Candice Lin: A Body Reduced to Brilliant Colour at Gasworks

Candice Lin (USA) exhibits A Body Reduced to Brilliant Colour at Gasworks from 22 September - 11 December 2016.
The exhibition explores how histories of slavery and colonialism have been shaped by human attraction to particular colours, tastes, textures and drugs. Focusing on how the desire to wear, ingest or become enraptured by certain substances preceded the will to trade them as commercial goods, A Body Reduced to Brilliant Colour traces the materialist urges at the root of colonial violence.
A low-tech installation of tubing, porcelain filters and hacked household objects boils, distils, dyes and pumps liquid containing colonial commodities such as cochineal, sugar and tea. "Fed" two litres of fermented tea per day, this work-which the artist describes as a "flayed circulatory system"-constantly produces a red fluid, which collects in a basin of Vitruvian proportions and is gradually siphoned off, congealing in a pool on a marble-effect laminate floor in the adjacent gallery.
Living processes, from fermentation to the generation of an electrical current through bacterial digestion, join with objects, organic matter and DIY mechanics to constitute a ritualistic act in which ceaseless movement echoes the histories of trade that entangle them. Transforming prized, historically-loaded goods into a stain reminiscent of murder or menstrual blood, the work speaks to these fraught histories of conquest, slavery, torture and theft, while at the same time exploring what happens when materials so burdened with history and meaning are situated in-and produce-new systems of relations.
Candice Lin’s exhibition is supported by Catherine Petitgas.
Gasworks commissions are supported by Catherine Petitgas and Gasworks Exhibitions Supporters.
Gasworks’ online programme is supported by Hélène Nguyen-Ban.
Find out more about Candice Lin’s work: www.gasworks.o...