I Stole These Chords (and you should too)

Download the Chord Diagram Here
flatfiv.co/pdf-5-chords-i-stole
Musicians steal ideas from each other all the time, here are 5 chords I stole from my favorite guitar players.
Tom Bukovac's KZbin Channel
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Mark Lettieri's Video Course
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[@oig40203]

"You steal from one guy, you're a thief. You steal from everyone, it's research!" -Tony Bennett

[@willieboy8798]

if you steal from everybody and give it to one guy, your Robin Hood!

[@rexwhitney6254]

What an Italian!

[@moatiliata]

"A good composer doesn't imitate, he steals" (Stravinsky), the guy knew a thing or two about music.

[@JonNewquist]

Totally. All the classical composers stole from their predecessors - there was no concept of intellectual property rights in composition.

[@BenMarvin]

Reminds me of that story of how when Mozart was 14, he transcribed that hymn that was forbidden from being played outside the church for like a hundred years.

[@darinstrauss]

nice, but the quote is actually from Picasso, and he said "artist," not composer.

[@Syncop8rNZ]

@@darinstrauss Perhaps Stravinsky stole the quote from Picasso? ;-)

[@samlee2562]

I'm pretty sure it was Banksy who originally said that 🤖

[@CM-du9ne]

Rhett...I am a late beginner/early Intermediate player and am getting into the music theory and chord construction stuff and this was a great lesson. You have a good knack for explaining so keep these coming. Maybe your next course should be aimed at the Intermediate players out there with applied music theory concepts from the gigging musician's point of view - looking at chord voicings/inversions, rhythm concepts, etc...from the perspective of what sits nicely in the mix when in the studio recording context vs. playing live vs. playing alone at home. All I know is you have a talent for explaining concepts in an accessible way so just a thought for you to consider now that you have gone down the tuition course path with your Tone course. Thanks for this video.

[@darinstrauss]

Rhett -- this is generous in every way. Not just the free download --though of course, that was generous. But also sharing this knowledge, even the stuff you say you're embarrassed that you didn't figure out on your own, Humble, generous, you name it. Very admirable. Thank you

[@MB-en3do]

Thanks for posting this video. I am always happy to find new and fresh chords. They offer new ideas for progressions, add colour and, especially with the Tom Bukovac chord shape, put your left hand in a different position opening up a different part of the fretboard. Great stuff as always!

[@lucaivanradaelli1701]

You're great man. Thanks. I'd like to add that: The first chord can also somehow be related to Jimi even if he's using it mostly without the root as first inversion. It actually comes from the basic G shape moved up the neck with the necessary barre and allows many cool embellishments and colours thanks to that. I've noticed the form with the root you kindly reveal in Johnny Hiland's playing so thanks, now it makes all sense! Nashville rules! The Allan/Rick shape it's basically a C Maj7 voicing, it is widely used in Jazz and Bossa Nova. Like you say, the beauty comes from having a short interval between Maj7 and octave/root in the middle with the 3rd in the bass and the 5th on top. This voicing technique of putting the notes in order to create short intervals in the middle is amazing. On the bass and on the lead it doesn't sound so well but in the middle it's magic! Of course you widened the possibilities by introducing empty string roots making it for instance a great A minor voicing! Also the Mike Lettieri can be related to some Bossa Nova movements and shapes and the concept of voicings that create that short interval in the middle notes. I encourage everyone to explore Bossa Nova if you are in love with chords with beautiful voicings like the ones revealed in this awesome video. As for the John Mayer those are empty strings voicings that can be found basically experimenting with moving the known shapes or part of them along the neck. It is actually common to find them during the beginner /intermediate level as we tend to experiment more when we don't have the squaring that studying more often leads to. Just play around with your acoustic (somehow the acoustic encourages this process thanks to the wonderful tone but of course it can be made on any guitar.) Never lose the spontaneity and curiosity that we have as beginners and we'll always find even by accident some great sounds. I'm learning a lot from your channel, you're awesome! Thank you very much brother, all the best! Peace and Love to you and all

[@alexknickrehm8385]

i really appreciate you talking about "stealing" from other artist. music is a communal activity, sharing is the best part.

