How Royalties Work for Producers, Songwriters, Artists, Labels; Release Strategy (Ari Q&A Part 5)

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This week Ari answers more of your questions! If you’d like to submit to our next round of questions, please sign up to our email list: www.aristake.com
02:17 What's the best way to prepare for your first EP launch?
04:11 How should I split royalties with my producer and engineer?
11:36 How should my band roll out our forthcoming album's waterfall release?
17:26 How much do streaming services pay in mechanical and performance royalties for each stream?
20:56 What's the difference between owning the masters vs. owning the digital sound recordings and performance rights?
23:46 How do I break into the Special Events market with symphony and orchestral work?
25:44 If an artist plays your song in a concert, how will you be compensated?
27:34 How do I get in contact with music publishers?
38:14 Conclusion
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Edited and mixed by Maxton Hunter
Music by Brassroots District
Produced by the team at Ari’s Take
#NewMusicBusiness #MusicRoyalties #ReleaseStrategy

[@TonyTtheProducer]

Great content as usual. Thanx Ari!

[@johnskyfield]

Thanks man!

[@dafingaz]

🙌🏾

[@lennonnicolas5994]

Hey Ari when is the podcast about copyrighting your song and plagiarism coming out? Also loved this episode, very informative 👍

[@jeneelyons3192]

Hey Ari! Jfanell from ANYvidual, Thanks for your content I’m a chapter into you book! But I was looking for a video on registering your music as a group. We split royalties relatively equal between 2 top liners and producer but we’re releasing as a duo group with the group ANYvidual registered as business entity there fore I am coming to a cross road while signing up. I am not sure how the business entity needs to be registered. (Aritist?) or do only the members need to be registered. (Song writers?)I may be very much be overthinking. Some one please help 😅