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@Code93 ай бұрын
We’re all familiar with the song, HOUSE OF THE RISING SUN, made famous by Eric Burdon and the Animals back in 1964. Here’s a FUN FACT about the song many are not aware of: NOBODY KNOWS WHO WROTE IT. Musicologists have tried to track down its origins but it's so old that its origins are lost in the murky mists of time. It may even go back all the way to 17th century England in a form that became known as "Broadside Ballads." If it did originate in England then it probably came to America via some ocean-going traveler who may have sung it here in the U.S. and then others picked it up and it slowly got passed around. Also, if it did originate in England, then someone had to have changed the location of the brothel from its location in England to New Orleans in the United States, probably to make the song more relevant to American audiences. That is all speculation, of course, since no one knows for sure what the original lyrics were in that particular verse. Another interesting thing about the song is that in some versions it's about a man lamenting his experience in the brothel while, in other versions, it's a woman bemoaning her life as a prostitute in the brothel. I first heard it by folk singer, JOAN BAEZ, in her gorgeously haunting rendition kzbin.info/www/bejne/qHWbYZiQa6yrsJI a year or two before the Animals' released their version. In the version by the Animals, the story is told from a male perspective (“It’s been the ruin of many a poor boy and, God, I know I’m one.”) In the Baez version the story is told from a female perspective (“It’s been the ruin of many a poor girl…”) There is also a version of the song by the legendary folk singer, Huddie (LEADBELLY) Leadbetter, that is so different (both melodically and lyrically) that it's barely recognizable as the same song. The recording (from sometime in the 1940s) is so scratchy that I can’t be certain if he says “many a poor boy…” or “many a poor girl…” but it sounds like “many a poor girl” to my ear. kzbin.info/www/bejne/r2bXgKOvntWBgNU The earliest recording of the song that I’m aware of (although I haven’t heard the recording) was by Clarence Ashley and Gwen Foster in 1934. Another pre-Animals rendition of the song was by BOB DYLAN about 3 years before the Animals released their hit version. (His singing on this is so…. um… what can I say? So quirkily “Dylan”! kzbin.info/www/bejne/iIHClJSBecuir7c) The oft-told story about Dylan "stealing" the song from folk/blues singer, DAVE VAN RONK, is sort of true but also sort of not true. The "sort of true" part is that Dylan did first hear the song being performed by Van Ronk who wanted to record it. But Dylan included it on his own debut album (released in 1962) before Van Ronk got a chance to record it. The "sort of not true" part is the notion that Dylan "stole" the song from Van Ronk. He didn't "steal" anything because no one "owns" that song so you can't "steal" something that is not owned by anyone. And, as far as I'm aware, no one really knows where Van Ronk heard the song in the first place. Interestingly, Van Ronk also sings it from a female perspective ( kzbin.info/www/bejne/d2LXp2OHbb90Zqc ). Back in the '60s, a veritable plethora of folk singers were all hanging around in coffee houses in New York's East Village where traditional folk songs were passed around and performed by anyone who wanted to sing them. People didn't have cell phones back then so there was no way to record a song on the spot. So, if some traveling folk-singer happened to hear a song somewhere and then moved on to another town and sang the song for another audience, the singer might not remember exactly how the lyrics went and would just make up new lyrics to fill in for the lyrics that he/she couldn't remember. This happened for decades (even hundreds of years in some cases) and that's why there are so many versions of old folk songs. Musicologists sometimes refer to this borrowing, changing, and adapting of a song as "the folk process". In any case, it’s interesting to hear the wide variety of ways in which the emotion and overall “feel” for the song was interpreted and performed by all of these artists. I’ve included the links here. Have a listen and see what you think of them!
@benjaminsykeАй бұрын
Thank you so much for compiling all of this history!
@graymurray49523 ай бұрын
I was at this show!! One of my favorite moments of the weekend!! Jon is just a beam of joy and musicality and these musicians together was so powerful
@reillyvibert47353 ай бұрын
Holy crap, mumford and sons did a great job but for some reason I got SO MUCH enjoyment out of watching you do the little call and response with the Trombone player! That was awesome!