[@koho]

Rhett - just a note to mention how useful these videos are to me. Not sure why, but your content has strong overlap with my interests. Just random examples: Mark Lettieri, these cool chords, the choice of equipment to review, all the music/life lessons, and not least, I found Tom Bukovac through you. And the videos are very well produced, and your communication is clear and fun. Definitely a portal I'll keep watching. Thank you!

[@Eagleburger90]

I keep seeing your vids in my feed. I didn’t watch many as my level of playing would not not benefit from gear as much as practicing. But this video and something you said in another instructional vid has really gelled and helped me along the path to becoming an artist. Thank you and I look forward to more videos from you.

[@ih1440]

I absolutely love the chord you got from Rick Beato. When I was in jazz band in high school, there were two songs that really resonated with me: A Hymn for Her and Widows Walk. That chord is the chord that Widow's Walk is based on. Absolutely love it. I played trombone in that band, and while I understood the basics of cords from piano lessons many years earlier and from each trombone playing a different line, I never got experience playing more than one note at a time - I was part of chord, but didn't know which part of that chord my note was. I picked back up playing guitar about a year ago, after about an 8 year hiatus. I had been a master of power chords, but that was about it. Now, having videos like yours to watch, I am picking up so much more, and playing the guitar is so much more fulfilling. I am lucky to have found gear that keeps on inspiring me to play as well. I was told very often way back then that I didn't play things "the way" they were supposed to be - but watching your videos just reinforces me that "the way" is only "a way" and that there are so many things to learn and ways to do things that you can learn from others that aren't "the way" - and it is absolutely wonderful.

[@skelekiankurata713]

Never stop showing yourself ending the take you've made! I love it! It adds a bit of flavor and character to the video :)

[@peterschmidt2727]

I have been going through the same video couse with Mark Lettieri as you have Rhett and i absolutely love it. It's totally worth your time

[@michaelgreer4790]

First became obsessed with chords through Rush. How did Alex sound so huge, all on his own. Still default to some of his big suspended chords to fill all the space. A beautiful noise.

[@deepspacetheater]

I think the use of chords is Alex's forte. I'm not particularly a Rush fan, but if I like something of theirs, it's generally because of those chords.

[@michaelgreer4790]

@@deepspacetheater Exactly. For all his skill as a lead player, he really shines when he lets those chords ring out while the other two take centre stage in the song. Gives the melody a chance to breathe.

[@cornstar1253]

All Geddys pedals

[@aaronjanusch6090]

Alex has been my favorite since 1980. I was 8 years old listening to my brother's Permanent Waves album. I was hooked instantly.

[@JJPsyc]

This is my favorite video of yours, Rhett. Very practical and interesting chords!

[@rhubarbranch807]

I knew about these already, but never in context. Thanks for the clarification, and look forward to you creating videos like this in the future.

[@timothyarmesy990]

Evening, Rhett, great vlog, always learning. Did the download so I can noodle! Thx!!!! Tim A

[@petebrown3715]

Thanks for the post Rhett! Great content. I have heard these chord voicings in some form or another over the years of listening to smooth jazz, r&b, rock and yes even in metal to an extent. Looks like I need to learn some new chords. Thanks for letting me steal these sir!

[@OsbornIOW]

I'm a learner. (40 years learning Lol) I love You Tube. Rhett Is the perfect reason why. Teaching me stuff I have never heard of. Thank you

[@chrisr530]

Great lesson Rhett - more of this on the Channel please.

[@paulmaycock8759]

Great course !! Can’t open the link for the PDF 🤛🤙🏿👌 Thankyou ! Your a brilliant teacher player 👌

[@maniacalion6170]

This is one of my favorite videos I’ve seen in a LOONG time!! I basically play less by picking chords apart, and this are awesome ways to develop new ideas!!

[@santospuertas8205]

Thanks man! Had fun watching and learning, I'll steal your idea and I'll make a video of chords I stole :-)

[@bawseeeee602]

I have to be honest, this was much better than I thought it would be ! Many chord videos on KZbin which mostly share the same usual chords

[@The802Rider]

Thanks for the free PDF! always good to learn new stuff.

