Isai Payanam - DVD2 - Nattai

Isai Payanam with Charulatha Mani
DVD2 - Raga Nattai
Other ragas in Volume 2: Anandabhairavi and Kalyani
Isai Payanam DVDs by GIri Trading may be ordered online at:
charulathamani.com/albums/carn...
Also see - "A Raga's Journey - Versatile Nattai":
charulathamani.blogspot.in/201...

[@isaipayanam]

The entire set of 10 volumes of Isai Payanam (full-length) is at: kzbin.info/aero/PL0IoH26Ut8bIgVCW_mAwnkX18KZaiAlk2

[@mayurnathganti3342]

Dear Ms Charulata Mani, I enjoy your lecture demos very much. You are doing a great service to popularise our classical music.

[@rajeswarimurali5706]

I was thinking that musical talents have drained in india , you have given me the courage and hope for me. India was having highly talented musicians during 1920 - 2005 . Lots of thanks for inspiring people.. it is service to the nation you are doing.

[@dr.agupta]

Dikshitar Swami's Mahaganapatim and Thyagaraja Swami's Jagadanda karaka.. these two great compositions come to my mind 🙏

[@lalithasomaskanthan8625]

The melody voice of Charulatha Mani

[@dvayyer]

Hats off to this great young artist,so fluent with the various nuances of carnatic music , presenting them with such great ease and keeping us spellbound. This is a very novel concept to break the monotony of carnatic concerts(for those not having the basics of carnatic music) and making the presentation dynamic with meaning to the lyrics and covering all the expectations of beginners.. God bless this young artist.

[@isaipayanam]

Pancharatna kriti - Raga Nattai - soundcloud.com/charulathamani/jagathananda-pancharatna-kriti-raga-nattai

[@sarojakrishnamurthi1153]

Madam’s swarm gnanam raga alabanai everything is wonderful and fabulous.

[@sudhanagalakshmidevarakond3514]

Excellent ma'am. Your isai payanams have literally become an addiction and a stress busting tonic to me.... Kudos thanks and my indebtedness to you 🙏🙏🙏

[@anilkumarelasani]

kanchu kantam, Gandharva gaanam,fluid like water,waves of ocean, everything can be felt in single voice.

[@susilajayaraman817]

This Madam has a slight male voice that adds to gambhir explanation of ragas. Beautiful to listen! Excellent!

[@sreenivasansubramanian2256]

Not so much a male voice as a refreshingly deep, robust and unaffected one that expresses itself with a certain honest abandon. I agree: it's so nice to listen to. (In contrast, I might add, to the falsetto screechings of some other celebrated female vocalists who are best left unnamed.)

[@vedhacarnaticonlineschool]

Gambhiramana female voice

[@silverfoxrn6932]

I always enjoy listening to Charulatha; she beautifully explains the nuances of carnatic music.

[@nageswarr1]

Your passion for music is contagious

[@isaipayanam]

[@lakshmiramachandra2985]

Waw!You have done where no one else has done this ,you have taken the Lec/dem to a higher level ,so sweet , I cant stop listening to your explanation and the ragas how it was composed and how it sung by different artists! Thanks for sharing tryout talent and your knowledge at this young age. Keep flourishing like this and God bless you!

[@sriramp8478]

Ar rahman narumuvaiyae song based on this raaga only

[@worldiscrazy6868]

Thanks for the energetic presentation Mrs Charulatha mani

[@vallyammal]

Though I listened several of these Kirthanas but now only I could recognise as Nattai raga thanks Smt Mani. Ur rendering is excellent. One will be attracted to listen since u give a lot of explanations to them to bring out their divinity. Satsangh with the raga

[@vinodpc5312]

The Song Gopangane Athamavile swaramurali in the film Bharatham is the best example of brillinant composition by Late Shri Raveendran Master sung by KJY and Chithra

[@gopinathan9368]

Yes

[@isaipayanam]

Thanks for the feedback! Dikshitar's "Mahaganapathim" in Nattai is also uploaded at: Mahaganapatim - Nattai - Charulatha Mani

[@gouseshaik9785]

Madam, may I request you to make the videos with Telugu commentary?

