How to 'Punch In' with Studio One

In this video we learn how to 'Punch In' in Presonus Studio One, with the the Auto Punch feature.
🧑‍🤝‍🧑 JOIN THE FACEBOOK GROUP HERE: / 1003205764256901
☕ SUPPORT THE CHANNEL
One off Tips: www.paypal.me/creativesauce
💿 RELEASING A SONG?
Get 7% off at DistroKid with my VIP link
distrokid.com/vip/creativesauce
🎸🎹 MY STUDIO GEAR
AUDIO INTERFACES I USE
Universal Audio Apollo X4: sweetwater.sjv.io/9gGAVj
Antelope Audio Discrete 8 Pro: amzn.to/3qTbFav
STUDIO MONITORS
Adam Audio A7V (Pair): sweetwater.sjv.io/GmXnb9
Adam Audio T10S (Sub): sweetwater.sjv.io/XYyd4b
MIDI CONTROLLER KEYBOARDS
Arturia KeyLab 88 MkII: sweetwater.sjv.io/QyA2RM
NI S61 MK2: sweetwater.sjv.io/B0Exqy
MIDI Control Surface
ICon QCon Pro G2: amzn.to/47PQhn0
MICROPHONES
Audio Technica AT2020: sweetwater.sjv.io/5gnaEL
Rode NT1A: sweetwater.sjv.io/5gy1X9
Shure SM57: sweetwater.sjv.io/nLyVQV
Shure SM58: sweetwater.sjv.io/ZQNEAK
Shure SM7B: sweetwater.sjv.io/5gaAj3
Warm Audio CX12: sweetwater.sjv.io/eKekOD
Neumann U87 AI: sweetwater.sjv.io/rQ4GZQ
Universal Audio SD-1: sweetwater.sjv.io/xkrz0A
Universal Audio SP-1 (Pair): sweetwater.sjv.io/NkbEqq
Rode NT5 (Pair): sweetwater.sjv.io/oqWxVb
Neumann KM184 (Pair): sweetwater.sjv.io/Mmn5bJ
Austrian Audio CC8 (Pair): sweetwater.sjv.io/rQ4G9v
HEADPHONES
Sennheiser HD 280 Pro: sweetwater.sjv.io/21k3Ba
AKG K240 Studio: sweetwater.sjv.io/EKjL2P
AKG K702: sweetwater.sjv.io/bae659
Beyerdynamic DT 770 Pro: sweetwater.sjv.io/6eK07K
Beyerdynamic DT 990 Pro: sweetwater.sjv.io/OrJkzQ
Austrian Audio Hi-X55: sweetwater.sjv.io/4PYz29
Austrian Audio Hi-X65: sweetwater.sjv.io/daA2eM
Audeze MM500: www.audeze.com/products/mm-500
Audeze LCD-XC: www.audeze.com/products/lcd-xc
MIC PREAMPS
ART Voice Channel Tube Channel Strip: sweetwater.sjv.io/3eAjJn
Warm Audio WA-MPX: sweetwater.sjv.io/GmEr6n
RACK GEAR
Warm Audio WA-2A: sweetwater.sjv.io/eKvqRX
Warm Audio WA-76: sweetwater.sjv.io/AW0mKN
Warm Audio WA-1B: sweetwater.sjv.io/oqBEan
ART Head Amp 6 Pro: sweetwater.sjv.io/1re1bx
Samson S-Patch Plus: sweetwater.sjv.io/g1PDo2
🔌🎹 MY FAVORITE PLUGINS
Arturia FX Collection 4: www.pluginboutique.com/produc...
NI Komplete: www.pluginboutique.com/search...
FabFilter Pro-Q 3: www.pluginboutique.com/meta_p...
iZotope Ozone 11: www.pluginboutique.com/search...
Addictive Drums 2: www.pluginboutique.com/search...
The above links may be part of an affiliate program with the respective website.
As an Amazon Associate I earn from qualifying purchases.
🔔 SUBSCRIBE NOW:
/ @studioonerevealed
👍 SHARE THIS VIDEO:
• How to 'Punch In' with...
Note - Links provided in this video description may be affiliate links, meaning that if you choose to purchase products using these links, a small commission may be paid to me for referring you. Thanks for helping me and the channel.