[@jonathankessler4684]

I heard this at a clinic once: “good players come up with their own ideas, great players steal from others”. Love the vid!!

[@Stephen_Lafferty]

The B chord that you show I learned when I applied the CAGED System - it is the G Shape moved up a Major Third.

[@earlheggelund]

Great video! Thanks 😊 would like to see you break down some "Little wing" style fills over different chord progressions as well with some of your tips and tricks 😊 Oh, and your Serus J sounds great!

[@CarvedTop]

Hey Rhett, I’m a long time bassist,, who’s trying to learn to play guitar. Rather than “stealing” I think we all “Learn” how to play something that we hear other guitarists play, and add it to our tool bag. Love your show!

[@aduayer]

Amazing. Loved the ideas / suggestions. All acquired and looking forward to put them in use

[@-JohnGalt-]

Great video Rhett. I find that experimenting with new chord voicings can be just the thing to get you out of that rut that every guitar player is familiar with. New voicings bring new sounds and possibilities to the table, very inspiring stuff. Thanks so much for sharing!

[@neildavidvandenbergh5422]

Love it! . . . Rhett, yours has become one of, if not my favorite, Channels out there! Nice job, man! 👍

[@lanwan]

Interesting video, very thought provoking. Making the music sheet available makes this really interactive and engaging to increase my guitar learning. 👍

[@adehorton7287]

Yes!! You’ve opened another door for me!! Thanks Rhett!! 🤘🏻🤘🏻🤘🏻

[@HPPrintervx4p5q]

"Musicians steal things. We steal ideas, we steal phrases, we steal money." -Rhett J. Shull 21/05/20

[@oldtimetinfoilhatwearer]

Ha ha. More like the record labels steal the money.

[@krakou9]

Incredible video. I've seen the chords played by Tom Bukovac and Mark Lettieri before your video, but you give great ways to use them. You're a perfect teacher :)

[@quadrogong1111]

At 53 I thought I knew all the cool inversions for basic chords (like major, 7th, maj 7, min7.. ) and then u go and show me something so simple and obvious like this. It’s absolute awesomeness. Thanks.. I’ll fool around w this all week,

[@guitar8617]

Knew how to do a lot of the chord shapes while I was learning jazz guitar in a college. Spent a year learning just learning triads up and down the neck and that helped so much seeing chord relationships. Get a lot of chord influences from guys like Grant Green, Wes Montgomery, a Kenny Burrell. Also The Beatles got me into playing guitar and I love the texture of the chords they used in their songs.

[@HendryHZ]

sit down with a “so”, the 1st second of every video. Great time with your lessons. Love it.

[@wilmer33086]

Rick Beato’s (chord) was my fave. Outstanding video Rhett. Plz keep content coming!

[@troyhead2]

I wasn't expecting much from this video, but it's probably your best one yet!

[@sirmadrigal6427]

As Andrew Peterson said in his book ‘Adorning the Dark,’ “Steal boldly, my friend” Honestly though that book is a great book about creating art. You should read it Rhett!

[@bbwohlers]

Sir Madrigal andew Peterson ftw!

[@JoeMama410]

I'm reading that book right now! It's a great encouragement to me.

[@TLMuse]

Big fan of his music here! -Tom

[@timjoseph887]

Too much “God” stuff in that book

[@maxonmendel5757]

@@timjoseph887 booo music is all about God. art is an expression of the divine

[@RobMichael]

Hey Rhett. Kudos to you for identifying chords tones within voicings vs just a "put your finger here--put your finger there."

[@Syncop8rNZ]

Good video and I would like to see more like it. I like it when you refer to each note by it's relation to the root (eg major third, fifth etc) rather than it's name (Db, E etc), much more useful when moving shapes around the fretboard.

[@GermanFafian]

Uncle Buckaroooo rules! Thanks for introducing me to his channel a couple of weeks ago.

