is this the best film emulation for davinci resolve?

[@ErrickJackson]

Great video broski! Just a heads up that Flog2 uses Rec2020 input instead of DCI P3. Won't equate to that much a difference visually, but should keep any nasty artifacts from popping accidentally when moving things around.

[@edwardcrockett]

Ayyy Preciate that bro! Love that you watched it! Also I see upon further investigation of the article I was referencing, it’s clear that you’re correct! I’m going to pin your comment and thanks for the heads up!

[@ARTS3D]

I think a good workflow with this is to split the powergrade : - set the "first" part with camera exposure/con etc... without the look part, in a new powergrade, that you apply on each shot - set in a group the "look part" of the powergrade, group where all the shots are gathered, so when you change the look it automatically changes for all the shots.

[@edwardcrockett]

ahhhh that's a very nice workflow! thanks for sharing!

[@ARTS3D]

@@edwardcrockett u r welcome !

[@alexharmoncapture]

I've been exclusively using Cineprint16 this year and it's been incredible. I also use the cam exp node to bring down the highlight slider so hopefully we're doing it right haha

[@edwardcrockett]

haha I hope so!

[@justinfam.]

Have I actually found the videographer and editor for Joan?! Love your work man!

[@edwardcrockett]

Hahaha yes you have😂🙏🏼

[@RicardoAguilera]

Just got this power grade and this was super helpful🙌🏽

[@edwardcrockett]

you're my hero Ricardo

[@Filmmaker593]

Can you do a review of cineprint35? It would be helpfull a comparison between cineprint35 and film vision II. Thank you!

[@edwardcrockett]

Got it on the books!!

[@NATIVEUS]

what are your color management settings when using cineprint? I've been playing around with some settings but haven't landed on anything i really like yet

[@edwardcrockett]

Honestly I've been keeping everything default when it comes to color management

[@PJPantelis]

Love your titles and your style of video man. Super peaceful. Thanks for the cool content, +1 sub. I'll be following along, keen to see where you take it!

[@edwardcrockett]

yoo thanks a ton! I really appreciate that! lemme know if there is anything I can do better!

[@sanadakhumanthem3557]

Filmbox🥰

[@gettriggered8404]

how is film box ?? i was about to pay for it but idk if its worth it!

[@edwardcrockett]

I'm making a video that I think you'll like! I'm going to be testing and reviewing every single film emulation plugin out there!

[@Filmgoblin]

Yeah filmbox is by far the best. I have tried them all and filmbox just does it better. Most expensive emulation but it gives you that magic moment when you say. Thank god I found this.

[@sanadakhumanthem3557]

@@gettriggered8404 it is worth

[@lvrvisuals7800]

How come there is no cst at the end of the node tree to rec709 and gamma 2.4? Since the cst in Cineprint converts its to Arri.

[@f1n.creates]

Awesome tips, love the fisheye talking head look!

[@edwardcrockett]

ayy thank you so much!

[@tuiomiller2008]

hey man, really nice work! what lens are you using to record yourself speaking? is it a fish eye adapter?

[@edwardcrockett]

I actually break down the whole talking head setup at the end of the video! Hope that helps!

[@visualsbyMIEL]

Hey Edward, me again :) I have a question... I recently bought the sony a7c as my first camera and I've been shooting some slog2 footage to practice my colorgrading but I noticed weird artifacts. That's because it's an 8bit camera... I knew it was an 8bit camera but I thought it wouldn't be a big problem, but now I kind of regret buying the camera. I'm only 16 years old so I don't have the money to buy a new one and I don't want to buy a new camera. I really wanted to buy Filmvision V2 by Serr, but now I'm afraid it wouldn't work on 8bit footage and it would be a waste of money... I don't know if you have an 8bit camera and would be able to test it, but do you think Filmvision V2 would work on an 8bit camera? Thanks for your help in advance!🙏

[@mauiaguirre]

Hi! Why did you put ‘P3-DCI’ as your input color space? I have a Fujifilm XS-20 which is the baby version of your XH2s and I’m confused with what to put for my CST. I also have CinePrint16 so this video is really helpful & awesome.

[@edwardcrockett]

Thank you so much for saying that! I'm glad it's helpful! and I use P3 DCI because I read in Fujifilm's document about flog2 that it's DCI P3 color space. I'll paste a link below! dl.fujifilm-x.com/support/lut/F-Log2_DataSheet_E_Ver.1.0.pdf

[@edwardcrockett]

also just had a friend tell me that it actually needs to be rec 2020 instead of P3 DCI and after I read the document more clearly it feels like that's correct so just a heads up!

