How to improvise LYDIAN - Simple & Thrilling Modern Jazz Methods

[@KS-yn8hc]

Oliver, Thank you. The clouds parted and the sun came out! Your caring and patience teaching made my day.

[@_sonicfive]

This guy is the piano whisperer

[@debralynnpaxton5238]

My thoughts Exactly :D ❤

[@michaeldavid6973]

For life as well lol

[@teem5945]

😂

[@sirrobinhood3409]

As always awesome instructions. Your the Bob Ross of piano lessons. Thank You!

[@ayokay123]

You mean the Bill Alexander of piano lessons. :D fyi, Bill was Ross' teacher.

[@sirrobinhood3409]

@@ayokay123 I stand corrected LOL I did read that Bob learned to paint from Bill Alexander :) However Bobs voice and teaching style was all his own

[@ayokay123]

@@sirrobinhood3409 Very true, and so was Bill's. Watch a few of his youtube vids.

[@Paul54WH]

Behold, he has brought us fire.

[@mrprisbrando]

He is amazing.. explaining things that you understand… a true instructor. Honestly a true musician. I love the way he says hand, he’s got me saying it too. Thank you Oliver

[@michaelnotes8707]

Oliver Prehn. A great and powerful Jazz musician. A great teacher as well.

[@BoSong]

incredible results by simple hand grips.

[@arthurroschbooksandmusic7700]

Oliver, I'm back. Actually I never went anywhere. It is now 26 months since I started piano study. You have been so helpful! Every day I learn something new. Even I am impressed by my progress and I don't impress myself very much.

[@NewJazz]

Haha - great - thanks a lot for your feedback. I'm so glad that some of my vids can help you on your musical road ;) Cheers from Oliver

[@pianistganga]

Its Kalyan thaat (mode) in Indian music and I must say you are true musician who is sharing such a precious knowledge. Thank you so much ❤

[@CaioKehyayanOfficial]

Just discovered your lessons and it’s definitely one of the blessings of this years. Cheers 🤘🏻🔥

[@silviomp]

You make hard stuff easy and beautiful. I like the way you teach.

[@andrephillips3448]

Wow Man, Opening Music to the Masses. Blessing on you Oliver Brehn.

[@moejoe2245]

You are phenomenal and God sent.

[@djshady78610]

Lydian is quickly becoming one of my favourite modes. Your instruction goes a long way to help me unlock undiscovered potential within myself. I appreciate you!

[@franciscomadridgonzalez9424]

Extraordinary and simple, you are a genius.

[@gipsyx6243]

I soooooo love this channel. Thank you!

[@eneojoechajohn6625]

Wow ,I really miss you sir 💗💗💗

[@dkbbass403]

Beautifully explained and demonstrated, inspirational. Thank you.

[@javilalima]

Excellent jazz education, as usual. Thank you!

[@TimothyJohnsonBey]

Probably some of the most valuable lessons come from this unselfish man.

[@stanleyfoli7656]

We cannot appreciate you enough for your good outpouring of such level of sacrifice.God bless you. Can you please do a lesson on gospel tritone movements sir?

[@NewJazz]

Hi and thank you so much :) And great suggestion! But I have so many requests so I’m not sure if or when - I hope that you understand... but I'll have it in mind for sure :) Thanks a lot for your input and feedback. Cheers from Oliver

[@davegranholm7338]

I get great enjoyment from improvising… your lessons help amplify that joy! Wow, this one is so nice. Tak!

[@norimurakami5865]

Such a joy to listen and learn from you. Thank you so much!!

[@can_hiras]

The way you approach music is truly unique.

[@Paul_demian]

You are amazing, your teaching has made me love the piano in a way that by playing it I feel im giving it Hugs. much love for you and yours bro.

[@scottstevens5481]

Genius… I’ve stumbled on this sound…. I didn’t know it was Lydian! Thank you for this insight…. Sounds amazing and beautiful! ❤️

[@uwimanasamuel447]

Thank you for your help

[@ondyvond]

I like that calm and relaxing voice.. like Osho with piano :)

[@kaivrock]

Really stunning voicings

[@k27ism]

I like your channel because I notice you really help us especially me to follow along the keys you play.

[@domogeodesico]

Super mega hyper amazing!

[@ayokay123]

Superb teaching style!!!!!!

[@azurites]

Thank you sifu!

[@efdystudio311]

Thank You for the lessons, this I looking for the knowledge about entire music details. bless You

[@murattangal8834]

Thank you very much for this beautiful lesson.🙏

[@toneseeker87]

This lesson is gold 🤩

[@stefanfischer4643]

Thank you so Much! Stefan 🌞

[@stefanfischer4643]

Dear Oliver! You Help Other Musicians to develope their own language! Wonderful, thank you so much! Stefan 🌞 From Berlin

[@boosterico7077]

awesome!!