[@subramanianmahadevan8302]

Good chañce to learn càrnatic musiç by isai payàñam.lot of thàñks to dr charulathamani.

[@karnatic]

When i hear naatai i always imagine like an elephant walking majestically. Madam, keep up the great work, i like the way its rendered with lots of passion

[@narayanaswamyhariharan3177]

She is so talented and so beautiful very daiveega presence

[@isaipayanam]

Thank you 🙏🏾

[@kalaisrivanigowda4739]

isai payanam ella video's um na vechuruken.. daily um adha kekren... ragam pathi nenga soldra vidham varthaikal nala pugazha mudila ma... tnqu so much... vazhga isaiyodu plandu....

[@anoopskpuram8168]

I'm from PALAKKAD romba nandri vanakkam

[@Rajesh-zx9jr]

Unable to express my happiness when listening to you Charulatha mam. More in Natai.. Swaminatha Paripalaya Swamam... From films.... Thangamakaninnu Singanadaipottu - BASHA Narumughaye..Narumughaye - IRUVAR

[@ramc2402]

Also karnan movie song maranathai enni kalangidum vijaya 1st stanza

[@vsgopalakrishnan]

Pl do something to ensure that the Sabhas require the performing artists to announce the ragas invariably. Musical education demands this.

[@shrinivasnayak2617]

THANJAVUR SHANKARA IYEARAY MARAN THIEER GALA

[@sribooshans4451]

How did Swaminatha Paripalaya Kriti of Dīkshitar get missed?

[@ramalingamnamasivayam7696]

IT IS VPLEASANT T O HERE CHARULATHA MANI 'S USAGE OF TECHNICAL & ORNAMENTAL TERMS BOTH IN ENGLISH &THAMIZH. VAAZHTHUGAL

[@biteabyte]

Great rendering Dr. Charulatha! Thanks for posting this video.

[@bulltremor]

Ma'am, I owe you a skill what I developed just by reading your posts in 'TheHindu' and videos posted in your channel, identifying Raagams in film music. I was watching Sathyaraj movie Nadigan and in a scene young Sathyaraj goes to visit Manorama and there enters a bgm in நாட்டை ராகம். I don't have any Carnatic training, but I started listening to Carnatic concerts and able to appreciate it only due to the introduction from film music and your blogs and vlogs, thank you and I appreciate your efforts in making a commoner understand Carnatic Music.

[@chellammamahadevan2693]

Very nice to hear

[@seshuiyer1]

Unable to find a way to express my gratitude. Thank you ma'm.

[@sankaranarayanan5332]

What clarity and variety! I recall jog. Grand integration. Sheer grace

[@kamupatti]

Excellent Charulatha Mani.

[@vsgopalakrishnan]

Incidentally, let me say that I have decided to listen to one video of yours every day for my edification, education and listening pleasure. So, I hope to cover the ragas you have covered. Since my meagre training (up to Madhyama) is in Hindustani system, I may come up to you with equivalence doubts and other doubts sometimes. I know there are sites giving equivalence but not always comprehensive!

[@umabharathi2091]

Heart touching voice......

[@challavenkataravi]

Charulatha is an excellent singer

[@gopalakrishna1675]

Super knowledge.

[@BalakBhat]

Heart touching voice charukeshi

[@pattabiramangurumurthy4525]

classic explanation by charulatha

[@isaipayanam]

The Hindustani raga Jog resembles Nattai

[@balajiamudusisaivaanam7142]

Madam, is not Chalanattai more close to Jog than Nattai? And the song 'Thom Thom Thithithom' from Alli thantha Vaanam is based on which raga?

