It's a Recording Studio Console For Your Desk (SSL Big Six)

[@briansafron9643]

You can actually use the Sends on channels 1 through 4 as direct outs. Here's what it says in the manual: "Another benefit of this configuration and the unity gain design is that the Insert Send can be used as a pre-fade, post-processing direct channel output to act as a record feed."

[@asmundma]

Yes, he is wrong on this

[@Mastenbro]

+1 doing the same thing with the (tiny) SiX. The insert send is always live and can therefore double as direct out. I saw already more comments on this

[@asmundma]

@@Mastenbro Quite embarrassing to say something like this when you make a video like this

[@Mastenbro]

@@asmundmanot quite sure what you mean

[@asmundma]

@@Mastenbro not you - Rhett Shull should read the manual

[@elliotttadanier5971]

Dude I gotta say I often vibe with your second channel vids even more than the ones on the main channel (and I mean that as a compliment, I like the more exploratory content, it aligns more with my personal interests which also involve modular, tape machines, recording, etc. in addition to guitar playing).

[@rasm0225]

Agreed. I prefer this channel too. Both are good but this is more me.

[@ryanwhite5482]

It feels more like classic Rhett Shull before the main channel got so big it had to favor the algorithm over all else.

[@benjaminhixson3918]

I second this, more studio Rhett!

[@bolillo5013]

Was just thinking this, love both though (although I most often play metal guitar)

[@horschy4856]

These kind of your videos really get me interested in recording, mixing and all that stuff. Really would appreciate more of it!

[@michael.wiegand]

I've had the Big Six as the centerpiece of my home studio since it came out. The money channels (1-4) I have permanently hooked up to my drum mics (Kick, Snare, Knee, Overhead). But then I also added 2 Neve-style pres as inserts on channels 1-2 so that I can track other stereo sources through it like my pedalboard, synths, etc. The aim was to leave the additional faders for summing, just like you did. But I have done full stem mixes through it too on sessions where I've already tracked using my Apollo. In those cases, I'll do something like: 1 - Kick 2 - Snare 3 - Bass 4 - Lead Vocal 5/6 - Keys 7/8 - Guitars 9/10 - Drum Overheads 11/12 - BG Vocals I've got a template in Ableton/Logic/Pro Tools where there are track folders that are wired to each of those channels. Since I'm deep into the UAD world and I still want to track that way, I added a Passive Monitoring Switcher (Heritage Audio Baby R.A.M) so that with the press of a button I can toggle between my Apollo and the Big Six outputting to the same set of monitors.

[@kevinlentz7604]

Hi just got my second SSL 6,for my solo,act and the the Big six in the Studio,doing a complete turn around ,great video Rhett❤

[@JoeBearDotCom]

@ ~ 9:00 - actually, channels 1-4 have balanced sends and returns. If you want 4 discrete mic pres just take the signal out of the Sends of channel 1-4. Actually, I feel the mixer's greatest/worst compromise is the lack of Send and Return on the stereo channels. There's no way to insert (e.g.) a full-featured compressor between the USB returns and the mix bus for those rather limited channels. My guess is they thought eliminating their traditional DB25 connectors in lieu of 1/4" might gain greater market adoption. I can't speak to whether or not it was the right decision -- I'm in no way a professional marketer -- but I think using DB25 for Send and Return on the stereo channels, as well as inputs for the stereo channels would have allowed the feature at the same price point.

[@L.Scott_Music]

You said you wanted to add another 4 mic pres to your main set up. I'd think the Universal Audio 4-710d would be a premium choice. I remember when the SiX came out and I had talked to the SSL guys about wishing it have two more main channels. The BiG SiX certainly answered my wish list and more.

[@romestant]

Love these. would actuallylove a lower level video. What is Summing? what is busing? why would you do it? advantages of eq in bus? of effects in bus vs track etc... thanks for these

[@coleb2086]

If I’m not mistaken (I’ve only been doing this stuff for about a year give or take) summing and busing is the same thing, it’s essentially the process of taking multiple tracks, typically similar tracks and “summing” them to a single track to control them from the same fader. Take guitars for example, instead of turning up the left and right guitar channels individually, you could use the guitar sum to turn them both up at the same time. Hope this helps 👍

[@EVILJAMARR]

I have had the Big Six for about six months and I have to say I'm more happy about it than I thought I would be. It's not my primary interface but it dang-well could be if I needed it to be. The only thing I wish it had was a virtual console of some kind, but that's the only major "flaw" I can muster. It's added to the aggregate device with all the other interfaces currently, but it's a must-have for me now that I have it. Highly recommend.

