Kurt Moll - In deisen heil'gen hallen (live)

  Рет қаралды 175,019

GermanOperaSinger

GermanOperaSinger

Күн бұрын

Пікірлер: 96
@MrGer2295
@MrGer2295 7 жыл бұрын
R.I.P. Kurt Moll (1938-2017)
@didimagnin3744
@didimagnin3744 3 жыл бұрын
He died too young :-( rip Karl Moll: The best Commendatore ever..I still watch you on KZbin. Deine Stimme bleibt immer mit uns!
@cadecannon159
@cadecannon159 Жыл бұрын
I preferred Josef Greindl’s, but his speaking voice as his singing was so mesmerizing.
@RossiniSoprano
@RossiniSoprano 7 жыл бұрын
Just listen to how wonderful his top is, this super low voice.....he not only sings comfortably up there, but BEAUTIFULLY! Bravo, Maestro!
@barendlotz9270
@barendlotz9270 4 жыл бұрын
Can't agree more. And his legato is amazing.
@cadecannon159
@cadecannon159 Жыл бұрын
You should hear his speaking voice in interviews…..it’s gorgeous.
@radioman-pz5jw
@radioman-pz5jw 11 ай бұрын
His voice is from Heaven ...
@hymnodyhands
@hymnodyhands Жыл бұрын
I was thinking of this piece yesterday ... and, along came the voice of my dreams ... ah, Herr Moll ... it was more beautiful that I even imagined it!
@ursuladietze2094
@ursuladietze2094 5 жыл бұрын
Eine Stimme wie die grosse Glocke einer Kathedrale... Super Infrasound mit eingebautem Sub- Woofer! Allein dieses kurze gesprochene "Geh!" am Anfang. Irre sexy.
@yunamchill9024
@yunamchill9024 8 жыл бұрын
Tolle Stimme für Sarastro. Kann gut sein, dass es meine Lieblingsarie aus dem ganzen Stück ist. Den Text sollte man sich zu Herzen nehmen.
@trevorpope1913
@trevorpope1913 Жыл бұрын
Kurt Moll, what a fantastic sound.
@nmakovic
@nmakovic Жыл бұрын
Ich kenne einen: den kroatischen Opernsänger Franjo Petrušanec, Bass!
@angelikaneubert7150
@angelikaneubert7150 6 жыл бұрын
Es ist ein Geschenk diese Stimme hören zu können - die schönste Stimme
@henryhussac9917
@henryhussac9917 6 жыл бұрын
For me, Kurt Moll ist the best bass singer of all times.
@heidibanerjee2841
@heidibanerjee2841 5 жыл бұрын
He is my favourite too.
@myarchus1
@myarchus1 5 жыл бұрын
taking nothing away from kurt, i have to give my vote to nicolai ghiaurov, prior to his vocal crisis. his mephistopheles and seneca from poppea from that era are awe inspiring.
@marcmomus
@marcmomus 11 ай бұрын
❤For me it’s László Polgár.
@bradycall1889
@bradycall1889 6 ай бұрын
Not my personal favorite but yes he's very good.
@Tessy-s2s
@Tessy-s2s 3 ай бұрын
Yes, Kurt Moll and Alexander Kipnis and Cesare Siepi and Josef Greindl and Kurt Böhme and Martin Talvela and Gottlob Frick and Franz Crass and Jerome Hines and Ezio Flagello and Nicolai Ghiaurov and Matti Salminem....et cetera. Moll was my favorite Osmin. I prefer Talvela as Commendatore. Crass as Sarastro...
@olisfer1
@olisfer1 10 жыл бұрын
What a beautiful song full of love and wonder.
@bogdancarola
@bogdancarola 6 жыл бұрын
Live..und in Farbe.. Das war richtig schön...Danke
@ajwolf
@ajwolf 15 жыл бұрын
This is lovely! Absolutely fabulous! 6 times in a row so far...
@didimagnin1841
@didimagnin1841 Жыл бұрын
Kurt Moll - I miss him. RIP great man...
@emmystarlight
@emmystarlight 7 жыл бұрын
A most exeptionel voice,thank you for posting,RIP Kurt Moll!!!
@heidibanerjee2841
@heidibanerjee2841 5 жыл бұрын
His superb basso and his amazing passion that can be felt each minute of this performance. Of course, there is also Kathleen Battle with her exceptional soprano and gestures. A perfect match of these two. She has most likely attended his funeral.
