Lile this makes no sense why would you compare a 100 camera to a 5,000 or more camera? What point are you making?
@sindhusagar.studio2 күн бұрын
Easy and important information 🙏🏻😊
@jakekendrick86084 күн бұрын
Can someone PLEASE explain to me the tech behind how it works? All of the videos just gloss over it and talk about how to use it for lighting but how does it go from almost clear to diffused??
@Charles-Elie4 күн бұрын
Haven't seen such an amazing and precious lesson in cinematography out there (and for free!) in like... ever. Thanks a million!
@JakeSimpsonVisuals7 күн бұрын
@lewis Potts I'd love to know what all is on that komodo build. At 0:41 it's clean as heck
@49Amit-j8t8 күн бұрын
Can you dismantle it and remove the built in lens and expose the sensor and modify it to accept the c/cs mout lenses to see if this "toy" could be any usable...and seeing its limits.... Yeah i know we will lose the auto focus.. but.. will get better quality images/video than. The current potato pics/vids
@quiverfullproductionsllc9 күн бұрын
As a director did you fully trust your gaffer to light or where you a bug part of the lighting ?
@lewispotts9 күн бұрын
We came up with a rough lighting plan in pre production together, then I checked on it a couple of times as they were setting up
@quiverfullproductionsllc9 күн бұрын
@@lewispotts thank you, thank you for responding!!
@alejandroramirez_FoodScapes9 күн бұрын
Wonderful break-up. Good job!
@RobWhiteside-c6e10 күн бұрын
No "byyyeeeee" this time :/
@kingvulture573010 күн бұрын
I am beginning to notice the small things that hurt…like the screen play of beginners is always missing angels like they are rushing..I make sure each shot dialogue and lighting and multiple angles are perfect before i go to the next..I plan everything the night before so i don’t capsize the budget…take your time
@xx1simon1xx10 күн бұрын
Good Video, one note though: I have to say, im not a big fan of the vortex / crls combo for night lighting, its very good for daylight due to the lack of falloff, but the same effect just looks weird here. Its like a very far away source that somehow only hits that very specific spot. Feels off, i think the vortex direct would have looked better..
@davidpoo6613 күн бұрын
I was looking for something a little more portable for shooting hotel rooms with my Pocket 3😮.
@resilientmanproductions88113 күн бұрын
good job lewsi, i have a feq questions. what were the conversations with the colorist in preproduction? what went into the creation of the look? how did you use it during production?
@shaunmaddox17 күн бұрын
I love Tokina Cinema Lenses lol
@EstudioHelios18 күн бұрын
What a beautifully shot movie. Congratulations!
@lewispotts17 күн бұрын
Thank you!
@thuyangwe19 күн бұрын
thanks you Lewis, goat for this
@rafabelfort19 күн бұрын
Very interesting, thank you very much!
@jayrey722 күн бұрын
Wow that's freaking awesome. I can't wait to get my first cod light to start practicing these lighting tips.
@danijelbogdanic638722 күн бұрын
I enjoyed this.
@Evan-tp7ur24 күн бұрын
putting us on major game here bro thank you! Let us know when the movie comes out please
@AxiA24 күн бұрын
Great breakdown! thanks for doing this
@ResoluteMedia25 күн бұрын
how did you match additonal lighting to the temp of the street lights?
@lewispotts23 күн бұрын
The gaffer might of had a spectrometer, but you can also just do it by eye
@samdotroden26 күн бұрын
interesting stuff, thanks for sharing! keep the lighting info coming, not easy to find such good knowledge / artful consideration
@AndrewPaul126 күн бұрын
The GOAT
@alexhahnebach64727 күн бұрын
perfect content!
@dineshchamara165128 күн бұрын
❤❤❤
@iamvictorperez148228 күн бұрын
This is awesome thanks for sharing Looking for are to checking out the film
@MoeGunz28 күн бұрын
Crazy how simple most of these are. Even the big courtroom shots were just lights through diffusion and negs.
@williampace416728 күн бұрын
LOVE this! I can gurantee that this is going to be seen by _all_ my Digital Cinema production classes. As our many of your lighting breakdown videos. Keep up the great work!
@remywebber533029 күн бұрын
Lewis why do you opt to bounce the vortex’s into the light bridge rather than sending them up and lighting with the vortex directly?
@lewispotts23 күн бұрын
Yeah can get a better/more accurate light quality bouncing into the panels, and it’s a little safer having them up higher on a stand rather than the vortex direct
@KaanSenel29 күн бұрын
Loved the breakdown man!
@cytokinestorm307429 күн бұрын
The cost of those lenses is more than all the filmmaking equipment that I own.
@jaemiem29 күн бұрын
Been staring at the Venice2 for the last few months... But man... I actually miss that A35 footage 😍
@simransidhu344429 күн бұрын
Finally. A lighting tutorial in which the camera moves through space, and not just another four-point lighting setup for static close-ups.
@anthonypc-24829 күн бұрын
These character shots look riveting. And I don't even know the story yet.
@Imandrewcao29 күн бұрын
How did you do that crash zoom effect?
@2do_hun_29 күн бұрын
Look Awesome! I love the black level! I have a question, Did you use ES mode?
@lewispotts23 күн бұрын
No, we used standard iso at 1280
@DavidKfilmmakerАй бұрын
Why you shoot 172.8 shutter angle?
@lewispotts29 күн бұрын
We had light flicker from shooting 24fps in Australia
@3Allen-b8mАй бұрын
氨气-垃圾袋,顶光控光! 绝
@sphiwemchunu8404Ай бұрын
No one does it better than Lewis!!
@coszecАй бұрын
Hey Lewis, thank you for this. Sending positive vibes from Miami.
@HasyirIbrahimАй бұрын
ok now how tf do i do this with my M20C? 😜
@AxiAАй бұрын
Always great stuff. thank you
@prismlensfxАй бұрын
this is great info and insight, well done!
@emilthilsingАй бұрын
Didn't even notice the matte box at first. Love the transparency!