[@jayantjrathod]

Thank You So Much Sirjee 💓

[@camhowelse5797]

Awesome thank you Oliver!

[@Lucianpala]

Thanks!

[@0711RC]

Great lesson, fantastic bass!!

[@IsmailBergitar]

Thanks for the video. This is very easy to understand info about practicing using Modes. Can you make videos like this again for the other 6 modes?

[@NewJazz]

Hi :) You can for example try out this other video about the modes; kzbin.info/www/bejne/gZqooH2gjNF6g7s Cheers from Oliver

[@kalletjaben-jazz-funk-soul-key]

… as always: very inspiring!!!

[@GOSPELMUSICTUNEUP]

Great Video! Nice Progression

[@zweiwelten3384]

Thank you for this great Inspiration !😊

[@melodyCJ]

Happy new year Oliver 😎

[@NewJazz]

Happy new year!

[@TheZonifero]

Muito bom. Obrigado, professor

[@Santtittos]

Very nice and useful!

[@nicolasbonnet9638]

Very interesting lesson as usual!. Thank you very much for your work Oliver

[@newbeartrucks4422]

You are a beautiful person Thank you

[@theau61]

NICE !!!! Some work for tomorrow

[@JeanCarlos-cd8cz]

Um luxo 🎺😌👏🏽👏🏽👏🏽👏🏽

[@Mario-ol7xd]

Muy bueno como explica el maestro

[@user-ow9tc7qi7q]

bravo maestro

[@ManojSuthar]

😭😭😭😭wowww bro❤️❤️

[@davidsummerville351]

This is really cool. Caused me to subscribe. Thanks

[@jeanjoelgoli685]

Excellent 👌🏻👌🏻

[@malkhazighibradze7657]

you beutiful teachar, thenk you.

[@12Keys]

So far I learnt a lot and can't stop improvising with other musicians using your technique. They said this is pure jazz and they love listening to it. I jam online with other musicians, If you ever want to join, It's for free and can use virtual sounds through a midi cable to connect your piano with them🎵

[@anttt7993]

How do you do this with no latency?

[@12Keys]

@@anttt7993 I played on Jamtaba, it is a free software that allows musicians to play together online in real-time. It has a built-in metronome feature that can be used to help musicians stay in time with each other. The metronome can be set to a specific tempo and time signature, and each musician can hear it through their headphones or speakers. Jamtaba also offers other tools such as chat and file-sharing to help musicians collaborate effectively. They are synchronized.

[@jouliadam4687]

Mantap

[@atomschmidt3932]

🦋

[@deepdas7168]

Hi Oliver, can you upload a video about different types of chord substitution?

[@NewJazz]

Hi :) Great suggestion. But I have so many requests - but I'll have it in mind for sure :) Best regards from Oliver

[@deepdas7168]

@@NewJazz Thank you 😊

[@corryspriveri5942]

Hi Oliver, I was thinking about the pattern you're using here. I could be wrong but the structure is very similar harmonically to the pentatonic one of your lessons on polimodality. There You get the Lydian mode by a pentatonic row in the key of C i.e. A, E and B minor pentatonic and in this lesson we have triads G C and D establishing modality. So we could say that pattern changes but harmony stay the same. I would like to get your thinking about that. Best regards

[@NewJazz]

Hi :) Yes, exactly!!! It's two different hand grips, two different ways to do Lydian, two different patterns and sounds on Lydian. Cheers from Oliver

[@audioreccity]

❤❤❤❤❤

[@KrisVanMoerbei]

Wow

[@pislaruveaceslav3395]

wow

[@anttt7993]

Im curious, do you ever play an acoustic piano? I'm a few years into learning on a digital piano, with a similar style to yours, and I find that the sustain pedal is way more forgiving on the keyboard. Do you do any practice targeting pedal work? I have found that playing a slower and ambient style has made my pedal technique a bit too lax. When I go to play something faster, I have to much more aware of my pedaling. When playing in the style of the video, it can be easy to just hold the pedal down. Always enjoy your videos! Glad to see you have gained so many subs!

[@NewJazz]

Hi and thanks a lot :) :) :) I've made a video about how to use the sustain pedal. Maybe it's useful to you. Cheers from Oliver kzbin.info/www/bejne/Z3y3nqNjorOpsM0

[@LukeSky0]

Muito bom!

[@sexaveteliyev2713]

👍👍👍

[@CsehCsaba75]

Sounding great, but I just wonder if you mentioned "C" lydian , why not appears the raised 4, witch is F# - as I know the lydian meannings is the raised 4 degree in major mode.

