Jetset Cine with Blackmagic BRAW

lightcraft.pro/
Original Rajashakar Techy Composure Tutorial:
• Virtual Production Ser...
0:00 Jetset Cine with Blackmagic BRAW
00:35 Accsoon See App Installation
00:52 Connecting Accsoon SeeMo to iPhone
01:41 Tentacle Sync App Setup
02:04 Project Folder Setup
02:45 Tentacle to Jetset Connection
03:18 Cine Calibration Setup
03:39 Cine Calibration Capture
06:02 Exiting Calibration Capture and Red Reticule
06:36 Autoshot Calibration Panel
06:47 Cine Camera Sensor Width
07:05 GUI Check of Calibration
07:27 Numerical Check of Calibration
07:33 Automatic Calibration Push to Jetset
07:44 Jetset Cine Setup
08:33 Framing Digital Slate
08:55 Rolling Cine Camera then Jetset
10:15 Transferring Takes
10:30 Setting Cine Source Directory
11:04 Creating Cine Proxies
11:34 Setting Cine Proxy Folder
11:54 Scanning Cine Takes
12:55 Manual Take Selection
13:10 Viewing Cine Matches
13:44 Creating Level Sequence in Unreal
14:03 Enabling Unreal Plugins
14:29 Pasting Command Sequence
14:46 Hiding Scan
16:19 Adjusting Image Plate Distance
17:27 Rendering EXR Sequence

[@goodenna]

Great video! But I'm still waiting for the sytheye pipline tutorial.

[@WatsonStorage]

Thanks for all of the great tutorials on how the system works. I'm interested in Jetset Cine for applications where there are few usable tracking points visible in the view of the main camera (e.g. the frame is full of moving people or moving elements like foliage or water). From your tutorials, it appears that Jetset is designed to have the iPhone camera facing the same direction as the main camera, so that they share a similar view of the scene. Is it possible to set the system up so that the iPhone faces in a different direction from the main camera - for example, to the left of the camera or behind the camera - where there may be a richer set of fixed points to track?

[@lightcrafttechnology]

The system as you said is designed around the phone and the camera pointing in the same direction. The iOS camera is quite wide angle (19-20mm S35 equivalent) so it can pick up more points than the Cine camera usually can.

[@GadrielDemartinos]

Perhaps this question has been already answered in another video; I'm confused which Accsoon SeeMo should I get - the SeeMo 4K HDMI Smartphone Adapter or the SeeMo Pro SDI/HDMI to USB-C Video Capture Adapter? Also, would I need the CineView transmitter?

[@lightcrafttechnology]

Here's a good link: lightcraft.pro/docs/which-accsoon-seemo/

[@GadrielDemartinos]

@@lightcrafttechnology Thank you!

[@jordansaward]

Do you need Tentacle Sync? I noticed it's off by default, is there a huge difference in the track without it?

[@lightcrafttechnology]

Tracking will be the same with or without the Tentacle. It's very useful for automatic take matching in post, and for synchronized real time data. Such a good device that we're now recommending it as standard use.