@radioman-pz5jw
@radioman-pz5jw 2 жыл бұрын
Kurt Moll again !!! The man of PERFECTION
@MrAlmebo
@MrAlmebo 10 жыл бұрын
Kurt Moll ist immer noch einer der schönsten und klangvollsten Bässe, die ich je gehört habe. Das Thema sollte heissen; In diesen heil`gen Hallen, aus der Zauberflöte von W.A. Mozart
@MusikPiratCH
@MusikPiratCH 9 жыл бұрын
Alfred Mertens, almebo Mr. Almebo MuM gibt es eine bessere Aufnahme: Franz Crass ist unerreicht mit dieser Arie! :D
@marcob4630
@marcob4630 10 жыл бұрын
Just wonderful !
@berlinerbreakdown
@berlinerbreakdown 16 жыл бұрын
Very enjoyable. Thanks for posting it.
@gabrielehoffmann5544
@gabrielehoffmann5544 8 жыл бұрын
ich finde Kurt Moll wunderbar und mich haut die Aktie immer wieder um sooooo schön lg gabi
@HAThorsten
@HAThorsten 3 жыл бұрын
Das stimmt besonders die von Bayer Chemical
@Dogaradodia
@Dogaradodia 2 жыл бұрын
Zertifiziert intergalaktisch! 🌹
@gilbertpangyarihan8014
@gilbertpangyarihan8014 2 жыл бұрын
Certifié intergalactique ! 🌹
@77diderot
@77diderot 8 жыл бұрын
génial un superbe chanteur
@s.n.8355
@s.n.8355 2 жыл бұрын
Вот это голосище. Много певцов прослушал исполняющих это произведение, но такие сочные низа только у него и это так завораживающе звучит. Именно его объемные низа делают его недосягаемым для других оперных басов.
@ИванКомолых-с3ъ
@ИванКомолых-с3ъ Жыл бұрын
У мартти талвелы тоже сочные плотные низы
@1510Ronald
@1510Ronald Жыл бұрын
wir waren bei dieser Aufführung live in Bregenz auf der Seebühne
@didimagnin1841
@didimagnin1841 Жыл бұрын
Makes me weep that he died so young..
@RealJusuf
@RealJusuf 7 ай бұрын
well he was 79 years old when he died, not so young definitely
@Jan96106
@Jan96106 5 жыл бұрын
"Except for the little green leaves in the wood and the wind on the water." Danke, Kurt Moll.
@gamer-ff6mh
@gamer-ff6mh 3 жыл бұрын
In diesen heil’gen Hallen kennt man die Rache nicht! Und ist ein Mensch gefallen, führt Liebe ihn zur Pflicht. Dann wandelt er an Freundes Hand vergnügt und froh ins bess’re Land. In diesen heil’gen Mauern, wo Mensch den Menschen liebt - kann kein Verräter lauern, weil man dem Feind vergibt. Wen solche Lehren nicht erfreu’n, verdienet nicht ein Mensch zu sein
@didimagnin1841
@didimagnin1841 Жыл бұрын
His voice has such depth.
@AulicExclusiva
@AulicExclusiva Жыл бұрын
Exceptional in every way.
@maiklavincent
@maiklavincent 4 жыл бұрын
De toutes les versions discographiques du rôle de Sarastro enregistrées par Kurt Moll, mon cœur va à celle dirigée par W. Sawallisch, avec P. Schreier et E. Moser. C'est un bijou !
@rogerknox9147
@rogerknox9147 7 жыл бұрын
R.I.P. Kurt Moll. My idea of an appealing basso profundo -- though I'm no expert. I found his voice attractive on all but the very highest note.
@geneziocelestino304
@geneziocelestino304 6 жыл бұрын
Roger Martin Miranda
@heidibanerjee2841
@heidibanerjee2841 5 жыл бұрын
Exactly: Basso profundo, best explained....The highest note is not possible for this kind of profound Basso.
@長澤徳-x3o
@長澤徳-x3o 12 жыл бұрын
ブラボー、ワンダフルの一言。大祭司としての品格と愛情がある。このアリアを歌っている歌手の中では、最もテンポがゆっくりだが、それがまた良い。今、勉強させてもらっているところ。
@raphaelb8671
@raphaelb8671 4 жыл бұрын
La plus grande basse de mémoire d'enregistrement.
@theogoldberg8919
@theogoldberg8919 6 ай бұрын
ABSOLUMENT AVEC SCHALIAPIN
@theogoldberg8919
@theogoldberg8919 6 ай бұрын
I love Kathleen looking at Kurt like he was GOD !
@smoothstar110
@smoothstar110 Жыл бұрын
To be honest, as bass-baritone amateur singer I was trying to catch up with the tone he made so smoothly but finally I am still too young to do this so bright and beautifull :) Still I'll keep on trying. Maybe I'll manage to do this equally.. Maybe...