[@venkataramank9479]

Charulatha Mani aaaaaaaaaaaaaaaaaaaaa

[@prasannahere]

May God bless you with ONLY Music, Music and Music , sound health for your dedication and greatness about sharing the nuances of Various ragaas, that shows your interest in sharing than learning which is very important for all of us. Thanks you my dear sister....as your name is let the "CHARUKESHI" ragaa pour rain on you :-)

[@kannank1873]

you my guru. Mam 🙏

[@vsgopalakrishnan]

Thanks indeed for the clarification. How interesting that Thiagair's "Jagadaananda Kaarakaa" has a par in Ghulam Ali's ghazal "Raaste yaad nahin"!!!

[@indianeinstein1978]

hi Mam, thanks very much for your isai payanam volume 1 - 9.

[@vedhacarnaticonlineschool]

Enjoyed mam...thank you

[@hvram]

Very nice presentation skills. You are able to bring the subtelities very well . Good work

[@mohanbhadri4979]

superb.... you will be a great teacher,,,,,,,,,,,,,

[@dsnagarajanagaraja7684]

Where is this beautiful singer has gone?. Where we can hear her music. She is versatile in carnataka music both in theory and singing. I request any body having at least records to hoist those music on Google web site so that we can hear and enjoy her music Please do the same. D S Nagaraja

[@isaipayanam]

I've performed Isai Payanam at all Sabhas in Chennai this season :) subscribe to my channel and you can see all my videos of concerts. Make sure you click the bell icon to ensure notifications to all uploads. Thank you so much 🙏🏾😊

[@chtrimurtulu3702]

Wonderful. You are so little by age. But your explanation seems to be a Master's. Real Doctorate. Convey my regards to your Parents, You are a priceless GIFT.

[@TheMpganesh2009]

madam, u impressed me to learn music

[@v.phaneendrakumar1324]

Adbutaha

[@rajeshwariharipriya9015]

Thanks for given knowledge of ragaas

[@isaitamilsathyaseelan1829]

Excellent 👌 thanks for your explanation man

[@dalbir10sohal]

Nice one! Though I am a north indian musician. I don't understand the language. But I enjoyed your performance and subscribed your channel.

[@mupix44]

Super like! Awesome!

[@TaraRajendran]

Thanks very much!! This is very helpful!!

[@sugudigu]

Ms. Mani... (charulatha) ... Panivizhum Malarvanam, un paarvai... chalanaattai, more than deserves reference/deference..

[@jenookanth2414]

Mam your naatai raaga very very nicly & I impresed

[@suryanarayana3662]

Jenoo Kanth Up to 50 itemsUp to 50 itemsSwipe left to delete

[@isaipayanam]

More clips in Raga Nattai: soundcloud.com/charulathamani/sets/raga-nattai

[@saibanu6915]

are u taking karnatic vocal classes. i like ur pesentation very much

[@gireeshkuthanur2463]

Usefull video. thanks chechi en paatha hamaskaaram

[@ramalingamnamasivayam7696]

CHARULATHA MANI 'S CLEAR AND DISTINCT COVERAGE OF SEVERAL ELEGANT & SWEET RAGAS IS MARVELOUS& INCORPORATION OF RAGAS OCCURING INTHAMIZH FILMS INCERTED BY G RAMANATHAN , SUDHARSON , K V MAHADHAEVAN , ILAYARAJA ,MSV ,A R REHMAN &OTHERS . PEOPLE ARE HIGHLY INDEBTED TO AMMA CHARULATHA MANI AS THEY ARE DELIGHTED BY HER SWEET PERFORMANCES. SEE ! I AM SIMPLY BUT MUSICAL KNOWLEDGEABLE ADMIRER OF CLASSICAL MUSIC AND FILM MUSIC WITH SMELL OF KARNATIC RAGAS. SEE! I AM A Rtd PROFESSOR OF PHYSICS OF ANNAMALAI UNIV. OF AGE 84. I AM A MATHEMATICAL PHYSICIST.INTERESTEDIN THE WORK OF ISSAC NEWTON WHO BYHIS MECHANICAL CONCEPTS ( 1666 ) STREAMLINED PHYSICS. & ALBERT EINSTEIN BY RELATIVITY THEORY RELATION E = M C2 ( 1905 ) HELPED ROOSEVELT AMERICAN PRESIDENT TO STOP THE TERRIFIC 2 nd WORLD WAR ( ATOM BOMB ) IN 1943. I SHALL WRITE MORE ON INTEREST IN SCIENCE AND EQUALLY IN MUSIC