[@puresoundstudios]

This is quite powerful if integrated using an Apple Aggregate (Audio) Device implementation (look up if you haven’t heard about it). I have 24 I/O with Focusrite Clarett/Clarett+ 3x interfaces which I have paired with the Big Six. It means I have 40 I/O, heaps of preamps, and using inserts/patchbays, many ways I can bring in outboard gear of which I have quite a bit. I also have a Solid State Logic Six mixer which with the Big Six gives me 14 analog stereo busses at mix down…I use the Six as my FX line mixer with all effects generated in the box and push these back into the Big Six using the “SUM INPUT TO MAIN BUSS” function. With this set up I don’t have to print the mix to a track within the DAW, and just use the standard Logic real-time mix down print to an external WAV file. I hope that’s helpful for those seriously considering a purchase.

[@SimonWalker-f1l]

9:25 @Rhett Shull Two you can go direct into Pro Tools without going through the summing section. If you hit the USB out Post Fader button by the fader for each channel that sends it directly to the AD converters from the bottom of the fader without routing it any further. This is what you were talking about yes? Edit. for the people saying Use the Inserts as the direct out, use the USB out Post fader Button because you can then keep the inserts hooked up. you can also send the channel with Insert, EQ and Compression on it to the DAW, OR you can turn them all off and just send the dry clean signal with no processing. You can also use BUS B for this option and have BUS B to record individual channels as you select them.

[@seancostello7608]

Really like this channel. For some reason, the more casual aspect suits me better.

[@nespstudio8803]

Nice review Rhett. I couldn’t help but notice the Tascam M-30 behind you. That was my first mixer and was paired with a Tascam 34 reel to reel and dbx noise reduction units. At one time I had two M-30s linked together paired with a Fostex D-160. Still have one of them but seldom ever gets used.

[@allengutfeld8458]

Great choice on using Darren's samples for drums!!!!

[@brandonskeens206]

I've had my B6 for a year and a half and U'm pretty happy. I really don't use much of the included features other than the inserts and the buss comp. The channel comp and eq are just too limited to really mix with. If they come out with a bigger six with sweepable mids and at least a fast att/rls switch I;d pick it up in a heart beat. As a summing mixer it's fine, clean quiet.

[@Antonio_Ortiz]

I'm usually indifferent to the music being played while products are being demoed, but the music in this vid was actually quite good. Earned a sub.

[@hovrudguten]

You can use the insert sends on the mono channels as direct outs.

[@robertharker]

I agree about knobs and mixing with your ears. What is needed is a "fat channel" set of knobs for a single channel. A gain knob, +48V and phase button. 3-5 sections of three knob EQ. A set of knobs for compression and limiting. SSL has the UC1 but at $800 seem a bit steep for a bunch of encoders, buttons and LEDs. I guess the distinctive SSL black VU meters makes it all worthwhile.

[@yucafries7681]

I use the big six to route & mix signals in a dawless setup. When I have something I like, I can multitrack the whole thing effortlessly. This desk is incredibly flexible despite its limitations. I’ve used and owned large format consoles with vast amounts of outboard processing and the big six has everything I need to track effectively. A filter, surgical eq, and reverb/delay are the only processing I’ve added to the workflow

[@veronatragedy7016]

If you are not using a daw, then how are you recording what you mix? Are you recording to Tape?

[@WillisZzz]

Thanks, gives a good impression of what the big six can do. Digging the tune as well 🤙

[@compucorder64]

Another example of one of these is the funky and recently revived Alice 828 mk.III, by Ted Fletcher in the UK. It's more vintage and minimal than this. Both great mixers, but I think I like the more focused vibe of the Alice more - and I think it's sound is a step up, and has mojo when driven. But depends what you want it for. If you need it to be an interface, have comps, EQ on every channel, AUX, the Big Six is great. Don't count out the smaller SSL Six too, for many, that would do the job. And it's is more compact, and much cheaper, especially second-hand.