@wehaveasituation
@wehaveasituation 5 жыл бұрын
He was the best
@toonangel1723
@toonangel1723 5 жыл бұрын
This scene makes me cry I don’t know why
@heidibanerjee2841
@heidibanerjee2841 5 жыл бұрын
Entering the Holy Gral makes anyone shiver and perhaps weep. It is the most important challenge to have reached in personal, emotional, ethic development that allows us to step over the threshold entering the Holy Gral. (raising ourselves to Higher Wisdom and Spirituality.
@zinedinezidane90210
@zinedinezidane90210 Ай бұрын
Cómo hace uno para tener la voz como la de Kurt Moll ?
@michaelkroll3159
@michaelkroll3159 4 жыл бұрын
In DIESEN heil'gen Hallen...
@acaciohenrique803
@acaciohenrique803 Жыл бұрын
Where's the full concert?
@vitorhaase7821
@vitorhaase7821 2 жыл бұрын
n diesen heil'gen Hallen, Kennt man die Rache nicht. - Und ist ein Mensch gefallen; Führt Liebe ihn zur Pflicht. Dann wandelt er an Freundeshand, Vergnügt und froh ins bess're Land. In diesen heiligen Mauern Wo Mensch den Menschen liebt, Kann kein Verräther lauern, Weil man dem Feind vergiebt. Wen solche Lehren nicht erfreu'n, Verdienet nicht ein Mensch zu seyn.
@operacat1
@operacat1 7 жыл бұрын
Who are the other singers?
@Keksakallu
@Keksakallu 7 жыл бұрын
Kathleen Battle as Pamina and Heinz Zednik as Monostatos. :)
@ЕваНемотка
@ЕваНемотка 3 жыл бұрын
Лучший бас-профундо.
@ИванКомолых-с3ъ
@ИванКомолых-с3ъ 2 жыл бұрын
хосе мардонес
@Devolvedpunk
@Devolvedpunk Жыл бұрын
1:19
@SnuggeP
@SnuggeP 10 жыл бұрын
I know what I think...... But....Patrick Boyle...Who's opinion I value....What do You think?
@Agorante
@Agorante 9 жыл бұрын
+SnuggeP I was just listening to various basses sing this piece and I found that someone named SnuggeP wanted to know my opinion. I'm flattered. IMHO Moll is pretty much the class of the field. His advantage is that his natural vocal pitch is lower than that of most basses. Not much lower but definitely lower. For example the current leading German bass Rene Pape has a significantly higher fundamental pitch. You can hear it when they speak and you can hear it when they drop into the lower passages. The voice blooms as it goes down. Moll relaxes into the low passages while Pape doesn't. He sounds a little stiff.However for the main body of the bass operatic repertoire, Pape's voice is better placed. Moll's voice is a bit too low. There are more high Fs in opera than there are low Fs. Live I the theater Moll's voice sounds much different from the bass-baritones who have to growl out the low notes.
@BigglesWatch
@BigglesWatch 7 жыл бұрын
Moll sang the true basso repertoire, Pape is a higher voice and can sing, for example, higher French bass repertoire superbly. In my opinion, Sarastro is too low for Pape.
@201pacho
@201pacho 7 жыл бұрын
David Freedman as a basso I can tell you that the "true basso repertoire" is actually quite HIGH and is FULL of high Es and Fs and usually you wont go any lower of a low A. The reason why we loved Kurt Moll so much in this roles is due to what the first response said. He had a lower pitch than usual and could sing some notes in a very gentle and nice way.
@BigglesWatch
@BigglesWatch 7 жыл бұрын
There are certainly plenty of high Es in bass roles but not that many sustained high Fs. It is simply not correct to say that bass roles don't often go lower than A, you just have to look at Verdi bass roles, La Juive Cardinal Brogni, Sarastro, Osmin, Boito Mefistofile etc. where have sustained notes of D, E, F, F#.
