how did they make this?

[@BlackPartyFilms]

HI, back again and I worked on this one as well. As always he's correct about the set ups!

[@shaneharrison4172]

the nanlux?

[@baxslatton]

I need to give this movie a watch. I love how simple most of these Hollywood lighting setups can be

[@naveenbasnet9581]

It's a great movie man i watched it yesterday

[@soybrunomarin]

It's awful. One of the worst of the year so far. They had a great set up for the story and it's just terrible. Production wise is great, but the story is so boring and so slow and Tom Hardy is so wasting his talents in here. I had great hopes for this movie, though. Very sad it turned out like this.

[@mike18699-e]

Obviously there's a certain amount of subjectivity, but I didn't like the movie. I went into it with high hopes but I lost patience with it very quickly. I found it very derivative - and worse, the movies that it borrows from did the same stuff so much better.

[@timon-emch]

I kid you not, the second I saw this video on my feed, I audibly said "YES, new Lewis Potts, let's gooo"

[@tomonfilmYT]

Haha, 100% me all the time

[@whatsonmytable]

You just read my mind and many many more other Lewis Pott fans....like we all know , what we learn from Lewis Potts on the 9 minutes is more than what you'd have learnt in 4 years of film school.This.man is fabulous! I wish he was my teacher throughout my life.His clarity of expression and humor are top notch!

[@franki3lee]

same lol

[@vyeung]

I get it, sometimes I don’t even watch it immediately, I want to save it for when I get home and have an optimal viewing setting.

[@MrShanePhoto]

Same

[@ivanmontoya4221]

You're a legend mate, thank you for these videos/tutorials

[@lewispotts]

Thanks!

[@1stAjay]

In my head, that last scene of Austin Butler coming out of the bar is lit different from Jodie Comer's perspective, so it serves a story purpose as well. Her gaze on Austin is different compared to the rest of the group of riders. I know some of the shots in this movie are recreations from the photo book it was based off of/took inspiration from.

[@StandardStoryCo]

Excellent breakdown 👏

[@speedethewfd]

Thanks for sharing your insights/breakdown into this amazing piece of cinemaphotography, great stuff as always!

[@deonvnzl]

really liked how you broke down that last sequence with practical considerations in mind!

[@FilmRunnerMedia]

I went to the theater to see this movie and I thoroughly enjoyed it. As an audience member, just taking it in for the first time, I didn't think that the movie looked "lit" at all, which I said to myself, I'm sure it is, but they did a great job of hiding it and really immersing the viewer in the story. Great video breakdown, too, I really learned a lot from watching this.

[@K_Rob]

It’s nice that Jeff Nichols still shoots on film and he doesn’t hide that. You can tell from frame one The Bikeriders was shot on film. Which fascinates me because Twisters which also came out this summer was shot on film and you’d never know it.

[@swdarksidecollector4576]

nah I think you can definitively still see Twisters was shot on film, especially when they are in nature, the green looks very good; but indeed it could have looked "better" ig but Dan Mindel has that weird thing where he shoots film but for some reason very low contrasty

[@bronmoyi]

Nice breakdown! Adam Stone and Jeff Nichols are one of my favorite DP/Director duos.

[@lewispotts]

Yeah they’ve made some great stuff

[@shaneharrison4172]

Cincinnati and northern Kentucky !! love it

[@sugamotokiwa3685]

you always the best !

[@scottfinley2486]

Great breakdown. I could watch this kind of content every day.

[@jorisjann]

Learned something here today ! Thanks ! Some really cool soft night lights they had :)

[@WW_Studios]

Lighting is always a ton of fun :D

[@StefanRingelschwandtner]

Love these videos. Thank you!

[@lewispotts]

Thanks Stefan!

[@calebkemp581]

Fantastic content! Thanks for making this video

[@SamMasghati]

These are suoer helpful, please do more of these :)

[@glenis83]

Great movie. Love all of Jeff Nichols's films. Very cool to see some behind the scenes lighting setups on Bikeriders.

[@AllThingsFilm1]

Thank you. I always learn so much from these lighting breakdowns.

[@CemmyDemmy]

Excellent breakdown, thanks for this!

[@RiverCody]

Love this style video, thanks for the value bro!

[@jesusmanuelgonzalezmiranda1917]

Excellent video

[@timotheemohr2805]

Please do more of these

[@edwardcrockett]

HE'S BACK

[@nx_studio]

4:55 - It looks like Tuco rebuilt and improved his office

[@storiesbyad]

The art of break down

[@narly138]

just discovered this channel. love it! great info. thank you

[@AllenRReid]

Good break down...thanks for sharing.

