Lugansky - César Franck - Prélude, Choral, et Fugue

[@pierreguinot9238]

Avant la fin Franck unit et superpose le prélude, le choral, et la fugue. Un savant sensible, pur, Et modeste, on le sait. Monsieur Luganski nous donnne, pour moi, la version de référence. Cest donc jouable cette fugue ! Merci.

[@pierreguinot9238]

Amen, père Franck. Merci M. Lugansky.

[@pianistegolfeur]

Du Franck tel qu'il devrait toujours être ainsi Joué, Bravo, Lugansky ! Nous avions bien, à l'époque, notre grand Ciccolini qui était un modèle d'inspiration, mais avec un Lugansky, la relève est assurée !

[@ВалентинаШаганова-е8щ]

Любимый пианист и Франк... непревзойдённое исполнение...

[@turnoff987]

I didn't know this piece was this much beautiful before I listen to this interpretation!! I love him so much. If it were not him, I would always fall asleep while listening to this piece around II. Choral..

[@emmanueljulien6675]

Lugansky est vraiment un très grand pianiste.

[@Saturne84]

Magnifique interprétation de ce grand pianiste qu’est Lugansky. Difficile de départager avec un autre grand pianiste qui nous donne lui aussi une belle vision de cette œuvre de C. Franck. Dommage que kissin ne nous apparaisse pas en vidéo comme Lugansky.

[@Papagiannidu]

Великолепно,,могущественно......до слез...👍🙏❤

[@jimpitbar2426]

splendid! this piece from Franck is a jewel and the interpretation is just perfect

[@panagiotantinopoulou1671]

Mr Lugansky and his flawless Franck interpretations keep me company with studying

[@bhastro9959]

i could not study while this mesmerizing beauty unfurls.

[@lucentekids6805]

Absolutely beautiful.

[@ZayraVega-l4q]

Love this song❤❤❤❤❤❤❤❤😊😊 it makes my day

[@thomasramdasvoegeli]

Sagenhaft. Ich hatte diesen Brockn auch gespielt, technisch schwierigste Stellen nie verlässlich beherrschend, habe also ein Ohr für alle die Details. Nikolai spellt aus 1001 Details, ganz und gar beglückend mich. Danke!

[@pierreguinot9238]

Et vous avez attaqué la fugue ? Moi...

[@thomgeo8073]

BRAVO LUGANSKI ❤

[@-cloudsaboveuscrying-6805]

Beautifully played!! Real emotion

[@babonicarlos]

Really a musician pianist.

[@kerawelt2008]

Truly grandiose ! The work and the performance are beyond words.

[@luky46]

A great performance.

[@hamiamiam]

KZbin putting an ad in the middle of this masterpiece… smh

[@nylehotaling877]

Very excellently played- one of the most profound, pathotic romantic music works! Frankish ancestry, like Ravel... My guess is, to conquer audiences- you know, carried away utterly- this has been one of the most effective works ever, aeonically!

[@gam19652]

Magnífico !

[@ВадимРосин]

Николай, Перслушал массу исполнителей этого произведения Цезаря ФранкаВы лучший! Ваша исполнение соответствует биотокам моей души. Спасибо за доставленную радость. Ваш почитатель Вадим Ильич.

[@인김-g6r]

beautiful and touching

[@PoolEnvy]

Concert pianist Dmitri Novgorodsky will be doing a live performance of this piece soon. I heard him in concert about 22 years ago.

[@edwardp.gannon9320]

It is interesting that Lugansky, like most performers, adds the magnificent low octave B on the final note, even though it is not notated in any edition of the score. This gives it the bell-like quality we expect from the previous passage. Franck uses the note (as a C-flat) earlier in the work, so we know it was available on his piano. Why did he not use it at the end? Perhaps the timbre of this note was not good enough, or it was likely to be out of tune? Kissin is one performer who does not add the low B, but we know he can be obstinate sometimes.

[@michelguiraud3705]

La prise de son est en plus excellente

[@hamiamiam]

Les tousseurs n’y peuvent presque rien

[@AnaPaula-np5rq]

😮♥️♥️♥️💗♥️♥️♥️♥️👏

[@emilyhutjes]

Did you all know that Alexander Malofeev (21) studied with the same teacher as N. Lugansky !! I can hear that.

[@renelicht]

😍😍😍😍😍

[@nylehotaling675]

The excellent pianist, from whom some of the best recordings come, our impression might be, "The Same as us"- in fact, he had the same Celtic attribution as we do; had Leverty ancestors, as did also Brahms and pianist Zimerman. With the permanent removal from the planet of the Frisian or English Rezefede, Sign or Channel, that of this land (and U.K. also) became fully Celtic; Scottish Gaelic is the best language for us, Irish and German a little less probably surest best. Ancestors of such musicians had all made a very good decision to forsake Celtic lands, as there was a weaker Fortuna blessing and problems. The composer, one of the Noble And Great one souls, like certain others! Frankish, his Rezefede attribution, as also Ravel and Faure. Gaels and Gauls, Celtic were also in that region. Unfortunately, there is and has been a fundamental problem in this land- the English language will be a primary reason for a condition of sickness and weakness- this is not our Rezefede, one which has been Removed, long ago. The Name, contrived of a pirate land grab, U.S.A. or America is unfortunately no good either; has involved some curse; many have concurred being led astray actually, that murder and violence is a justified, legitimate way to obtain possession of a huge, rich land, by certain naturally impoverished sorts. For Blessing, Zeygunug, call it Alba Nuadh or Nova Scotia; as also to shake of the Miasm or sickness associated with these formatting dyssynchronized choices...

[@nylehotaling675]

Same Celtic ancestors as Brahms, excellent pianist- namely, Leverty... bad luck and misfortune in certain Celtic land, they made a very wise decision to leave there...

[@nylehotaling675]

Composer, one of the Noble and Great one souls... Frankish, after which France is named; there also were a good many Gaels in France, at least one a great composer also, which is Celtic; the root Rezefede of Belgique, Gauls, also Celtic; France and Belgique- the Romans called the region Gallia Belgiqa- not exactly Parallel Countries to this one, best called Nova Scotia, or Alba Nuadh- the term America reflects an Illusory, or non-existent Rezefede. Rezefede, Patriarchal Attrribution and blessing; is very much of Binah. The Pisces old aeon, Severity and Judgement was a primary attribution; the Late Romantic Age in creative music also, very much of Justice, or Rectitude, following an aeon in music more of Fortune, Chopin, etc..- just as Hanged Man reflects the Impressionism... Crown and Glory were most energizing for that aeon; for Severity, Phoenix the exoteric planet of Glory; Thehsexo, Juno and Ceres, of Crown. Different, after that aeon. Severity, Royal Chartreuse Ray the color, the Ray Type of Jeoasos and of the aeon- no such Types however were appearing in society until around that late romantic aeon; with Aquarius, neither Green nor Royal Chartreuse Ray Types would appear anymore; there could be relatedly no "American" Liberal Democratic party, personal typology...

[@AsrielKujo]

what the fuck are you talking about and what the fuck do politics have to do with this piece