[@jonathanrossmusic2509]

Zappa used those suspended two chords as well. Used them quite a bit. I made a video about it. And I’m also working on a follow up video to that as well. Great stuff as always Rhett, thank you for sharing with us!

[@doctari1061]

Okay. I’m commenting after only watching the very first hack. Absolutely brilliant! After 50 years I never tried that voicing and it’s simply amazing how it makes me completely rethink my major chord voicing. It’s totally embarrassing that I never even accidentally tripped across this before your video. Thanks so much. Time to have some new fun on the fretboard. Cheers

[@crispybacon501]

We're not stealing just borrowing, we'll give them back at some point. The Hendrix chord was also used for Castles Made of Sand. Great video I'm always on the hunt for new chord ideas.

[@JeffCloutier]

Very useful information. Love your videos. I especially like this kinda thing!

[@rinoc1577]

Thanks for sharing your thoughts! Awesome video!

[@matthewnordling1539]

Rhett- more of this type of content. Very cool. Thank you!

[@chrisnagy1429]

Thanks for the great lesson. Exactly what I was looking for. I need to learn more chords and more about them. Can you recommend a course or some videos that deal with different chords and voicings? I know the basics and that's all. Thanks again.

[@clumhain]

really enjoyed that and learned some great chords, cheers Rhett!!!

[@richardharmer7933]

Great video. The 'pinky on the 6th string root note is used as part of an ascending run in The Beatles 'The End'.

[@44CoReY44]

Another trick I figured out for the second "Hendrix" chord is to play the fifth string and mute the fourth of the power chord, vice versa to what you were doing. Adds another layer if and when you want to mix it up ;)

[@randygomez9595]

Great chord ideas Rhett, thanks for sharing! I learned all of these voicing in college when I had to learn the CAGED system and "16 inversions" system. Anyone not familiar with either of these systems should go look them up, they're great for learning chords across the fretboard.

[@michaelwade9455]

This simple things you unearth throughout the years of your musical journey is why to you set out in the first place. I stopped playing for nearly a decade and picking it up again years later; amazing the things I discovered after putting it down for so long. Great video Rhett! Oh, and "Reaching for the Uncommon Chord" a MUST HAVE!! Holdsworth = genius!

[@austinrx2014]

I knew the last one but never realized you could slide it to minor! More of these please and thank you!

[@rogerjodoin505]

The Holdsworth chord is a Cmaj7 drop 2 voicing, 1st inversion, if only the top 4 strings are played. My fingers no like this one!!

[@kristianwichmann9996]

It takes a while for that one to sink in :D But working out drop 2 voicings can be really useful.

[@justinguitarcia]

Tom is incredible. He approaches guitar like a piano which has been becoming increasingly helpful for me, provokes a lot more musical choices

[@austinm419]

I'm surprised you didn't mention that fancy E7sus2 chord thingy that the TPS guys do every now and then. It's amazing. Great video though!

[@mrnoble5475]

Oh, You're one of the guy on the Rick Beato video talking about guitar strings! Just subbed!

[@robjohnston7464]

never thought about moving the root note of a chord up a string and 5 frets over. Opens a lot of possibilities. Thx!

[@howlin6521]

Rhett, Here's an Em+9 voicing that I stumbled upon years ago which is a fun chord to end a song on [played low to high]: 0 10 9 11 8 0 It's that minor 2nd that you mentioned that gives a nice spicy flavor. Also, what's cool is when you move your hand down a whole step it becomes an Fmaj7/E another delicious ending chord. Cheers!

[@williambrotherton9388]

I saw Hendrix in Frankfurt Germany. 6th row. You are the first player (I've seen) to play the 'Little Wing' chords as he did. Nicely done!

[@richardgreen6857]

That was fun....chords and different voicing are my favorite thing too...nice shout out for Tom Bukovac as well, been watching his Homeskoolin' regularly.