[@colerichardson6739]

for the people on lower budgets, check out the soundcraft signature mtk series, the mackie onyx series, presonus studiolives (usually on the high end), the tascam model series (model 12 specifically iirc if you want daw control), and the zoom r20

[@MichaelDaviesMusic]

Ya, this is a little rich at $2700

[@jt3production936]

So for the lower budget names you mentioned U can mixed outside of the box and still save my interface mixes inside of the DAW

[@colerichardson6739]

@@MichaelDaviesMusic the stuff i listed is from 600 to 1200 canadian. i ran a zoom r20 as a portable option and it ruled. it also had daw control

[@colerichardson6739]

@@jt3production936 model 12, zoom r20, and some of the presonus studiolive stuff has daw control so you get control of the faders, record button, play, pause etc. i think the model 12 and studiolive get pan controls as well but i only have experience with the r20. the soundcraft mtk works differently where you record it as a multitrack interface and then route it back through the board’s channels to use the eq, compressor, and faders, the soundcraft also gets inserts for outboard gear.

[@ddw132]

re the drawback you mentioned (lack of direct pre amp through/out) I think (don't quote me) you can do or approximate that ? The insert on each of the pre channels has insert out always on. So, you can take a direct signal out (say direct to DAW or elsewhere), without any return activated. I suspect you can do so while also sending the signal via the 2 bus section as well.

[@ROCKNROLLY]

That send output (insert) at the back (1-4) is the direct out for recording. I have the SMALL SIX using D-SUB for direct output of Channel 1 and 2 and the MAINS. I guess for six months having that unit, you should have read the manual thoroughly.

[@eugenepugachov]

You can use FX send on the back as direct outputs from the preamps. I do it all the time and it works great.

[@raymondbriars9017]

I have one. You could get your 4 pre-amps by outputing on the inset sends.

[@kurtisbrabeck5270]

I knew that loop was Darren King when I first heard it in the Jazzmaster video. It’s such a signature sound for him, and it really makes me miss 2000’s Mutemath. Honestly your whole backing mix there is very Mutemath. The bass tone screams Roy Mitchell-Cárdenas.

[@noahpauley]

I honestly think the SSL Big Six would be the perfect small mixer for me. I’m currently in school for audio engineering and have worked on SSL 9000s before so this work flow is super familiar to me. My main issue is how expensive it is especially as a student.

[@MarinLuc]

Check out the tascam model 12 or 24

[@mekonium7843]

Come on Rhett, there's no problem using each mic-channels insert send as direct outs to your interface. Now your stuff before you sit there and try to guide/mislead others.

[@MrJimDG]

I think this might be the desk/iinterfacr I’ve been looking for . Currently is behringer x-touch and a x-touch extender too give me the tactile hands on experience I proffer

[@carlovillegas]

I’ve been using my BiG SiX for a little bit over a year. The fact that it’s an analogue console/mixer and an audio interface for the price, it’s actually worth it.

[@dimensionstomorrow]

Would love to see the interface video. I’m ready for a new one.

[@joshuagrindstaff37]

I was just about to say the same thing as the commentor below mine. You can always use the sends as a direct out, and i didn't even realize you could do it pre fader so cool.

[@cristianlaskoski1058]

Thanks for doing this vid man! I'm trying to figure out how to build my own home studio and personally I like having knobs to turn and switches to flip as opposed to just using say a mouse pad and some keys to type all of the time. This is a great option and thank you for introducing it!

[@BJamin4God]

I’ve been looking at the Tascam Model series since your video last week. Looking for a live mixing solution that I can also make use of in my bedroom home studio. Could you not use the inserts on the Model Six as a sort of “direct out” solution, or does the send not sit in the chain where you’d like it?

[@karlderdelinckx]

Very tempting package. There is just if the interface dies on you or there is no longer a software update for a newer operating system or interfaces in the future get way better. There is no way to upgrade just the interface.

[@compucorder64]

If the summing mixer thing is your main use case, you might be better off with something like a Cranbourne Camden 500R8 API lunchbox rack/summing mixer/interface. Then pack it with DIY CAPI API style preamps, and add some outboard EQ. The bus compressor here is pretty limited. Could add something like the Stam audio one, end of chain.

[@robert_starling]

Love this video Rhett and would like to see more on how to record and mix techniques.

[@jg20140177]

I was a bit bummed about no direct outs as well. My work around with that is creating a aggregate interface within my mac. So combining this with another interface

[@voivodOfficial]

How do you add an aggregate interface and use its direct outs? Make a video! Would I be able to do that with my old Sapphire Pre40?

