Franz Liszt - Grande fantaisie de bravoure sur La Clochette [S. 420] (Schrøender RE-UPLOAD)

[@ArgentAlapin]

S. 420 indeed.

[@amgx9670]

this piece is so damn underrated and underplayed! 😭

[@Lisztaganx]

How are the rest of your hands doing?

[@amgx9670]

@@Lisztaganx wdym

[@zswu31416]

@@amgx9670 You DO have 3 hands, right?

[@amgx9670]

@@zswu31416 no my technique, it came from excruciatingly painful practice of 10+ hours a day for decades just like mr. paganini

[@decafcoffee0935]

x4

[@charlesvernon4091]

9:10 to 9:25. Liszt went to Psycho Mode. 9:26, returned back to his normal state

[@davisatdavis1]

Dies he have a normal mode??

[@charliegold3227]

6:13 it’s overshadowed by many other passages but as a person who played this piece I can say. I needed many hours to get satisfied with the results. This passage requires god like finger independence

[@brianbrennaman5655]

I think every part ngl requires god like finger indepedence, but yeah from the looks of it that seems up there.

[@SinanAkkoyun]

How did you do the fingering in the left hand at 3:57 ?

[@brianbrennaman5655]

@@SinanAkkoyun I'd Alternative 24 13,as you ascend, so 2424 1313 etc, or you could do 2413 2413, up to you I'd have to play around with it

[@SinanAkkoyun]

@@brianbrennaman5655 I actually felt the best with not alternating at all, I was interested in which gave Charlie and perhaps you the most speed

[@brianbrennaman5655]

@@SinanAkkoyun well it all comes down to what works for you, that's just what i think would work for me, I'll play around with it,

[@sikroboskop3121]

Thank you, schroenders version was the best one ;(

[@gulcanipek3525]

Piyano caliyomusun acaba

[@nerfwalid9568]

4:09

[@CatkhosruShapurrjiFurabji]

Amazing video! Thanks for reuploading. I wanted this as it is amazing to listen to despite being fucking virtuosic!

[@yosefGames]

Its so hrad its so hrad hrad hrad hrad I've been sitting on this piece for a month and I'm still not halfway through. It's a catastrophic piece of difficulty. It's really the hardest thing in the world. I've never experienced such a level of difficulty. I'm talking about the difficult part that's almost halfway through the piece, the part with the jumps and the level 2 technique of the second part. In La Campana, which is one of the most difficult things even in the original, it's a difficult sixth, it's a very complex part, what Lissit did there is in a big orchestra that's very difficult to open, you have to do it very slowly and concentrate, because after that, even in another 100 years, no one will be able to do something like this, you need psychic talent. It's likely that I'll be stuck in this section for a good couple of months haha ​​I don't want to think about the next section which is 100 times more difficult than the section I just talked about The section after this is the most difficult section for the author

[@paolo6219]

Thank you

[@matheusdossantos5053]

2:28 this is so fucking good, also the chromatic parts sounds so demoniac lol

[@edgarpastor4448]

I can already feel how broken my hands will be once I try this

[@unidentifieduser5346]

Brain*

[@charlesthomas5956]

​@@unidentifieduser5346hands and brain*

[@Bozzigmupp]

from 3:30 onwards, that had to be impossible

[@zswu31416]

Welllll not quite, it take about 3 hours of constant slow practice to play the confusing chromatic parts

[@YukiEhms]

O início é o bom 2:22

[@yosefGames]

Its so hrad mor don juan mor in sepona 7 liszt

[@thechannelwasnothing9325]

acoustic grand piano ydp soundfonts?

[@rize118]

If I recall correctly, I used the Yamaha C6 piano soundfont here

[@Conorator]

you can tell it's an old liszt piece because of the artificial difficulty at parts like 1:54 and 3:17

[@freshlyherbs7068]

bro 1:54 is just trills

[@sanjai_s]

Not old liszt, it's the young, powerbomb liszt who's still in the business of concert pianist He took composing seriously when he left his concert pianist career

[@jannis11]

noice

[@yosefGames]

Its no its level to hi im play don juan its not noise its vray good pice 420 s its crazy

[@whaijorhujishkomunyk]

Wow

[@yosefGames]

Insne 🤯

[@mitchell-bt3tj]

RIP for Schroender :(

[@blacksky492]

Where’s schrøender

[@GUILLOM]

Yes

[@rize118]

Hi

[@rize118]

Hi

[@blacksky492]

@@rize118 are you not are Schroeder

[@rize118]

it's me, schroender! just only taking a more different approach to music these days because of the traumatic copyright events that inevitably ruined me lmao. someday, i'll come back to doing liszt and the like

[@panzerkampfwagenviiimaus5224]

Why was he removed?

[@Lisztaganx]

Something about copyright strikes. I have no idea what happened.

[@Randompianovideos]

@Roman Bastoni Can you link me to his new channel?

[@CalamityInAction]

@Roman Bastoni Send da link pls

[@CalamityInAction]

@Roman Bastoni XDDDD LMAO

[@takureido3122]

It got deleted because of copyright issues that came up from the elder called Alistair Hinton. The story start like this: Schrøender, a.k.a. schro, published a lot of videos, both being Synthesia and Scores (that himself made), of Sorabji pieces. One day, Alistair Hinton dreamed about his friend Kaikhosru and, all covered in sweat, jumped from his bed in panic. He said that those weirdos that claim to "listen to sorabji's music" are pure liars. So he said to himself: "Haha! Let's revenge on those slanderer! Kind regards, Alistair Hinton.". And the next day he started spamming e-mails to the poor schro, threatening him to remove every sorabji video he posted. Schrøender did so, in fear of losing his 1000 subscribers he did with a lot of difficulties and efforts. Unfortunately, he forgot a video or he didn't want to remove it. So the infamous Hinton attacked, copystriking him 3 times. This is the story of schro's deletion

[@diegosaavedra5804]

La campanella:

[@yosefGames]

Ots so difcolet

[@Xenon-up4dl]

Black midi...

[@pacojonesvaior9212]

Awful midi .... without art

[@Emblazon]

bruh this is not a black midi

[@WEEBLLOM]

???

[@bait5257]

Tf

[@TheGuyCalledX]

Lmao way to out yourseld

[@robsonmalta7763]

Simply a bad piece

[@GUILLOM]

No

[@KaikhosruShapurjiMedtner]

How can you say that??!!

[@bird100yearsago2]

@@GUILLOM see i am not the only one who hate it

[@GUILLOM]

@@bird100yearsago2 no one cares

[@bird100yearsago2]

@@GUILLOM then why have you replied to him in the first place. I promise you are not cool saying (nobody cares) And we are free to say we hate this piece or whatever you call it. The only reason you like it because it is made by your master liszt or you think about the technique. I really appreciate the person who made this video btw

[@YukiEhms]

2:22

[@MoisesJimenezTorres]

3:17