[@thatfilmfool]

Watched this movie last night. Glad I did !

[@beanSpill922]

I love your Channel and your breakdowns! I was wondering if you could do a breakdown on the Superman and Lois show? I was pleasantly surprised by the cinematography in the show, and was interested how they achieve such a look on a television budget!

[@alisher_gumar]

Thank s for your tutorials!

[@CinematographyDatabase]

Such a classy geared head

[@lewispotts]

It is indeed!

[@lazyeye2001]

There’s a behind the Scenes doc for how they made the film tenet please do a video on that

[@mtscott44]

Nice breakdown mate, thank you. Although, the top lights aren't balanced to tungsten - they're daylight! The warmth is just coming from the timber bounce and the tungsten practical behind the bar.

[@lewispotts]

Yeah correct👍

Great Stuff!

[@robin5mi]

@1:20 those hard downlights look like Source4 PARs with a full snoot a.k.a. top hat.

[@WhySteve]

The DP telling the director how to frame 🤣

[@KeatonTFE]

Relatively certain the lights above the bar are ETC Parnels with snoots.

[@IrfanKhan-sw8lb]

brilliant

[@deloreanized]

There's something they did during the color grading process that makes it look digital (despite being shot on 35mm). I've seen movies shot on digital that feel more 35mm-ish than this film.

[@camerachronicles7]

"Hey babe wake up, Lewis Potts posted a new video."

[@AnLe-yg9ln]

thank you 🎉❤

[@framesetapp]

✨✨✨

[@clxcinema3125]

It's an awesome vid with proper knowledge tips in it. loved it. I have only one question. How did You get shots from almost the whole film scenes? Where from?

[@lewispotts]

I bought the movie online

[@clxcinema3125]

@@lewispotts Damn, didn’t think about that😂

[@benjamincorteslyon6777]

What about exposure? Do they film with that light and then pull down a few stops to have less grain? In that bar scene, what a lot of light... interesting result.

[@the-dreamer1]

A 24 amzing look

[@rosecranceYT]

You're Rainbolt but for movies

[@themediaile]

can you break down the cinematography of salt burn please

[@joshmillerdp]

This is incredible bro! Where did you get this BTS footage?

[@lewispotts]

Thanks! It’s on KZbin

[@JimRobinson-colors]

Wow, I found that really interesting. I wonder if the shots in the bar where you pointed out the back of the jacket being lit in one angle and complete darkness on the other, that it might have been better with some lighted added on the dark one, so the differences wasn't so stark. I don't know the correct answer, but as a colorist, I think that would bother me a little. Great video though- well thought and delivered - Thank you for this

[@lewispotts]

Almost every scene in movies has some discrepancy in continuity similar to these, you would run out of time in the day trying to make everything match perfectly. And it probably wouldn’t look as good

[@alexanderloskutkin2885]

you and Roger Deakins have the same face, job and mannerisms, did you notice that?)) same soft spoken laid back style too

[@lewispotts]

Dad?

[@alexanderloskutkin2885]

@@lewispotts a multiverse variant

[@lv6964]

Super vidéo, ça aurait été cool de voir l’extrait sans explication dans un premier temps et ensuite l’explication lumière

[@MediaBuster]

They way you say here.. heer lol

[@clintclarkson1325]

Only thing I'd say is that the color of the sunlight would be more towards golden hour if it was truly coming through that window at that angle.

[@lewispotts]

Yeah your right it would be, but you can also just do anything

[@clintclarkson1325]

@@lewispotts for sure. I like the style though…pretty slick

[@jamesrogers4002]

Is Austin keeping that cigarette burning when they're not rolling, or is it a prop that just keeps smoking?

[@Elena-true]

I love you 😂

[@devanKraal]

What's the app you use for the lighting/camera diagrams?

[@lewispotts]

A company called gumroad “lighting diagram toolkit” And photoshop

[@myvideoguy]

can lights from above

[@fnshirokov]

Спасибо за обзор интересно

[@samvandijk7256]

Where?

[@tp-visuals2622]

Hhjeeereeh

[@gillesvanleeuwen]

Bye!

[@De_Randle]

Where can someone find bts from films like this?

[@lewispotts]

KZbin

[@RayRay-uw6ms]

not gonna lie, the lighting looks very ugly imo, the exterior night shots outside of the bar looks so awful and flat, why are movies looking like this nowadays?

[@AxiA]

Great breakdown! thanks for doing this