[@chrisdevenney4922]

Another cool thing about that B chord voicing you're using is that if you're playing I to IV (B is the IV), you can hit a nice bass run from F# - G# - A# - B. That sus-2 voicing you had was cool, and in a solo context it will sound very rich and complex. In a band setting, though, you can get the same effect more easily by playing G (5th fret, 4th string) - D (7th fret, 3rd string) - E (5th fret, 2nd string). The major second between D and E adds complexity and texture to the voicing, and because you're in a band, you don't need to worry about the root - although if you want, you can get the C at the 8th fret, 1st string. Last thing - sorry for going on like this, but here's a cool way to create chord voicings all over the neck and develop your voice-leading chops. Take any 3 strings - E-A-D, E-D-G, A-D-G, A-G-B, etc. - and then move up the neck and find every version of F-Maj and F- that you can. If you want to "jazz" it up, look for F-maj7, F- 7, and even F7. (the F7 doesn't work so well on the bottom 3 strings below, say, the 7th fret)

[@exquisiteoath]

I'm always hunting for new colours and all 5 of these were new to me... this is a treasure trove of ideas.

[@eduardoimbue]

Tremendous tone and great material. Thanks Rhett!

[@Ben-mx6lp]

You almost played the forbidden riff at 10:56!! Nice vid!

[@davedougherty3269]

I loved this video and definitely learned some new voicings. Looking back to when I first started to learn to play guitar (about 50 years ago now!) I was taught how to play a variety of chords. But what I took from that at the time was that that was “THE WAY” to play those chords, not “A WAY”. It took me years (actually decades) to break out of that way of thinking and explore alternate voicings. And I’m still learning.

[@cnowhere]

amazing! Thank you Rhett. What was your gear for this video?

[@BrianOboylemusic]

VERY useful… thanks so much I’ll watch this over and over

[@Diegorfelix]

I love doing this first chord shape. All the time! It fits better into the mix, and helps with positioning for other chords.

[@RC32Smiths01]

Music is all about taking and capitalizing on what you've seen and heard, and that includes Chords! An awesome video as always!

[@dangledstash]

Rhett, awesome video. Don’t get me wrong here, I’m grateful for any content, but when will you be uploading more podcast episodes? I listen to podcasts all day at work and I’ve been missing your weekly updates!

[@HeyLiem]

Thanks for the Bukovac tips, I watched all his Corona/Homeskoolin episodes after your tip in a previous episode. I noticed Bukovac doing your example today. You explained it well, so I can start using it immediately, now understanding the concept of the chord. You pdf download is also very helpful and easy to understand, thanks!

[@berkeleybernie]

Good topic. I look forward to trying these out. What's the chain for your vocal? Sounds excellent. Mic?

[@ProffessorMusic]

Super practical voicings to know! I stumbled across them too in fairly similar ways: 1. Hall & Oates! I was trying to play pianistic voicings for "She's Gone" and found that voicing was the smoothest way to resolve from A/B (or B9sus) 2. Definitely Jimi. Not sure if it was Castles, Little Wing, Angel, or whatever. Ugh. So many good comping skills to learn from him: I'd even argue his comping is more worthwhile to study than any of his solos. 3. Similar thing to 1: I think I was trying to sound like the organist at church or Billy Joel. Not sure which, haha! 4. Standard drop-2 voicing 5. Standard shell voicing ...looking back on that it seems like the key to sounding hip is to emulate pianists while taking advantage of the idiosyncrasies of a string instrument!

[@guillermokettle1209]

great sounding gear, chords and of course guitar player! thanks for sharing! greetings from Argentina.

[@willieboy8798]

every time i come to a rhett video im bringing a bag and a wagon to carry my loot!

[@taopagan]

Really great video, thanks! Maybe sometime share some voicings for specific chords featuring open strings?

[@heinrichsmit2]

On the major chord tip - I've been doing this sometimes when I just needed to be in that hand position, but I realise now that it's actually very comfortable ! Nice one man!

[@buzzee9961]

Great video, I think i may have stumbled onto that Mayer one on my own. A simple one that i never thought of for years(decades) is a dominant 7 with the 7 in the bass (open C chord idea but move root on fifth string down to b7, fourth inversion?) eg low to high x5645x for an E7. I think i saw it on an old western swing lesson.