@guitarfriendtim3 ай бұрын
Only Jon could make the melodica say the things he makes it say
@peterivan223 ай бұрын
OK, before everyone gets hot under the collar, read in full first! I worked for a major retailer for over 20 years, and all I had heard from Mumford and Sons, incessantly, was over the PA system is "I Will Wait", over and over and over and over... and then I hear this! DAMN!!!!!! Is all I can say, this is something that gave me a whole lot of respect for the talent, and appreciation for the bad and the others on stage! You can feel the heart and soul they are pouring out! LOVE IT! ✌️
@michaelteague46463 ай бұрын
I don't think Michael realizes how talented he is! He just lost control in this video and actually started jamming haha so good
@simianmoonstudios3 ай бұрын
Great performance! All powerhouse musicians!
@Sailor10103 ай бұрын
Mike too
@briancarroll68032 ай бұрын
Jazz Fest 2023! I was 30 yards off the stage, deep deep into it... Fantastic memory of that weekend
@rdg27943 ай бұрын
I actually fist pumped the air when I saw this. You never cease to miss my favourite music and I am forever grateful.
@sammieboiiiАй бұрын
muscial brilliance right there. sometimes musicn comes alive and takes the artists on a trip. this is one of those momenmts
@Duckowski3 ай бұрын
Thank you for the awesome work, you have a great day too.
@isaaclol74833 ай бұрын
This has been my favourite video for so long. I’m so glad Michael has come across this!
@WitchPsy23 ай бұрын
Seriously want to hear your analysis on Celisse playing with the Dave Matthew Band at the gorge. They did an amazing cover of All Along the Watchtower. Absolute insanity.
@annmarie35733 ай бұрын
Dynamics are the THING for Mumford & Sons! They sure do take you on a journey through a song. I think that's what made them such a crazy hit.
@Kasaaz3 ай бұрын
This was always my go to example of 6/8 time too...
@georgebraham67313 ай бұрын
Like you said, it's all about the heart, and it's all about the TONE. Bonus points for pronouncing my surname right first go
@jgravy823 ай бұрын
Michael, you were jamming as much as they were! 🤘
@user-iv6ei6zj9w3 ай бұрын
fantastic video mate
@Rysk1224 күн бұрын
Jimmy Kimmel Mean Tweets: "I love how music takes you away to another place. Like Mumford & Sons is playing at this restaurant so now I'm going to another restaurant" 😂
@camerondougherty24153 ай бұрын
One you should absolutely check out is their cover of Im On Fire. There is a pretty cool back story behind it and they do a killer job
@mitchweiner3 ай бұрын
You had me at Jon Batiste! A genius!
@targon7493 ай бұрын
Michael, if you've been missing the Billy Strings and Chris Thile shows in KZbin you are MISSING OUT!!
@WordAte17 күн бұрын
I have to go to Jazzfest. It is a moment in time when the entire universe of music greatness stews in Americana, French immigrant, Mexican, and Native American greatness that is expressed in the cultures of Creole and Cajun. It rivals the greatest historical musical moments in the French court, Soviet Union, pre-Castro Cuba, and Hapsburg's Austria.
@billtcheapbuiltcheap95683 ай бұрын
Is that an Epi Windsor she's blasting on? Nice.
@jirikrajnak90473 ай бұрын
7:09 😲
@fuzzybutkus89703 ай бұрын
She’s the black Joanna Connor. Joanna is an incredible blues player as is this young lady.
@doglover314183 ай бұрын
Does anyone know what kind of guitar Celisse is playing, please?
@graymurray49523 ай бұрын
It’s a 70s epiphone, not exactly sure what(maybe a coronet?)
@chrishennessy83973 ай бұрын
Any chance of reacting to Gary Moore's cover of Roy Buchanan's "The Messiah will come again" it's a great demonstration of the top top players having just everything in their arsenal
@pdp76533 ай бұрын
You always have the sexiest PRS geetars!
@johnosborne39073 ай бұрын
Animals-relax your song is SAFE
@floatingcoffin3 ай бұрын
Godammit Mike are you kidding me
@willvaughn6.3953 ай бұрын
My man can you react to periphery Marc’s playthrough of sentient glow ? How Much do I need to donate ?