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I loved harmonica from the moment I played it. The sound was the coolest, it was small enough to fit in the pocket and my hands, and I could play it right away. But the sound that kept me in the game was Paul Butterfield’s throat vibrato. It was deep, sobbing, guttural and sorrowful and I had to have it! It didn’t come right away but, through work and experimentation, I created a vibrato that satisfied me as much as Paul’s.