After watching the 3rd time - I got it. There are 2 color tones to the whole MV. In the grey tone, the guy was no longer around - the presence of the guy was just Hebe's imagination. In the brown tone, the events actually happened, but in reverse chronological order - starting with after their love is gone (when Hebe was silent in the car), back in time to the quarreling in the car, back to the goods times when they were laughing and to the time when they first met i.e. at the cafe. For the grey tone story plot, the plot follows the chronological order. Contrary to some other comments, the scene at the cafe was not that Hebe imagined still seeing the guy after they have broken up - it was actually a scene of when they first met. The guy did not die, it was just that their love had died. The digging of the guy from the grave was just a figurative representation of trying to salvage back a love that had died.
@natalieyeung6748 жыл бұрын
i think the grey tone is in reverse chronological order too:p
@omniname12878 жыл бұрын
I think for the grey tone, there is some jumbling up of the chronology. But for most part of it, it is in chronological order i.e. driving to the 'grave', carrying the spade and walking to the 'grave', driving the guy home, giving him the clothes, bringing him back to their old house, hugging him, making him hug her and caress her face, lying on his lap etc. But there are 2 spots out of chronological order: the first scene when the guy is already in the car (which should come after he has been 'dug' out from his 'grave') and the actual digging up of his 'grave' (which should come in between the scenes when she walks to the grave and the driving home with the guy). But I think the first spot was out of order was because it was placed at the beginning in order to juxtapose with the brown tone first scene of them also in the car. The 2nd spot was out of order because I think the director doesn't want to give the whole story away right from the beginning, so it was placed nearer to the end, and also to provide some shock factor nearer to the end rather than the beginning, so as not to make it too obvious right from the beginning the that grey tone scenes are imaginary scenes.