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This video focuses on hooking up the Bastle Instruments Kastle Drum to other gear: the Teenage Engineering PO-14 Sub, the Korg NTS-1 (I also use it for reverb a lot), the Korg SQ-1 sequencer, the Bastl Instruments Kastle 1.5 synth, and the Korg Volca Modular. At the very end I show something simple with the Kastle Drum and the Arturia MicroFreak. Thanks for watching!
TIMELINE
00:00 STARTER
Kastle 1.5 and Kastle Drum. The patch is:
Drum in Easter Egg Mode (see below)
NOISES -- Waveshape
PLUS -- MODE
2ND OSC -- OSC OUT
OSC OUT -- DRUMS
PATTERN -- timbreMod
STEPPED -- pitchMod(Drum)
CLK -- drumMod
dMod(noon), pMod(noon), tmpMod(min), decay(max), drum(min), pitch(9:00), tempo(11:15)
pMod(min), tMod(12:30), rMod(min), waveshape(9:00), pitch(min), timbre(9:00), rate(2:00)
00:28 INTRO
Some general thoughts about hooking the Drum to stuff. Some thoughts about synchronization and music. Many thanks to a watcher, I think 2 years ago, who wrote to me about the merits of unlocking the clocks in some cases.
06:59 PO-14 SUB [SYNC1] (meh)
The PO sync signal is pretty low voltage, so it makes it kind of difficult to sync the Drum using that on its own. All you need is an aux cable, but the result is kind of meh. (See below about using SYNC4.)
12:00 PO-14 SUB [SYNC2] (better!)
Using the Drum to sync the PO is quite a bit easier and maybe the best way to go (but there are many ways to do this sort of thing). You might want a Y-Cable or some other sort of stereo-to-dualMono adapter. You really could do it with a standard aux cable (Drum i/o to the PO input for the sync, patch CLK to i/o_L) IF you have some sort of mixer that can take the PO audio and the Drum audio and put them together (or even just two different speakers can work if you aren't trying to record or something). You could also use the PO's SYNC4 mode and send both the Drum's sync signal and the Drum's audio into the PO input. Hook the Drum i/o to the PO input (by aux) and patch CLK to i/o_L and DRUMS to i/o_R. Then patch the Kastle Drum to make beats and use headphones on the PO (or you can even hear the Drum coming out of the tiny built-in PO speaker). This is the TRULY MINIMAL setup: PO, Drum, aux cable, and a handful of patch cables - that's it! The problem with SYNC4 is that you can't control the relative volume of the two devices - so one mix is all you get - but try it anyway!
17:39 NTS-1 (mainstay)
Pretty hard to beat this tiny team.
26:33 SQ-1 (Drum solo!)
So much flexibility. When the sequencer provides both timing and pitch signals it frees up the Drum's on-board assets to do other things. I'm using the NTS-1 as reverb, this sort of marginally atonal sequencing needs some.
38:11 EASTER EGG MODE (but first...)
A minor detail about LFO RST on the 1.5 vs. CLK IN on the Drum. Then a discussion of the Drum's Easter Egg mode, a little bit of noise using these methods.
43:13 PO-14 [SYNC1] (using easter egg mode)
It's weird, but you can sort of use the Kastle Drum to sync itself this way, get a melody out of the Kastle Drum - maybe your best option if you just have an aux cable to hook stuff up - or maybe go with SYNC4 as outlined above?
45:15 MORE EASTER EGG MODE...
48:51 KASTLE DUET [Waiting for the trio!]
The Kastle 1.5 and Kastle Drum combo is pretty amazing. Bastl Instruments should make a Kastle FX: same form factor, an I/O for bringing in other audio/cv, a main out, audio input patch points that let you mix in multiple audio signals, and some CV-controllable FX like filter, reverb, delay, bitcrush, that you can route things through and set parameters for. With these three you could basically do a track or a show or whatever.
55:29 VOLCA MODULAR (CV Motion Sequencing)
I show how you can sequence the Drum - and also how you can MOTION SEQUENCE the Drum. There is a lot more to this method: you can route the FOLD through the UTILITY and it lets you turn up or even INVERT the signal. You can save 256 steps of all of this on the VM. I feel like this makes the VM amazingly handy for Kastle owners (even if you don't like the VM sound). I've never done the thing with CLK to Ratio before - gives a real sense of movement!
01:11:10 OUTRO
Thanks for watching. I know this was a long one - but for those who are doing this stuff, especially people just starting out, I really hope it is helpful. I've included patch info for the first clip, not really sure about the last clip, and the rest are detailed in the video. Drop a comment if you have any specific questions about the patches.
01:11:55 ENDER
Arturia MicroFreak with Kastle Drum. I had a lot planned: pitch sequencing, pressure modulation, etc. but this simple scenario just sort of stuck. I find the Drum's melodic contribution here sort of haunting, and any changes I made to the MicroFreak line just seemed to detract from it.