How to get the MIDSOMMAR look | Davinci Resolve 18 Tutorial

[@Gavin_Haughey_Colorist]

Small disclaimer: The final version (that was published) looks a bit different. I made my own version after the release :)

[@Milo-mw8we]

Thank you Gavin, I truly enjoyed the video at the end. Great and refined work!

[@Gavin_Haughey_Colorist]

Thank you very much Milo!

[@osasidaeproductions3759]

Love your work man .. do you give personal training?

[@Gavin_Haughey_Colorist]

Thank you! Not yet! But Ive been thinking about a oourse or 1to1 sessions for the future!

[@Moolhood]

Fantastic work, man!

[@Gavin_Haughey_Colorist]

Thank you! Showed the scopes this time bc of you 😅

[@Moolhood]

@@Gavin_Haughey_Colorist Hahaha I appreciate that! 💛

[@VAZZlD]

Great video !! I have a question which somehow colorist always do it differently.. When would you put effects like glow and grain before/after the rec709 LUT ? I think Cullen Kelly once said that effects are used before the transform.. could you maybe explain why to choose one or the other?

[@Gavin_Haughey_Colorist]

It‘s technically more „correct“ to do it before. I try both most of the time and just see what happens. Sometimes, Im more pleased when I put it after!

[@Umetnik]

It is a good pastel light look, but it is not 100% Midsommar more lik 70-80%. It has too much contrast, the darks are still too rich. And the colors pop in a different softer way in the movie. 3:02 is the most saturated part of the movie and if u indirectly compare it to 13:10 it is a strong difference. I guess you have to physically have the gear to recreate it fully.