I found the 16mm film look formula.

[@YuvalAloni]

Thank you everyone for the love, appreciate it ❤ A lot of you have been asking about my Color Grading, and the truth is that I base most of my grade off of the 'CinePrint16' Film Emulation power grade by Tom Bolles. I have learned how to tweak it to best suit the look I like and I also added in some things of my own. I'll break it down in the future! for film burns, film mattes etc. I use my self created assets scanned from real 16mm film - bit.ly/3PoLkKg

[@tavakessler]

Danggg, might need to pick up some of those lenses. Beautiful work!

[@YuvalAloni]

Thank you Tava! :) Definitely been eyeing a super16 zoom lens myself..

[@dpvalentine]

you just gave some major gems. I own a pocket 4k and always relied on the color grading for achieving the look. Never have I thought of grabbing a vintage zoom lens. THANK YOU. My main client loves the vintage look and summer is right around the corner :)

[@YuvalAloni]

Thank you for watching! Glad this was helpful in some way :)

[@tomruckes562]

beautiful work! I would really love to see your grading process on this project. 💯💯

[@YuvalAloni]

Thank you so much, Tom! Probably will make a grading tutorial in the future

[@Lanes25]

please make more bmpcc4k film emulation sir please

[@YuvalAloni]

more coming :)

[@Yairsigron]

lets say what is needed to say, this video is so so informative you really opened my mind in that subject

[@YuvalAloni]

Love🥹🫶🏻

[@benkatalan3930]

Great video , a lot Of people avoid to understand that 16mm is more then cool colors and halation , next video on the reaction 16mm film to different lights :)

[@YuvalAloni]

Thanks Ben . Color Grading is definitely huge but not the only factor for getting the look

[@AdriGarciaVisual]

Nice color ! can you tutorial?

[@YuvalAloni]

Thank you. Will be coming in the future

[@tomaszbejnarowicz]

damn this talking head shot looks amazing, how did you light this?

[@YuvalAloni]

Thank you Tomas! Went with a very simple approach actually. It is shot at night with one Zhiyun light with only the reflector from outside the window to my left (I have an inner-balcony situation)

[@dprssd9313]

I've just subscribed; guy does fantastic videos. I am very curious, and I would appreciate it if you could produce a tutorial on how I edit my videos, particularly this one! Awesome!!!

[@YuvalAloni]

Thank you so much :) What in particular would you like to see regarding editing?

[@dprssd9313]

@@YuvalAloni color grading and how you get the ‘film texture’

[@huakeeeem]

How do you accomplish the 16mm film look but still have that clarity? Your images look amazing

[@YuvalAloni]

Thank you 🙏🏻 I’m not sure exactly what you mean by “clarity”, but I think it’s probably down to the overall contrast and just the lighting in general

[@huakeeeem]

“Clarity” wasn’t the best word, lol. But by clarity i meant sharpness. I’m using super takumar lenses btw.

[@YuvalAloni]

@@huakeeeem so yea, I think the illusion of sharpness is a lot due to contrast, and then probably the texture as well - grain + some sharpening

[@huakeeeem]

@@YuvalAloni Understood. I truly appreciate the response. 🙏🏾

[@YuvalAloni]

@@huakeeeem of course :) Always

[@ChuckRiseUp]

very nice! you totally nailed the look! It would be great if you can do a colour grading breakdown on how you achieve the look in post. Thanks :)

[@YuvalAloni]

Thank you! I rely heavily on CinePrint16 by Tom Bolles, learned to work with it to fit my style + added some things of my own :) Will break it down in the future

[@dprssd9313]

THIS IS INSANE!!!!!!!!!!!

[@YuvalAloni]

Thank you 🫶🏻

[@danielp_adams]

Great shots man! You definitely nailed the look 👍🏼👍🏼👍🏼

[@YuvalAloni]

thank you, Daniel :)

[@gdwsmedia]

how much did you spend on the angenieux 17.5-70mm? i cant find any models that look like yours.

[@YuvalAloni]

It was rented :)

[@neimanbar2701]

I've tried to recreate the 16mm film look and it looked nothing like this. Beautiful achi. In two weeks I'll be shooting a short film with only night scenes, with the BMPCC 6k pro and without any lights cause of the budget. I would love to see a video about shooting in low-light conditions

[@YuvalAloni]

Haha, takes time to really get it down. Thanks man! and best of luck on your short! Honestly also still trying to figure out the best way to shoot at night

[@nikkohunt]

So dope! Would totally kill for a grading tutorial from you!!

[@YuvalAloni]

My man! I rely heavily on CinePrint16 by Tom Bolles, learned to work with it to fit my style + added some things of my own :) Will break it down in the future

[@KubaKokot9]

Those shots look amazing man! Love the way u share ur knowledge with us!

[@YuvalAloni]

Thank you! Appreciate that

[@brandonblackonline]

Great insights here man - time to dust off the old P4K and get hunting on eBay haha

[@YuvalAloni]

Haha for sure thanks for watching :)

[@wbynan]

nice work

[@YuvalAloni]

thanks 🙏

[@nur-niaz]

Let's go!

[@YuvalAloni]

Yes sir 🫡

[@jiving0078]

Buy a 16mm?!

[@YuvalAloni]

Just give me a project that pays enough to shoot on real 16mm..

[@jiving0078]

@@YuvalAloni I agree with that, but it’s not always about money. the feelings you get from it is unmatched

[@YuvalAloni]

@@jiving0078 true. Can’t do it most of the time sadly. I only shot 16mm once and it was magical

[@roscoeraz9084]

Amazing insights thank you!❤

[@YuvalAloni]

Hope you took something away! Thanks for watching ❤️

[@del-fu3265]

Nice....use an ENG-Zoom with 2x extender..............WAY more Range - similar look ..........With Powerzoomfeatures and Backfocus-adjustment for 100% parfocality. Also with 2x Extender those lenses even cover S35 ......you can even get nice blurry Backgrounds if used correctly so it's basically s16+s35 look all in one Lens.

[@YuvalAloni]

interesting! Can you make back focus adjustments on the extender itself?

[@vanraz]

Hey, are you referring to something like the optex colcine 2x extender? That would make, say an angenieux 12-120, cover s35?

[@del-fu3265]

@@YuvalAloniOn the Lens itself... not the Extender. Just look for "Canon J" or "Fujinon A" those lenses from ENG/News-Shouldercams...........i own a 5.7-47mm and 9-144mm both with 2x Extenders, both under 100€ .....its (very rough estimation) a 24-200mm and a 35-700mm in Fullframeterms...........the 2x Converter makes you loose 2 Stops of course but it also makes the image way sharper (very substancial amount) ..........those lenses go to f/1.7 so do your own calculations .............i use them on the following System (ZCam E2 (mft) in 2.8k s16 Mode which has roughly a 3x Crop + Viltrox MfT-EF-Speedbooster + B4 Adapter + Fujinon A Lens ...........the Speedbooster gives you back one Stop of light .......covers the full range whit some slight vignetting on the wide end if you shoot 16x9 which i rarely do when i shoot whitch those vintageZoooms .....in 4:3 your vignettefree )

[@del-fu3265]

​@@vanraz No.... those Lenses have a built in, selectable 2x Extender

[@del-fu3265]

@@YuvalAloni no ...on the Lens