[@mauiaguirre]

@@edwardcrockettohh okok I do Rec2020, thats what confused me LOL. Thanks for the feedback brotha. Also whenever I apply the powergrade, not sure why but 1. i don’t get the same vintage vignetting as you do 2. I get this really harsh image, not as clean as yours whenever you simply apply it on? Any suggestions or help? Thanks man

[@nuzusecam]

This makes me want to use my Cineprint16 again

[@edwardcrockett]

Ayyyy I love that! Thanks for watching!

[@1dodo100]

thanks for a link.

[@edwardcrockett]

I’ll add it into the description!

[@visualsbyMIEL]

Filmvision v2 OR Cineprint 16?

[@edwardcrockett]

ohhhh this is a tough question. How about I make a video testing every single film emulation plugin and see what we think?

[@visualsbyMIEL]

@@edwardcrockett Yeah man, let's do it!

[@releavie]

DEHANCER

[@visualsbyMIEL]

@@releavie I wish I could but I'm broke af 😭

[@aalleejjoo]

Filmbox is the best, but it's too expensive.

[@SamBassal]

Love the grade/shot combo in this vid - what lens could I buy for a shitty Sony ASPC sensor that would give me this same wide blue ring fisheye vibe?!

[@edwardcrockett]

not super familiar with sony lenses! I would suggest looking at lenses that are single digit focal lengths like an 8mm. I can't say for sure if it will give you this look but that's probably a good place to start!

[@HasyirIbrahim]

Last question, sorry im spamming but im super stoked you made this video. How do you expose your flog? +2? Or zebras at 85%?

[@edwardcrockett]

I'm actually making a video about how to get the most out of your fuji camera but the short answer is that I set my zebras at 80% and then usually keep my highlights right under that zebra mark

[@pwner779]

did you like this better than filmunlimited? im torn between the two

[@edwardcrockett]

Honestly no! Film unlimited I think is my favorite!

[@pwner779]

@@edwardcrockett they might've just got another purchase then. thanks for the quick reply!!

[@HasyirIbrahim]

yessssssssirrrrr Im on cineprint right now and I've been loving it so much. Also I realised you are using the P3 DCI input color space for Flog2. Ive read somewhere that its best to use Rec 709? What are your suggestions and reasons why you chose P3 DCI instead?

[@edwardcrockett]

ayyyy let's go! also I honestly use P3 DCI because I read in Fujifilm's document about flog2 that it's DCI P3 color space. I'll paste a link below! I don't know if it will work but worth a shot dl.fujifilm-x.com/support/lut/F-Log2_DataSheet_E_Ver.1.0.pdf

[@HasyirIbrahim]

@@edwardcrockett Oh sick! Forgot these existed - thanks for the help man!

[@edwardcrockett]

@@HasyirIbrahim you bet! also just had a friend tell me that it actually needs to be rec 2020 instead of P3 DCI and after I read the document more clearly it feels like that's correct so just a heads up!

[@Joncineng]

My man !!!! u really keep ur promise!!! u really the best of the best u know that right 🔥🔥🔥

[@edwardcrockett]

ayyyyy so hyped you saw the video! I was going to comment back to you and let you know it was released! happy to help!!

[@hughienewman]

I use Sony slog3 and I just dont get as good of results as this. I have a friend who has fuji camera and his also looks great with this power grade

[@hughienewman]

For some reason the Sony slog and gamut make it so damn saturated to the point where it feels unusable. I'm not a colorist by any means but I wish a Sony user would make a video like this to help out

[@edwardcrockett]

I’d make sure that the color space transform is set for the color space and gamma that you’re using! That could be the big issue!

[@stevendukedesigns]

Mind me asking what lens are you using in the intro?

[@edwardcrockett]

Don’t mind at all! Using a canon efs 10-18

[@stevendukedesigns]

@@edwardcrockett Thank you!

[@waltervargas57]

whats your opnion on cineprint 35

[@edwardcrockett]

Actually have a video about it on my channel!

[@yKamilo]

Can I use that cineprint for a7IV slog2 ?

[@edwardcrockett]

You bet!! All you need to use is a color space transform!

[@yKamilo]

@@edwardcrockett sorry I mean slog3.

[@matheussp13]

Filmbox > everything else

[@edwardcrockett]

it's honestly really good! I got a video planned that I think you're going to like!

[@realhuytam]

tuff

[@editwithego]

Buddy! I found your KZbin!

[@edwardcrockett]

ayyyy my guy! welcome!🙏🏼

[@tomkao4907]

Hi Edward, may i have your email to contact for a collab?

[@edwardcrockett]

Hey Tom, just added my email in my bio! Hope that helps!