[@DSAMPATH]

fantastic..after listening to you i have decided to listen tom you regularly to understand ragas.

[@sethuramanb]

Beautiful rendering

[@vencat1]

Fascinating. shall follow. thanks. Venkat

[@kvdpsarma2933]

Nice

[@gandrakotaannapurna9639]

Super explanation amma no wors simply 👌

[@lalithasomaskanthan8625]

Explannation very nice and beautiful job ,

[@sulochanansree]

very useful presentation & keep it up Madam.

[@PRAKASHM-qz3ot]

nice ragam

[@nataraj9442]

தாயே பாடல்களை சுவை, இனிமை ததும்ப பாடினீர்கள். நன்றி. சாஸ்திரீய சங்கீதம் என்பது தூய பசும்பால். அதன் நுரை திரைஇசை. நுரை பசியாற்றாது. சுவை தராது. நீங்கள் உங்களுடைய பவித்ரமான, அனுக்ரஹிதமான குரலில் சாஸ்திரீய சங்கீதம் மட்டும் பாடுங்கள்.. A BIG NO FOR THE DIRTY CORRUPTIVE FILM SONGS. PLEASE

[@baskarwn]

Could someone upload Paramatmaja Agachcha, please.

[@EDWINJOHNSONatutube]

Where is the rest if it ? Pls

[@rajeshksrtc3126]

APPRECIATION: NATTA IN NOSTALGIC BUT NOVELTY NICE AND NEOTERIC BUT NOTABLE Precise but Precious Presentation- Everywhere is Enthusiastic and Enchanting - Eliciting Elegance of Exotic Experiences in explaining with Examples. Elaboration on electrical effect and elutriation by elucidation -AS.SURYARAJAN, AMMAVEEDU, VENJARAMOODU, THIRUVANANTHAPURAM-695607.

[@flutesiva]

I thought Vivathi swaram is the note not in the ragam.. Vadhi is the main note, samvadhi is the 2nd main note and vivadhi is the note not in the raga but u still use it. You said its the note close to each other Re and Ga. Please explain.

[@sandeepchintha1288]

she is talking about two notes in the raga which are semitone far or next to each other......she is explaining about the feel you get when you are moving between those two

[@madhuritubahaar4thMarch1996]

Actually, what you know is correct. The term 'Vivaadi' is used in Hindustani system in that scense. But in Carnatic that is called Bhaashaanga swaram . And what she said is correct in Carnatic System. In Carnatic, the term Vivaadi is used for 'Chromatic' notes. Example: R3=G2 And G3 in this raga is using no interval between them . =Komal Gandhaar and Shuddha Gaandhaar are being used One beside another.. .

[@ushasundaresan5414]

Wowrat wrkmadam

[@NekrajeBhatcom]

🙏🙏🙏

[@harishgopi707]

Thank you so much for sharing this video

[@vsgopalakrishnan]

Lovely! What is the Hindustani equivalent of Nattai pl?

[@abhishekram2176]

Raag jog

[@babycareonlinemarketingkun6758]

good job sister

[@babycareonlinemarketingkun6758]

O

[@isaipayanam]

Please check out the thiruppavai project, my latest research at kzbin.info/www/bejne/lWnGqWeBotyhg5Y

[@purushothamyadav7101]

I want a girl child like u

[@ajithkumar-rt3qx]

നന്നായിട്ടുണ്ട്