Four Arpeggio Shapes YOU NEED To Improvise Over Any Song

Welcome back to another lesson! This time we take a look at the four main types of Arpeggios and shapes for them that fit inside of our chords.
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Incase you are really new to Arpeggios and this lesson is to advanced, then I would recommend checking out my Introduction to Arpeggios lesson, available here:
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[@markmorrell3494]

What an incredible, information filled lesson expressed so focused and expressive . You have a great gift as a teacher. Thank you!

[@ZarekSilberschmidt]

Thank you so much, Mark. ❤

[@jonasgrieder9761]

This is so helpful! As a jazz noob, this is exactly the stuff i need to better navigate the fretboard. Thanks a bunch!!

[@ZarekSilberschmidt]

Thanks so much Jonas, So happy to know it's helpful! Happy playing!

[@fralemieux]

thanks!

[@ZarekSilberschmidt]

Glad you like it! Thank you for commenting! It helps out the channel! ☺️

[@anthonymumford4277]

In jazz music, we have major 7, minor 7, dominant 7 and half diminished. These 4 arpeggio shapes cover most songs. This is because if we take the key of C and do a scale of chords, starting with C major 7, next D minor 7, E minor 7, F major 7, G dominant 7, A minor 7 and finally B half diminished. If we were on the piano, all of these chords in the key of C comprise white notes, and the intervals are universally spaced 1, 3, 5, 7. When you start on B you get the half diminished shape, also known as B minor flat 5. Not quite the same as what you are saying in this video. Obviously the arpeggios will vary again for different keys. I don't know of anything called a major arpeggio, because it has 4 notes and is thus a major 7 arpeggio, though there is a major triad with just 3 notes.

[@GrandpaJean]

I am slowly figuring this out and appreciate your clarification here...