Kiki Smith: Underground - The Evolution of Tapestry in Contemporary Art

Exploring the Fusion of Traditional Techniques and Contemporary Themes
“Underground,” created by Kiki Smith in 2012, is a stunning Jacquard tapestry that showcases her mastery in blending traditional techniques with contemporary themes. This piece, part of the permanent collection at the Boca Raton Museum of Art, exemplifies Smith’s exploration of the human body, mythology, and the natural world. Born in Nuremberg, Germany, in 1954 and currently based in New York, Smith has established herself as a significant figure in contemporary art through her multidisciplinary approach.
Textiles and tapestries have historically played crucial roles in human civilization, serving both as functional items and as rich visual records of history and culture. The tradition of French Aubusson tapestries, renowned for their intricate designs and historical narratives, demonstrates how textiles have been used to convey complex stories and aesthetics. Smith’s “Underground” draws on this rich heritage while pushing the boundaries of what tapestry can represent in contemporary art.
The Jacquard loom, invented in the early 19th century, revolutionized textile production by allowing intricate patterns to be woven with precision. Smith utilizes this technology in “Underground” to create a piece that is both timeless and innovative. The tapestry features a rich tableau of flora and fauna, symbolizing the interconnectedness of life, and embodies her characteristic themes of nature and the human body. The tactile quality of the tapestry, enhanced by the detailed weaving technique, evokes a sense of depth and dimensionality that draws viewers into its intricate world.
Smith’s use of the Jacquard loom merges historical practices with modern digital technology, resulting in a piece that captures the essence of traditional craftsmanship while incorporating contemporary themes. The tapestry’s design elements are intricate and symbolic, filled with lush depictions of plants and animals that emphasize the interconnectedness of life. This imagery is not merely decorative but serves to underscore themes of life, growth, and the natural world. The underground aspect of the tapestry suggests a hidden, intricate ecosystem that parallels the unseen complexities of human existence and the natural environment.
By using textiles, Smith taps into a medium traditionally associated with domesticity and craft, elevating it to a form of fine art that resonates with contemporary audiences. Her work in “Underground” serves as a bridge between the historical significance of tapestry and its modern interpretations. This piece not only preserves the narrative power of traditional textiles but also challenges and expands the boundaries of what tapestry can represent in the context of contemporary art.
Smith’s contributions to the art world have been widely recognized. She has had numerous solo exhibitions and her works are included in prestigious collections such as the Whitney Museum of American Art and the Centre Pompidou. She has received numerous awards, including the Lifetime Achievement Award from the International Sculpture Center. Her educational background includes studies at Hartford Art School and the New York Studio School of Drawing, Painting, and Sculpture, which have profoundly influenced her multidisciplinary approach.
“Underground” stands as a testament to the evolving role of tapestry and textile in contemporary art. It underscores the medium’s potential to convey complex themes and emotions, bridging the gap between traditional craftsmanship and modern artistic expression. Smith’s work reminds us of the enduring importance of textile arts in preserving and conveying cultural narratives while pushing the boundaries of what is possible within this medium.