Рет қаралды 13,758
#willemvantwillertbach #willemvantwillert #willemvantwillertbaroque
9:54 FUGA*
* Hoofdthema van deze fuga is eerste regel van:
'O God die droeg ons voorgeslacht'
In dit beroemde Praeludium in Es dur van J. S. Bach wordt de Heilige Drie-eenheid in muziek gevat.
Het praeludium bevat drie thema's.
Bach is hier op het toppunt van zijn kunnen.
Ook in de FUGA komen drie thema's voor, drie fuga's.
9:54 BEGIN van de FUGA
Hoofdthema van deze fuga is eerste regel van het Nederlandse Oudejaarslied:
'O God die droeg ons voorgeslacht'
ENGLISH
This famous Praeludium in E-flat major by J. S. Bach captures the Holy Trinity in music.
The prelude contains three themes.
In this composition, Bach is at the height of his powers as a composer.
Three themes also appear in the FUGA.
9:54 START FUGUE
CREDITS
Video and Video Editing: Studio Logtenberg, Assen (Video)
Audio recording: Marien Stouten
Prodution: St. P.O.P. stichting Promotie Orgel Projecten
ORGEL
Albertus Antoni HINSZ (1704-1785) is een Nederlandse orgelbouwer van Duitse afkomst.
Hinsz, een leerling van Franz Caspar SCHNITGER (1724-1799), kleinzoon van Arp Schnitger is een voortzetter van de Noord-Duitse orgelbouwtraditie.
Hinsz leerde vermoedelijk het ambacht bij Otto Dietrich Richborn, die in 1721 een orgel vervaardigde in Hamburg dat, qua dispositie overeenkomsten heeft met orgel dat Hinsz maakte te Leens.
Het werk van Hinsz wordt gekenmerkt door vulstemmen zoals de Mixtuur die hij later (niet te Leens) voorzag van een terts
In de frontindelingen ziet men de invloed van Arp Schnitger (1648-1719).
Het front in de Grote Kerk te Zwolle was een inspiratie voor Hinsz.
Voor de decoratie van de orgelkas werkt Hinsz samen met onder anderen beeldsnijder Casper Struiwig hetgeen ook het geval is te Leens.
Het meest imposante instrument van de hand van Hinsz is het grote orgel in de Bovenkerk te Kampen (1744).
Tijdens werkzaamheden aan het Schnitgerorgel van de kerk van Uithuizermeeden overlijdt Hinsz.
Zijn graf bevindt zich in de Lutherse Kerk te Groningen.
Check,
nl.wikipedia.o...
nl.wikipedia.o...
nl.wikipedia.o...
ENGLISH
ORGAN HISTORY
The organ at Leens was built in 1733-4 by Albertus Anthoni Hinsz (1704-1785).
Albertus Antoni Hinsz (1704-1785) is a Dutch organ builder of German descent.
Hinsz probably learned his skills from Otto Dietrich Richborn, who in 1721 manufactured an organ in Hamburg that, in terms of disposition, has similarities with the organ at Leens.
Hinsz's work is characterized by stops as the Mixture, which he later (not in Leens) often produced with a third in the composition.
Hinsz had established his reputation with the rebuild and enlargement of the organ in the Martinikerk (St. Martin’s Church) at Groningen in1729, at the request of the widow of Frans Caspar Schnitger (three years later he married her).
Schnitger had been commissioned to rebuild the organ of the Martinikerk in 1728 but had died shortly before the work was to have begun.
Hinsz undertook the work for f 3.400,-.
The instrument was built with 27 stops, divided among Hoofdwerk, Rugwerk and independent Pedal.
The case design and details were borrowed from the organ of the Michaëlskerk (St. Michael’s Church) at Zwolle.
This design was repeated a number of times by Hinsz: in Almelo, Midwolda, Harlingen, Bolsward and Uithuizermeeden.
Of all these instruments, that at Leens is the most brilliant and the closest in sound to the Schnitger tradition.
The carvings and statues of the richly decorated case were made by Theodorus van der Haven and Caspar Struiwig.
The organ was renovated in 1843-1844 by Geert Pieters Dik,
in 1867 repaired by Petrus van Oeckelen (after the building of a new tower for the church),
and in 1922 restored by Jan Doornbos.
On each of these occasions, one or more stops were replaced.
The organ, which had been cased up during the restoration of the church in 1948-52, had endured so much that a complete restoration was required.
In 1963-7 Van Vulpen of Utrecht restored the organ and reïnstated the original disposition.
Over the years there were some corrections to this restoration, such as lowering the wind pressure which is now 68 mm. In 1981 there was an addition with a couple of the Pedal to Hoofdwerk. In 2010, the (probably) applied in 1844 proportionally floating tuning was changed to a Neidhardt II temperature.
In 2020, the Dutch organ maker REIL gave the organ major maintenance (a restoration).
The carvings and statues in the facade have been restored.
The intonation has been checked and corrected where necessary.
The bellows of the organ have been reconstructed.
Check,
nl.wikipedia.o...
de.wikipedia.o...