[@NewJazz]

Correct, C Lydian has an augmented 4th step compared to the Major mode. I'm no totally sure about your question - maybe you can elaborate a little? Cheers from Oliver

[@rebanelson607]

I thought Lydian started on the 4th note of whatever scale is being used and Mixolydian started on the 5th note of whatever scale is being used. If that is correct wouldn't B Lydian start on E natural rather than F#? Maybe i'm confused? @@NewJazz

[@Mark-vs5xx]

THE ONE Elton John

[@Ahmad-Mounir44]

Sir, I need a favor please. I am taking Jazz seriously these days and I finished your beginner playlist. What playlist would you recommend next?

[@NewJazz]

Well, each lesson can be seen individually and they are actually not meant for the purpose of being watched in a specific order. So the idea is that you just zap around and choose whatever interests you. Many lessons start up easy and then they get harder and harder. So if a lesson becomes too difficult (or weird) you just skip that lesson and make a fresh start with another one. That’s the main idea!!! I talk more about this way of learning Music in this video: kzbin.info/www/bejne/l2iWZpxte7-fo6s But anyway, I’ve made this playlist trying to sort the videos in a suggested order: kzbin.info/aero/PLd8gNAxPUcJw1DmmWooCWx_jgKzgBfYGp At the front page of the NewJazz channel you also have other different entrances to the lessons: kzbin.info And on the “playlist tab” you’ll find even more categories/chunks of lessons: kzbin.info/playlists Cheers from Oliver

[@GoBack95]

Wow thanks Sir a lots... long time . sr Sir i'm say english to bad ^^

[@costasyiannourakos6963]

When we say lydian on C. don't we mean the key signature of G?? Or we do mean Lydian on F? In otherwords the natural keys!!

[@NewJazz]

Hi :) Good question. I mean Lydian on C. That's C in the bass and the notes c-d-e-f#-g-a-b. The G Major scale share those keys - but we do not hear G Major, because C is our main Key. So we hear C Lydian with it's characteristic augmented 4th step. And correct; Lydian on F share keys with the C Major scale. Cheers from Oliver

[@Ahmad-Mounir44]

Sir, your right fingers are walking on these keys like walking in the garden of Eden and they look like they're just touching the keys, not even pressing them. What's the secret behind that? I really need to reach this level of comfort in my playing :( I've been practicing and playing piano for 6 yrs now. I guess I'll have another 10 yrs to reach this level. SWEEEET! :)

[@NewJazz]

Thank you so much :) This other lesson (quite silly but useful I hope) is about how to play fast and easy - maybe you can use some of the techniques we learn in that lesson ;) kzbin.info/www/bejne/eGGqfGCKgrGMpsk Best regards from Oliver

[@dfhwze]

add2 no3 -> what happened to "sus2" notation? :)

[@NewJazz]

Hahaha - and hi my friend ;) Yes, "sus2" would be a more accurate notation for the left hand. I guess my excuse could be that it's because I wanted the left and right hand grip notations to be consistent. Thanks a lot for great input on this ;) Cheers from Oliver

[@dfhwze]

@@NewJazz for the guy that invented the mixolydian flat 1 scale, I'm not surprised anymore :)

[@NewJazz]

Haha - well, I'm not done yet, messing up, not at all. In a couple of months from now I'm planning to make a lesson that presents a brand new and more free approach to scales. But I know that you have a free and open mind, so you can handle it I'm sure ;) Cheers from Oliver

[@memduhozdemir]

❤🙏

[@jerryk3280]

That bassist towards the end 😭

[@NewJazz]

Yes, Fabricio (the bass player) is crazy - crazily talented! Cheers from Oliver :)

[@user-bv8ch2qs5s]

Although the five-tone scale finger technique can quickly locate notes, if I am playing 71234 instead of 61235, does that mean the finger technique has changed?

[@NewJazz]

Hi :) Can you maybe elaborate a little? I'm not totally sure about what you mean... Cheers from Oliver

[@user-bv8ch2qs5s]

@@NewJazz What I mean is, when you play the five notes of 6-1-2-3-5, do you use the same fingering if you play the five notes of 7-1-2-3-4 on the pentatonic scale, or do you use different fingering?

[@NewJazz]

Hi :) I'm still not totally sure about what the numbers illustrates - the steps on a specific scale maybe? But maybe I can answer your question anyway. The hand grip technique is not meant as a tool to play specific phrases or melodies. We often can't use the hand grip technique to play a written song melody. But though you may not be able to play a specific melody you can still extract thousands of different phrases from a simple hand grip. The hand grip technique is ment as an improvisation tool; a tool to structuralize our improvisation and to set the mind free. Cheers from Oliver

[@helloween76]

This guy’s regular voice covers a low vocal fry to a falsetto

[@NewJazz]

Hahaha, thanks.... Cheers from Oliver

[@artequintanilha]

Im very far of this level🤭

[@peeachediva]

Thanks!

[@NewJazz]

Thank you so much for your generous voluntary “super thanks” donation - you help keep me going for sure!!! I'm very grateful :) :) :) Best regards from Oliver