Joseph Haydn, Stabat Mater, English Concert & Choir, Pinnock

Joseph Haydn (1732 - 1809)
Stabat Mater Hob. XXbis for soloists, choir & orchestra
1. Stabat Mater (Tenor & Chorus)
2. O quam tristis (Mezzosoprano)
3. Qui est homo (Chorus)
4. Qui non posset (Soprano)
5. Pro peccatis (Bass)
6. Vidit suum (Tenor)
7. Eia mater (Chorus)
8. Dancta mater (Soprano, tenor)
9. Fac me veretecum (Mezzospprano)
10. Virgo virginum (Quartet & Chorus)
11. Flammis orci (Bass)
12. Fac me cruce custodiri (Tenor)
13a. Quando corpus morietur (Soprano, Mezzosoprano & Chorus)
13b. Paradisi Gloria/Amen (Soprano & Chorus)
Patricia Rozario, Soprano
Catherine Robbin, Mezzosoprano
Anthony Rolfe Johnson, Tenor
Cornelius Hauptmann, Bass
The English Concert & Choir
Dir.: Trevor Pinnock
A 1990 digital recording

[@jcb5259]

Wonderful masterpiece. Sadly, it is not as well known as it deserves. In our times we need more than ever this kind of beauty.

[@miguelpratpastor5247]

Felizmente, yo, hace ya 34 años, canté en el coro como bajo, esta obra monumental de nuestro querido Haydn, en la catedral de Cádiz. Nunca lo olvidaré.

[@piotrborowski775]

You have a cathedral in Cadiz?

[@jedavilav1]

Es una preciosidad de composición, de uno de los grandes de la música universal, el amado Haydn. La interpretación, de primera! Gracias!

[@arnoldvdwaals]

My pleasure Jorge

[@jedavilav1]

@@arnoldvdwaals My dear, I love very much the old Haydn! Is magnificent! Friendly, Jorge

[@jedavilav1]

@@arnoldvdwaals Je vour recomend: Stephen Collardelle - haute contre, de plus grand qu'on peut ecouter! Correspondences, La victoire de Milan, Charpentier! Amitiés!

[@paulchristopher2135]

A darkly inspired masterpiece. A pity that Haydn’s religious works don’t have a higher profile in the concert hall.

[@arnoldvdwaals]

Thanks!

[@elaineblackhurst1509]

I get your point, though many of them are actually more effective set in a proper sacred or liturgical context, and where they appear much more frequently - and not just in Catholic churches.

[@pepehaydn7039]

I remember having read that Haydn composed his Stabat Mater (or the g minor Salve Regina, perhaps) after recovering from a disease.

[@elaineblackhurst1509]

Haydn suffered a dangerous illness late-1770 or early-1771; in London in 1791, Haydn told a friend - Christian Latrobe - that he promised to the Virgin to compose a thanksgiving offering for his recovery. Latrobe assumed - wrongly - that Haydn meant the well-known Stabat Mater, but that was composed earlier in 1767 which was four years too early to fit the story. It is the lovely, but melancholy g minor Salve regina Hob.XXIIIb:2 of 1771 that was Haydn’s token of thanks.

[@ΓΕΩΡΓΙΟΣΜΑΜΑΛΗΣ-π1γ]

Εξαιρετικό έργο !! Το μέρος απο το 45,18 μέχρι το 51,48 είναι μοναδικό. Διαισθάνομαι ότι ο συνθέτης έχει επηρεαστεί από το stabat mater του Pergolesi το οποίο προσωπικά θεωρώ ώς το κορυφαίο. Ευχαριστώ κ. Van der Waals για την ανάρτησή σας.

[@dejanstevanic5408]

Thank you.

[@arnoldvdwaals]

My pleasure Dejan!

[@1144abbsug]

Perfect! C. Waugh

[@rhymegames-puzzlesjigsawst2131]

Such a awesome video. Thanks for the love you put into it! Keep it up :) :D

[@arnoldvdwaals]

Thanks so much Rhyme!

[@ljhuszar]

een niet of zeer moeilijk te evenaren performance afgezien nog van de kwaliteiten van Haydn, dat hoogstandje van de bovenste orde onder de sacred music. Graaf Eszterhazy (Hongarije) kon zich inleven, genieten van (en pronken) in de weelde van Haydn-s muziek

[@arnoldvdwaals]

Leuke reactie

[@c.g.marseille4510]

No !

[@lapintelaurent7956]

9 : 45:23 ! 777