[@jg20140177]

@@voivodOfficial you just go to audio midi setup on your mac. Click the little Plus on the bottom left and go to create aggregate device

[@jg20140177]

@voivodOfficial that is a good work around. But it's still not a true direct out and it's only on 4 channels. Would like to see true direct outs on every channel in future iterations of the desk.

[@voivodOfficial]

Thank you for the thoughtful replies! I have a Tascam Model 24 which also doesn't have any direct outs. I'm trying to figure out how to incorporate external hardware using Logic and the Tascam.

[@jg20140177]

@voivodOfficial I have one of thoes as well. You can use the insert on the first couple channels that have it as an output. Other than that you're pretty much better off just connecting your other interfaces as an aggregate

[@isaacdust]

Cool. I've been curious about the Big Six. I still find the concept of a "summing mixer" to be a bit confusing. Don't all mixers "sum" things to one stereo track? I'll do some more research. This particular unit seems cost prohibitive for a bedroom studio guy like myself. I appreciate the vibe of this second channel. Thanks for doing what you do!

[@djsoo]

that analog sauce i'm assuming. You're running your audio through analog transformers, analog signal path including EQ and natural saturation and it gives you a "better" sound mix - depending on who you talk to that is...

[@simondavid2519]

they do ! Summing is more about how you use a mixer rather than what the mixer is : recording each channel of the mixer individually (through a direct out) “bypasses” the summing. But bringing all the tracks through the mixer to stereo is summing :)

[@OscarSL80]

There are 2 types of summing, 1: summing tracks to an auxiliary track or group (thats what you are talking about to the sterero bus) ans 2: summing to analoge divecies so you get more harmonics and saturation througn tubes ans transistors. You are welcome

[@stormshadow2k]

The fact that I cannot use the preamps as a normal "outbard" preamp like my API lunchbox etc makes this get crossed right of my xms wishlist. I would never use the B6 as an interface. My RME setup will NEVER change

[@psychotogether5114]

That new logo POPS!!!

[@MWright95186]

DUDE!!!!you always put up the most helpful and interesting stuff... thnx again Rhett... ;0) M

[@KadaverKomplex]

Holy shit, a mixer that can EQ and pan??!? That's absolutely worth 2k!

[@rowbags3017]

Thanks for posting this. Is latency a consideration when sending tracks to a mixer and then recording them back in the DAW? I'm still new to working with a DAW, just recording simple demos etc., so it's great to see how a set-up can be expanded.

[@austingaines7617]

YOURE TELLING ME THERES BEEN A SECOND CHANNEL THIS WHOLE TIME?! SUBBED

[@jonkthompson]

Good stuff! I've considered this for a long time especially since it's also an audio interface. It would also allow me to get rid of some other gear as this would replace a few. That cost is the only thing holding me back. One day...

[@asmundma]

The pre-amps are not up to class when I compare with my RME devices and of course not with a RBN Shelford Channel. They seems dull on the high end side. I have the SIX, smaller version. To use this as a summing mixer is more or less worthless, unless you colour the track with some more HW inserts.

[@Mikey__R]

People obsess over analogue summing, I'm absolutely not convinced it's the summing amplifier that they're hearing. You've got eqs and compressors thickening your sound, are the extra harmonics really likely to be from the compressor, or from the summing amp? This looks good value, £2000 gets you a lot of compressors and eqs. I think though, that I'd rather have a selection of outboard gear, either rack mount or 500 series.

[@dustinthiessen]

it would be pretty simple to do a direct A/B comparison without using any of the EQ or compression on the desk. As a straight summing mixer though, I'd be more inclined to go the route of some of the RND pieces though...

[@Mikey__R]

@@dustinthiessen yep, it would be very easy to design a test to isolate the summons, much like Dan Worrall did a while ago. You'd have to switch off and compression post summing amp but otherwise the process would be the same.

[@valleywoodstudio7345]

Direct from the Insert sends? If they're post eq/compression that could be useful. Understand though that directs would be helpful post fade.

[@gratao25]

please do a similar video with the Tascam Model 24, you really got me into them

[@melissabell585]

Knowing your vibe… If you’re looking for outboard summing in a compact form, see if you can get your hands on a CAPI SumBus. I’ve got one built out to 32x4, and it’s glorious - the closest thing I’ve heard to some vintage APIs I like in a small studio form factor.

