One of the finest performances of this famous work I have ever heard. It's almost as if Mahler himself were conducting!
@WDRKlassik7 ай бұрын
Thank you very much! We're glad that you like our rendition 🤗
@user-bw5dx8nd6w Жыл бұрын
Bravo! Love to see the broken bow hairs flying at the end
@WDRKlassik Жыл бұрын
Thank you 😊
@richardwilliams4732 жыл бұрын
Great Principal French Horn player in the Scherzo movement!!!
@gregoryronnback2756 Жыл бұрын
Yes! Who is he?
@WDRKlassik Жыл бұрын
That’s Přemysl Vojta, principal french horn of the WDR Symphony Orchestra from 2015 to 2022!
@perlastella1011 ай бұрын
Great conductor!!!!
@joedays94 Жыл бұрын
como me gusta cuando un director tiene las ideas claras y no intenta cosas extrañas, y no es que le deba una "fidelidad" a la partitura a rajatabla, sino que a partir de las notas exprese las ideas del compositor sean estas buenas, sublimes, vulgares o fallidas. Tampoco es que un intérprete abjure de su individualidad por ello, se nota en Saraste firmeza y sobriedad, pero al mismo tiempo gran intensidad, sabe "narrar", sin que caiga el interés en ningún momento, incluso en obras intrincadas y a veces incoherentes como son las sinfonías de Mahler. Excelente versión, sin reverencias ni retóricas, pero al mismo tiempo clara, con la tensión justa para no pasarse en lo expresivo y atender a los aspectos líricos de cada episodio. Lo estoy disfrutando mucho. Gracias.
@WDRKlassik Жыл бұрын
Muchas gracias por esto.
@perlastella1011 ай бұрын
Great conductor
@perlastella107 күн бұрын
Commento perfetto
@leestamm3187 Жыл бұрын
An excellent performance of the Mahler masterwork.
@WDRKlassik Жыл бұрын
Thanks!
@MicheleKaiser-io2dx11 ай бұрын
Top notch in every way. Thank you!
@WDRKlassik11 ай бұрын
Thank you very much! 🤗
@andreiloas2 жыл бұрын
Wow! Who knew Saraste could equal Abbado in being the master of this monumental work. A must wonderful surprise, bravo maestro!
@scottmiller64952 жыл бұрын
Agreed just as good as the late great Abbado !!!!!
@eumoka4 жыл бұрын
Outstanding rendition of Mahler's fifth!!!
@WDRKlassik4 жыл бұрын
Thank you! 😃
@Balfour.4 жыл бұрын
0:14 I. Trauermarsch 11:45 II. Stürmisch bewegt 25:26 III. Scherzo 43:24 IV. Adagietto 52:16 V. Rondo finale
@appogiatura26 күн бұрын
Wow! A great performance. Good job 1st horn!
@WDRKlassik26 күн бұрын
Thank you! We're happy that you enjoyed the performance 😊
@joaquinsalmeron6655 жыл бұрын
Maravilloso!!! Bravo!!!
@scottmiller64954 жыл бұрын
Tremendous performance with a powerful ending, hope the audience gave them a standing ovation, because they deserved it !!!!!
@scottmiller64952 жыл бұрын
I would have loved being seated in the audience because i would show total respect for such an outstanding performance Bravo !!!!!
@wolfgangresch16503 жыл бұрын
Boy, Mahler was something 🙏🙏❤️❤️
@marshallartz3952 жыл бұрын
He sure was! 😎🎹
@scottmiller64952 жыл бұрын
Are you kidding? Mahler in many people,s opinion was the greatest composer of symphonies by any classical composer of all time, and it can now be finally proven !!!!!
@inorisugawa1953 жыл бұрын
Bravo, Přemysl Vojta!📯
@PeterChen-r1p8 ай бұрын
人類寫出來的最好聽的交響曲。
@astridarraut95022 жыл бұрын
Does anyone know on what year this concert took place?
@WDRKlassik2 жыл бұрын
This concert was on the 5th of July 2019.
@mikemusikable4 жыл бұрын
49:26 glissando
@paraparacha-han2 жыл бұрын
👏👏👏
@karlheinzkirchmann64695 ай бұрын
Mahler and his wild kaleidoskopian music , mixture and saltos in sound and symphonic ideas. His music fits in our time. He changes directions all of a sudden, he describes the chaos. May it happen that artificial intelligence one day discovers Gustav Mahler's gold mine of feelings and their symphonic expresson ? Mahler, the great DEAD as an interpreter of our disturbing new times ?😢
@WDRKlassik5 ай бұрын
Well said 🤔
@bestroofers815311 ай бұрын
❤ Супер
@WDRKlassik11 ай бұрын
Thank you 🥰
@clarkeweigle76504 жыл бұрын
This is a good performance, but why is it listed as being in Cb minor?! That isn't accurate for any of the movements. Moreover, Mahler himself didn't want the key specified: "to avoid misunderstandings the key should best be omitted."
@WDRKlassik4 жыл бұрын
Hi, Clarke Weigle! In response to the publisher's question as to which key should be on the title, Mahler replied: "According to the disposition of the movements (of which the usual I. comes only in 2nd place), it is difficult to speak of a key of the 'entire symphony', and, in order to avoid misunderstandings, it is preferable to leave such a key unmarked." So his indication was quite clear, but not completely restrictive: he did not downright forbid the indication of a key. Therefore there seems to be a certain leeway to decide to do it for good reasons and to justify it. For example, because of the convention of designating a symphony by number and key, it has become established that the C sharp minor is called with the fifth. This is due to the fact that the key from which a symphony is developed is much more decisive than the number. Mahler's symphony is developed from C sharp minor, even if it ends up in D major. The symphony begins in C sharp minor, but does not end in C sharp minor. There are other works where it is also the case that they are marked with the initial key, even if they end in a different key. Of course, it does not necessarily follow from these considerations, among others, that one should ignore Mahler's intention. But he did not express himself in a completely restrictive manner. Greetings from the WDR Sinfonieorchester!
@WDRKlassik4 жыл бұрын
It's listed as c sharp minor. Where do you see Cb minor? Maybe it's because of the translation?
@macprofire4 жыл бұрын
@@WDRKlassik Es steht direkt im Titel. Und in der Beschreibung heißt es Philharminic Hall ^^
@WDRKlassik4 жыл бұрын
Da ist was bei der Übersetzung schief gelaufen, jetzt müsste es aber stimmen.
@Lighter413 жыл бұрын
Tolle Aufführung! Aber wie man die Dynamik eines solchen Orchesters auf technischer Seite so dermaßen kaputt-komprimieren kann, ist mir ein Rätsel. Alle halbwegs lauten Stellen werden hörbar begrenzt, von gutem Klang bleibt nicht mehr viel übrig. Schade!