How to Use Dynamics on the Yamaha DM3

[@andhelvolboe5738]

hi drew, thanks for this video. a suggestion for a next video... how would you connect outboard gear to the dm3, for example a compressor? thanks!

[@patrickcassidy2179]

Thank you man these videos are great! Much appreciated

[@tillu70]

Tq so much your videos help out a lot. Can you please do a video on how to expand to multiple auxs using Dante for inears on-stage? As the few mix outs on the DM3 won't be enough for many setups.

[@lijuthomas3834]

Thank you for the video. Really helpful. Could you do a video on recording in DM3 while using usb playback?

[@asyrafhanif6091]

thank you drew, very helpful for me personally, cause figuring gate and compession is a hard for me can you please do matrix section, and how can i route it for feeding subwoofer, thank you

[@AJEEMANI]

will you please make a video with more specific functions like some examples, like recording to USB a particular channel speach, and setting different effect for different channel like channel 1-4 with plate effect FX1 and channel 5-8 with hall effect on FX1. Similarly matrix 1 and 2 for live streaming audio with effect etc.. The way you have explained Dynamic function

[@adrianvargheese531]

Can you make a dedicated video on DM3 matrix

[@a.n.t2047]

So you saying we can sidechain in this compact mixer 😳😳

[@elitdenver269]

Where do u get the 22channel? I 16x physical inputs? Yamaha should've just made it comparible w tios/rios n get the full 32+ channel.

[@angkolloy2840]

Hello sir,how to reduce poping sound during speech,any tips,tq

[@naterodriguez993]

A couple of suggestions. Make sure you have a Hi Pass Filter (or Low Cut) set between 115-135Hz. That will very quickly decrease plosives in speech. Pop filters on mics will help with this as well. The next tips are relating to setting your mic level and your mic placement. If your mic level is set too high that can result in you getting more of those pops. Also, you want to make sure that the mic is pointing above the speaker’s mouth, that will allow the air to pass underneath the microphone so when those pops happen on your plosive heavy sounds the air doesn’t smack the mic too much. You can also experiment with limiters and see what works for you there too!

[@Chanthuch90]

Nice 👍🏾