The lady lives up to her surname perfectly. Excellent video.
@antoinepetrov10 ай бұрын
Even faultless, I would say.
@R_Jackson10 ай бұрын
Fascinating and accessible, thank you!
@juliankrause756510 ай бұрын
Great information and amazing channel! So educational!
@Bc232klm10 ай бұрын
She's so good!
@whatever406510 ай бұрын
She's actually faultless...
@nickwright906410 ай бұрын
@@whatever4065 🤣😇
@Lucius_Chiaraviglio10 ай бұрын
That's the first I have ever heard of a bow that adjusted the hair tension without moving the frog.
@BaroqueViolin25 күн бұрын
Excellent presentation! I wish I had a teacher like you!
@milormileidi49456 ай бұрын
This was incredibly well done and informative. Loved it.
@DavidCox-c3r10 ай бұрын
Interesting video clip. Lovely bows.
@nickwright906410 ай бұрын
Wonderful! Thank you!
@problame224914 күн бұрын
Such a dynamic and interesting presenter!
@ezraschwartz520110 ай бұрын
Thank you for this informative and interesting video!!!
@hrisi1178 ай бұрын
7:38 if Maggie Faultless says it's "actually quite hard to do", mere mortals don't stand a chance 😂 in all seriousness though, great video, comprehensive yet very accessible. Thank you very much for this.
@antoinepetrov10 ай бұрын
I love this series more than you can imagine
@Tyltonstudios10 ай бұрын
Finally! These videos are coming back
@U014B9 ай бұрын
6:50 B-but... the flames make it go faster...
@alsowentmyth10 ай бұрын
The speed at which I click on these videos as soon as they pop up
@MaurizioMGavioli10 ай бұрын
Very interesting: the screw pulling the hair rather than the frog was totally new to me! I am sure you know, but someone else in the audience, may not: the bow in the painting with the paper/parchment inserted to tend the hair was not a violin bow but a viola da gamba bow. One may assume the practice was general, though. Thanks !!!
@tonyevans999910 ай бұрын
thanks, I really enjoyed this
@AlyxGlideАй бұрын
wow! I imagine that the hair hold even allows a greater dynamic loudness, although with enough perfect bow-hair clearance, such may be negligible. Anyway, I love that this is a beautiful example of the progress of bows
@michaelbishop.10 ай бұрын
No hair/string contact sound audible. Is that a bow property or the usual excellent skills of an OAE musician?
@Zavendea10 ай бұрын
Or the work of an excellent audio technician :)
@michaelbishop.10 ай бұрын
@@Zavendea Baroque sound engineer? Oh the shame!
@adamschilling714010 ай бұрын
More please!
@mfC0RD6 ай бұрын
I'd love to know more about the mechanism that moves the hair instead of the frog to adjust tension!
@PlanetImo10 ай бұрын
Fabulous, thank you! :)
@nex3movie10 ай бұрын
I would like to try different baroque bows, but it is moderately difficult.
@victotronics10 ай бұрын
It's made of larchwood. Number one: The! Larch!
@ElarKun10 ай бұрын
Aye mate! 😂
@antoinepetrov10 ай бұрын
The Larch, the larch
@humanfingers10 ай бұрын
NOBODY EXPECTS THE SPANISH INQUISITION!!!!!
@phthartic9 ай бұрын
And now… number three… The Larch.
@ensemblecytharis97789 ай бұрын
What is the book from which you extracted quotations from Mersenne and Bremner?
@oae9 ай бұрын
Hi @ensemblecytharis9778 the book is The Pursuit of Musick: Musical Life in Original Writings & Art : C1200-1770 by Andrew Parrott
@nevzatkalender10 ай бұрын
Thanks a lot for great presentation dear Margaret Faultless ❤️🎻. May I ask please who made the last bow? 10:35
@oae10 ай бұрын
From Maggie: "The last bow was made by Luis Emilio Rodriguez Carrington - it's remarkable!"
@bigsarge20859 ай бұрын
✌
@derekgreen22529 ай бұрын
can anyone supply the title of the book?
@oae9 ай бұрын
Hi @derekgreen2252, the book is The Pursuit of Musick: Musical Life in Original Writings & Art : C1200-1770 by Andrew Parrott
@johnmarshall717718 күн бұрын
What was the book that she was quoting from? I'd love to find a copy. Thank you!
@danielgonzalo50599 ай бұрын
"promo sm" 👏
@Jesuswinsbirdofmichigan10 ай бұрын
#8_yes🇺🇸✡️✝️
@dudeforcaster863010 ай бұрын
It seems strange that so much attention is paid to period bows alongside an incongruous reliance on chinrests, which were invented in 1820.