[@rubenpv]

Amazing! thanks

[@samcarter7731]

This channel is a life saver . Going to find as many studio one user’s channels as I can. But your clarity is top knotch.

[@twinsprucestudios]

Awesome!! Now I can stop running between computer and mic..!! LOL

[@JG-DivMan]

Another good video, Mike. Thank you! I saw some posts down below questioning "why would one want to do that? Instead, do (something else)." I think that's the incredible advantage of modern DAWs. There are many ways to accomplish the same thing, and some of those methods lend themselves better to some situations and workflows. This song and situation lent themselves perfectly to this demonstration, and if this workflow resonates with you, go for it. If not, all good. Find what works for you and your music. It's always good, though, to be comfortable with as many methods as possible so that you're ready when an unexpected challenge arises.

[@hjorleifuringason2778]

Great video, BUT, auto-punch wont work on my S1 even if I have all the settings as you show! What could I be missing? I do: 1. Enable autpunch 2. Tick "loop follows selection" 3. Highlight the area and set the loop. 4. Record-enable the track 5. Set the cursor in advance. When I start and then hit record it starts recording right away and not at the loop!

[@jclefbouncyrock]

Wow, this is really cool. Thanks for showing us!

[@MayotheMaker]

I literally was just wondering this yesterday

[@Dominant1mw]

I'm sooooooooooo glad you are making Studio One videos too,I loved your Bandlab tutorials...I'm so hyped, thanks for the knowledge 🙏🏾🤌🏾

[@studioonerevealed]

Glad to hear that, I really enjoy making them:)

[@judebak1]

Mike, thanks for this video. I was just trying to figure out how to do this on my vocals. I do have an off topic question for you though, I am in the process of researching a new computer. I currently have a PC but was considering switching to a mac mini. Would you recommend that or just stay with the PC? Thanks.

[@realheadphonecandy]

I like manually punching in, but for some reason Studio One is now punching in at the correct time but adding space to the take before and after I punch in/out which really screws up my track. How do I fix this?

[@steelgig]

Is it possible to have the prerun before of the loop, every time I do multiple compings? Example: I'm some meters away from my daw at the mike. I want to replace an existing part via comping, so I let start it some seconds before the recording with the loop, so that I can hear first the previos part of the song and then record only the loop part. In samplitude one have special punch in and punch out markers. So the loop can be bigger then the recording area is set by the markers. Can I do this also in studion one? I did not find a possible here yet (only by doing it like you have shown, but that would be only possible at the first run. In the second lround the recording starts direct at the beginning of the loop).

[@garyshepherd9226]

Literally no need to punch in - just record on a separate track and then comp. As an engineer from the 70's when we had to "drop in" (as we Brits called it) to tape, I know all about it. But with digital it is unnecessary. Don't understand why anyone would bother with this in a Daw.

[@soneiricmusic5236]

Why would you want to have a bunch of separate tracks and then put them all in one track, when you can remove the unnecessary step & have them all on the same track to begin with? /gen

[@RiffMusic1970]

Even better than a separate track is using Layers inside the current track. Record as many takes as you want. Comp them, then close the layers. It’s my preferred way. I don’t ever punch in.

[@garyshepherd9226]

@@soneiricmusic5236 because your way is more fiddly to setup and you can have accidents (although the Undo function will help) and you have to set up the drop in points plus the monitoring. Easier to use a separate track and just cut and move the section you re-recorded. You can always delete the separate track once you have finished with the recording amendment. It really is easier - but do it your way - just trying to give help.

[@garyshepherd9226]

@@RiffMusic1970 Layers and takes is fine for the initial overdubbing - but more fiddly when it comes to comping and working with an already recorded track. You have to add a layer with what you already want to keep, and then re-comp all over again. Separate track is much easier in my experience - but whatever works for you is fine.

[@theanonymouschannel930]

@@garyshepherd9226 Using layers doesn't require drop in points. The layers are created automatically and you simply record a new take. The monitoring is already set by the parent track so no need to do anything. No cutting and pasting, or removing of scratch tracks required. Try it sometime, you might find it easier - but do it your way. Just trying to help. 😉