2016 the horse was visibly violated, the horses reaction was not manufactured.

[@sam.jones89]

Oh my god go away the scene was manufactured and there was no cruelty. Go troll somewhere else

[@Submersed24]

Am I the only one that feels like this movie was made to be as woke as possible? The first 5 minutes and it's obvious the dialogue was shitty. It's like a feminist's idea of what "toxic masculinity" is. No offense to her if she's not like that, I just got that feeling. Woke movies have ruined so many movies for me because it just dumbs down reality by simplifying it into a simple good vs bad scenario that comes off annoyingly pointless