[@FrancisJoa]

You are totally wrong with what you are saying at 9:51. You can use the four inserts of the four monochannels as direct outs. What the SSL Big Six is missing big time is the fact that not all channels do have inserts. That is the reason why I still didn´t buy one to this point.

[@gmichaelhall]

If the Big Six could be daisy chained to a 2nd unit , with both able to bus to 1 master section it is a great building block for a small studio. Otherwise the limitations as mentioned in the video are really a tipping point for the unit remaining in the prosumer genre with only hints of what a proper hybrid system console can be. Unfortunately, the more logical solution for this particular setup is the 8424 by AMS Neve, in my opinion. It’s a way more flexible controller and hybrid surface that allows for multiple modes and applications. But it comes at a steep but feasible price compared to this little SSL interface ✌️

[@michaeltew4492]

I guess I could look this up but, in the interest of being annoying, will it write fader moves back to the tracks in your DAW? or to a submix track?

[@sundaynightdrunk]

We need a studio update! Is the control room moving downstairs at some point still? Or has the plan changed to keep it like it is? I love the videos either way, but I've been curious since watching the build from the beginning.

[@EricSauerets]

I was really interested in this as well for a lot of the same reason, and just that it would be just so economical to add all of that analog goodness to a studio. But the lack of expandability with something like ADAT/SPDIF to integrate into something else was a deal breaker. It would be really compelling if they did something like Cranborne audio is doing with their 500 series racks.. a version that's your centerpiece with in-built interface, and one that functions as an ADAT expander. I would definitely reconsider it, because its a nice little package.

[@DeliciousMauritious]

In my opinion the ADAT thing is the most annoying if you plan to use it as your studio center piece. My work around is using aggregate devices on my Mac. Other limitations include stripped down EQ (wish the middle band was fully parametric) and no make up gain on the four compressors on the mono channels which make it rather useless when using this as a summing mixer.

[@slow.starts]

Thank you for rocking the keffiyeh, Rhett. You don’t have to thumbs up this comment, but just know I stand with you.

[@NoBSMusicReviews]

Still not sure why I would want to do this or any external mixer, rather than just use the mixer inside my DAW (Samplitude). Seems to me that I can do everything here right inside the computer.

[@Funkybassuk]

This is cool. There’s a rather expensive mini console for DAWs by API called The Box 2. I’d be interested to hear that too, although it is not an interface, unlike this one from SSL.

[@CRYSTALSHIPSS]

Hi Rhett you said it's not integrating with your setup. What does that mean? Are you talking about like hookups. Such as no direct out etc...What other things didn't work for you?

[@brandonbuell3519]

Why not just use the insert sends for a mic output?

[@Thirsty_Deer_Studio]

I just bought the Chandler TG-2 19" rack mount 2 channel pre last week. Doing a video on it. Its really good Rhett. You should check it out. Cool video. Big Six seems cool. Nice to have faders but those arent the pres Id want. Great G style bus comp though.

[@chrisdover8507]

I’m hoping they release a bigger model with more mixing features

[@11ciwi]

I want to see the video on interfaces...sounds fun. Please and thank you.

[@68Snaps]

No direct output? The first 4 channels have insert sends that will do the trick. Moreover they have their own converters (as all other channels) that can be used as (digital) direct outs. Or did I misunderstand your concern?

[@Voiceboxcom]

Can you tell me if the "USB Out Post Fader" switch (at bottom of channel) accomplishes what you are describing?

[@68Snaps]

@@Voiceboxcom That switch only affects the tap point of the channel AD converter. Either pre or post fader.

[@Voiceboxcom]

@@68Snaps Okay,.... thx for the quick response!

[@cisemokram]

that thing is too cool - I just wish there was a 16 channel version that functions like a tascam m16, and for less than a million bucks lol

[@crestiferj2689]

couldn't you get a direct out on the first 4 mic input channels by using the send of the channel insert ? or does that only work when it's getting a line level signal for mixing ?

[@maxvoinson4627]

Just a question; is the control room still in the foreseeable future or did you decide to keep the setup as it is? Love all the content, keep it coming :)

[@Idonttakethisseriously]

I have the Ssl 12 + interface.. since this is one already can I get rid of it?

[@isaacb3258]

Can you link multiple big sixes together?!?!

[@maxkelly7077]

When is the 2024 full studio tour coming pleaaaaassssseeeeeeeeeeee

[@xxsouthxxsidexxroyxx]

Should've done the Tascam Model 24!