[@jacobbentley2562]

That Tom Bukovac chord trick blew my mind... I'd been doing a first inversion for A-string root chords to make them fit into the pentatonic scale shapes more easily but that just makes them sound so much more full

[@mbmillermo]

Here's a good one that connects your last two -- Holdsworth and the Emaj9. When I saw him in a small club in 1985 or so, I sat up front and watched closely. One very strange thing: every time he checked the tuning of his guitar by ear, he played this one weird chord and arpeggiated the notes. He'd hear it, turn a tuning peg, then play it again. This was the chord: 0-2-4-1-4-0 (E-B-F♯-G♯-D♯-E). So it's an Emaj9 (R-5-9-3-♮7-R), but it is very hard to play quickly. For me, I can play it by putting down my third and fourth fingers on the fourth fret (F♯ and D♯), then stretch back to put the other two down (B and G♯). Holdsworth, of course, could grab that thing all at once in a flash. Another way to think of the chord is as a B6 on the middle four strings. It's a lot easier to finger that 6 chord on the higher frets. I've never heard an explanation of why he used that chord to check his tuning!

[@jkel9940]

Hello Rhett, Appreciate the content. I was wondering if there were any plan in the future on doing a video on FRFR cabs. I'm to the point where I don't care to buy any more amps/cabs and probably making the move to Fractal FM3 in the future. If they can perform well, I will end up unloading my Mesa and Orange. thanks, Jason

[@clayhamm9078]

Cool lesson! I too have been soaking up info from Bukovak.

[@limak191]

Rhett new follower here, put pdf online again! All the best for you ;)

[@romainbertrand253]

Thanks for the Tom Bukovac discovery. Its videos are awesome. Thanks

[@EdgarBowlin]

Thanks Rhett Awesome stuff. Another way to think of the ASus2 that the Snarky Puppy guy refers too - particularly if you add the high major 7 is it's an AMaj13 with an octave on the third string. P.S. I'm left handed playing right hand upside down (my acoustics) or left hand strung reverse - as in the case of my electrics. Haha. Keep producing these awesome videos!!!

[@christopherburnett1745]

These are awesome and will take me a bit of time and practice to lift then from you (Thank you!). I was familiar with the first one, as far as being able to play a major chord in the next position simply from what I've learned of the CAGED method. I hadn't considered muting the 5th string though and how useful this can be. I will certainly be adding that to my arsenal!

[@thomaschapman9093]

The one you got from John Mayer I got from my own learning. I was messing around with 7/9 chords descending the neck and I just stumbled upon that beauty.

[@jowensoderlund]

Fantastic! Thank you for these. They're mine now!!!

[@suriyaap5011]

Thank you so much for this video. Ive watched hundreds of guitar videos and this is the most I’ve ever learnt . Thank you again. Keep doing what you’re doing. Never stop. Finally, for a third time, thank you.

[@tmo7734]

Very nice video. Thanks Rhett.

[@manelthegreek]

The first one is so obvious I quite feel ashamed of never thought about it...it makes a huge difference! Thanks for sharing :D

[@wylderwallabee555]

Great Video Rhett! Just noting however that the Letteiri chord is same as the Hendrix chord only voiced differently. Technically since your muting the major 3rd with the Hendrix chord and adding 9 it's basically a suspended 2nd. Still beautifully voiced both ways!! Great content 👍

[@ransombaggins9301]

I’ve been working on a chord progression from a favorite 80’s song for the last few days. Last night I mixed up the chords and it sounded interesting. That them inspired me to reorder them and add a different chorus progression. Now I’m writing it...thanks to that old 80’s song. Yay!

[@markhill5786]

“The only art I’ll ever study is stuff that I can steal from.” David Bowie Great video as always Rhett. Would love a behind the scenes style video of how you make, edit and record your videos. Very interested to know what microphone you use to record your dialogue.

[@gavinaston5716]

i knew a few but never named them all. mostly i play a chord like an open A and move that shape around. i figured out one of your chords by moving an Fmag7th to the 5th fret, made an Amaj, then moved back to the Fmaj7th a half step at a time alternating the 2nd and 3rd finger as i went down.