Johann Baptist Vaňhal: Symphony in C major Bryan C11

[@Lupito44]

A simply marvelous work which I had never heard. Now thanks for you, I’m going to keep coming back to this piece because I believe it deserves many hearings. 👍🏼 Once again, I thank you for uploading it.

[@carinethimister9320]

I completely agree with Anna. Thank' you for this beautiful music .

[@fernandogalan3753]

Fabulosa sinfonia...

[@НиколайЛепетухин]

Merci pour vous, cher m. E.V))

[@jamesmorrow1646]

Thanks very much. Your site is very enlightening.

[@8arcbal]

Bravissimo 🎼🎶🎵👍👍

[@DanielFerreira-ep6dq]

AMAZING!

[@harrysh1442]

🎶🎵🎶🎵🎶🎵 buried treasure was revealed Merci Thanks Danke Gracias Grazie 🙏

[@danielrodriguez9630]

Una maravilla...

[@pascalmayer9421]

Brillant !

[@sngsculture291]

🌞❤🌞

[@BohemianBaroque]

I'll say it again: too bad Mozart, Beethoven and Haydn were born so close together. Certainly unfortunate for many deserving composers of the era.

[@stefanstamenic3640]

Vanhall's symphony, chamber music were printed and sold, he made a living from it. He lived in a part elite of Vienna, because he was extremely famous and made good money. Today, people have no time for empirical facts. How many times has your symphony been performed, in which musical houses, in which cities? Are the sheet music of your symphony printed and sold? And Vanhall is like Benda, Martin y Solera is a victim of what? Martín y Soler, a Valencian from a linguistic minority within Spain, shared the fate of other Enlightenment cosmopolitans of not fitting into any pantheon of any of the emerging European nation-states.

[@dieterpeszat]

Regarding the constant fuss about composers from the second, third or fourth rank (not to say second, third or fourth class - and there are much worse -): That is quite appropriate! - I took the trouble to listen to your recommendations and then to other works by the respective protagonists. Yes, one recognizes talent and ability and sees the preparatory work of earlier or contemporary colleagues, from which the grandmasters then benefited. But for me, in addition to a broader knowledge and little joy, there is often enough disappointment about lost life time.

[@stefanstamenic3640]

@@dieterpeszat Of course, J.S.Bach, A. Mozart created a certain number of bescelera, I just wanted to say that those bescelera are result: 99% work (studying the notes of other composers) and 1% genius. Romanticism created an inverse situation of 99% genius and only 1% work (on other people's notes); empirical facts show that this is completely wrong. Just one example, the Vienna Symphony was created by Pierre van Maldere. Without such composers, there are no future new directions in music and no future besceleros. The problem is that these composers are completely neglected, they are considered unimportant. Also, some piece of music - they move forward - and some (even brilliant) do not move forward. When you listen to Paisiello: "Les Adieux de la Grande Duchesse des Russies" 1783., - you hear the future Beethoven. Creation is "plural"! J.S.Bach became an icon of baroque because he followed, studied, analyzed, varied musical ideas, number of colleagues: Johann Christoph Bach, J. Pahelbel, J. Kuhnau, Johann Ludwig Bach, J. Walther, J. Pisendel, S. L. Weiss, J. Fasch , J. Reincken, D. Buktehude, N. Bruhns, G. Bohm, N. Strungk, J. Froberger, J. von Kerl, J. Fischer, J. Fuchs, G. Palestrina, G. Frescobaldi, A. Corelli, G. Le Grenzi, G. Bassani, G. Torelli, A. Marcello, A. Albinoni, Vivaldi, B. Marcello, N. Porpora, P. Locatelli, F. Durante, G. Ristori, G. Pergolesi, A. Caldara , A. Raison, F. Dieupart, F. Couperin, L. Marchand, N. de Grigni, Persl, J. D. Zelenka, J. Matheson, Telemann, Kaiser,..., Handl. Without the above, there is no J.S. Bach. Similar to A.Mozart, the icon of classical style, he followed, analyzed, varied - musical ideas: J.C:Bach, F.E.Bach, Chevalier de Saint-Georges, Hermann F. Raupach, Johann G.Eckard, Johann Schobert, Leontzi Honauer, Pierre van Maldere, Leo, Galupi, Samartini, Jameli, Traetta, Paisiello, Anfossi, Pichini, Andrea Luchesi, Vanhal, Dittersdorf, Dusek, Stamic, Gretri, Gosek, Sakini, Mislivecek, Gluk, Salieri, J. Haydn, M. Hayd,...,Gazzaniga, Pietro A. Guglielmi, Giuseppe Sarti, Martín y Soler, Arne. Without them there is no A. Mozart. If they did not exist - J.S. Bach and A. Mozart - these mentioned composers would create - what they otherwise created!

[@h.k9697]

@@stefanstamenic3640 Bach didn't compose operas, operettas, serenades, te deums, dramatic oratorios or anything similar! In this area, the greatest composer and icon of the baroque was HÄNDEL, who was also the most admired composer and who most influenced his successors of Classicism.

[@stefanstamenic3640]

@@h.k9697 In addition to Handel, I would also add Telemann (he wrote as many as 50 operas - completely forgotten today).

[@franzl6153]

I love Vanhal's music, better than the overrated Mozart