[@Schmendinger]

I'd like to see the video about interfaces please

[@LaMarrBrewster]

Great content. I can’t believe I’m saying this, and it isn’t SSL by any means, but for your usage I wonder if you’d be better off with the Tascam 12. I feel dirty saying that

[@taraszakordonskk5731]

Why didn’t ssl interface these discrete mic pre’s in the desk so you can have 4 mic pre’s in your daw. Guys. It’s 2024. We want that. That’s like a 2i2 only giving you 1 channel strip but 2 mic pre’s. Cmon ssl. Don’t do that. And for what the desk costs, it should have automation faders. Imagine using this small desk as your faders for your daw. 8 channels, multi layer…. It’s falls short of what we want.

[@teedouble]

i have two SSL SIX as the interface usb was just overkill to me as their are way other in and outs to the computer. I like the size but I also like how i cna take one with me and have one in my studio. But i started on SSL and love all their stuff like the ssl2. cool vid.

[@teedouble]

Also got both my two SIX for $700 a piece.

[@kevinlentz7604]

Just got my SSL 6 for my solo,and Big Six for theStudio❤

[@mrwoo40]

Great job!!!!

[@dontthroworanges]

Rocking old Event monitors I see?

[@montecoucou53]

What a coincidence. Just made an offer on a 2nd hand big six. Can’t you use the insert points as direct outs for the preamps?

[@veronatragedy7016]

he could connect preamp to top of the ssl, and then use trs cables in & out and his issues would be solved.

[@michaelnachoescamilla6241]

I've been looking at this.... So to be clear, I can not get 4 channels that go to 4 separate tracks in my DAW? It will get summed to stereo only?

[@DeliciousMauritious]

No you will get independant DAW inputs for each of the 4 mono channels plus the 4 stereo line channels plus 2 pairs of external inputs. That's 16 channels into the DAW, and 16 out as well.

[@kevinlentz7604]

Very cool ,another learning curve❤

[@mattvae8348]

Anybody an idea how the sound quality of this compares to the Zoom L-20?

[@faithhopelove6945]

Just for Information; Every Mixer ! is a Summing Mixer (:

[@marcdanielnelson317]

Sounds great!

[@ryanreedtv3242]

I need a mixer, I use a apollo twin duo, would it be dumb to get this mixer for my case? Thank you anyone

[@sfn4702]

Can’t you get a direct out through the db25 tho??

[@simoneh4732]

+1 for interfaces vid!

[@synonyx]

Thanks I learned something 😊

[@GalactrixX]

💪🤤powerful monster console!!! 🔥 🔥 🔥

[@MichaelDaviesMusic]

$2700 ???? Whoa!

[@TannerByTheSea]

I Love mine.. 🙏🏼💥💥💥👍🏼

[@cominhomewithjohnalan9103]

Can the Tascam Model 12 do this?

[@DeliciousMauritious]

I believe the Model 12 is digital? The BigSix is mostly analog and the routing options on it are exceptional. I found that once I plugged everything on it I hardly need to unplug anything.

[@cominhomewithjohnalan9103]

@@DeliciousMauritious thank you 🙏🏽

[@Kuztomshop]

Hey Rhett, I recently purchased a Tascam Model 12 and would love to see you do videos on how to use this type of equipment. Quite frankly, the manual sucks. It's VCR instructions x1,000, if you're old. enough to remember what those are. There are plenty of YT videos out there on how to use it, but very piecemeal and more the hows than the whys in regards to features. I think you can do a better job.

[@AnivalFausto]

Interface video please!!!!!!!!!!!!

[@itsstudiotime]

sick!

[@larrymyers5989]

If it wasn’t so expensive I would grab the ssl six never mind the ssl big six

[@pappyprimetime7510]

Cool! You discovered otb summing. I remember when I had my first beer too.

[@MeAndTheBoys_]

Ouch! 🤣

[@Prettynoise]

Let’s see an interface video. From simple to mid level

[@DeerCreekAudio]

I can't believe you can't use the channel inserts or sends for your outputs for the four mono channels. Lastly...you know you're paying $1500 just to have it say "SSL" on it too. Buy a nice used Midas or similar if you need mic pres for the same price

[@kevinlentz7604]

Zounds Great❤

[@RICHROLYN]

Sounds Tyler Bates-ish…