@201pacho
@201pacho 7 жыл бұрын
David Freedman those are the primary examples of low notes the "famous" arias, but remember, you cited tha lowest bassos from Mozart, Verdi etc without saying that those sale authors wrote the more high arias as well. What about Verdi's Sacarias from nabucco (HighG). verdis Atilla from Atilla (king of Fs). Verdis Phillipe the Second from don carlo (high E). Verdis grand inqisitor from don carlo (High F). Guanod Mephistophele Lots of high notes not a low note (Also High G) Boito Mephistophele literally one of the longest Fs ever (ecco il mondo) You forgot about all the other roles that bassos also play in mozart like. Figaro le nozzl di figaro. (Lots of F and E) Bartolo le nozzi di figaro (lots of E and D) Papageno the magic flute Leporello Don giovanni The commander Don giovanni Masseto Don giovanni Don giovani - Don giovanni The list goes on and on if we include bel canto. (For example basilio from il barbiere). The thing is bassos voices are wanted for their colour and thats it. I can sing the low C and even de Bb(1) is not that hard every other basso I know can do it as well. But authors werent really that interested in the note but the colour. If you are a basso like me there is a high chance that the lowest you will hit on stage will be a G. Unless you are in a chorus then hell yeah you will be singing low F E and D like every day otherwise not really. Although you could focus on certain rolls like the one you mentioned I dont know maybe.
@cj5522
@cj5522 14 жыл бұрын
Ramey, Moll, Ghairurov
@Jaya-ce8qb
@Jaya-ce8qb 3 жыл бұрын
I love Fritz💖❤💜💙💐
@MasonBarge
@MasonBarge 5 ай бұрын
The orchestra sounds terrible. They needed to get on the same page.
@joaojorgedeoliveira8669
@joaojorgedeoliveira8669 7 жыл бұрын
😂😂😂😂
@PocsBalazs
@PocsBalazs 13 жыл бұрын
@hugodraslik My top five: Székely, Borg, Frick, Gregor, Moll
@brentmarshall928
@brentmarshall928 4 жыл бұрын
Certainly one of the great Basses of all time. However, I have enjoyed a lighter voice singing this ( Bass/Baratone) more,.......... like Polgar etc. No offence intended. It gets down to personal preferences I guess.
@BaroneVitellioScarpia1
@BaroneVitellioScarpia1 3 жыл бұрын
Prefer Kim Borg.
@Beadle_Bamford
@Beadle_Bamford 10 ай бұрын
Blablabla
@JK-qy1us
@JK-qy1us 5 жыл бұрын
Too slow
@jonathanhill4892
@jonathanhill4892 5 жыл бұрын
I don't think so:)
@claudiusaugustus4526
@claudiusaugustus4526 5 жыл бұрын
Not at all
@GabrielRGomes
@GabrielRGomes 4 жыл бұрын
it's a matter of preference, indeed.
@josimarcosrsilva6795
@josimarcosrsilva6795 4 жыл бұрын
Schroder
@Agorante
@Agorante 7 жыл бұрын
I'll get in trouble for writing this but here goes. This production gets the races wrong. Kathleen is an American black. She is suppose to be white. This was an important dramatic point because the comprimario tenor Monostatos is black. So the intended effect was for the audience to be horrified by a black man menacing a white woman. Reverse the races and there is no point to the scene. This is not a tangential point. Mozart and Schikaneder were both what we would consider today to be racists. They were also male chauvinists. When you do a Magic Flute these days someone in charge of the production is likely to want to 'tone down' all the politically incorrect dialog and lyrics.
@Falstaff85
@Falstaff85 7 жыл бұрын
Patrick Boyle true enough, but historical accuracy is usually a secondary consideration in opera staging...getting the races period-accurate is much less important than having good singers. Heck, if we did that, shouldn't all the singers be Egyptian? Besides, why go out of your way to emphasize a badly dated 'comic' point which is guaranteed to alienate modern audiences?
@heidibanerjee2841
@heidibanerjee2841 5 жыл бұрын
The Kathleen Battle part and that of Monostatos regarding race has no emphasis in this opera. Mozart was Free Mason and the entire opera is based on this, by means of facing challenges toward higher spirituality and moral standing which then enables the individuum to pass the threshold of this metaphoric Higher Ground, the HOLY GRAL.
@lindsayolh
@lindsayolh 4 жыл бұрын
It is a reasonable point but I think that the willing suspension of disbelief allows us to enjoy this production and to marvel at the performances. Total realism is not required on stage; stunning performances are.
@gamer-ff6mh
@gamer-ff6mh 3 жыл бұрын
Totally irrelevant point. The music and the German language is enough to convey the meaning. Staging a canonically correct opera will reduce flexibility and be heavy on the budget unnecessarily. Plus if it is so chauvinistic for today's age, then removing that chauvinism is good since art is meant to take us to the sublime and noble feelings. In Mozart's time those kind of feelings of patriarchy and chauvinism may not have created a hindrance to the feeling of sublime so it was perfectly okay for his time. This is literally true for almost every male from the older times. They were just products of their own time. If we get stuck on their errors, we lose the chance to relish the goodness that was in them.
@Agorante
@Agorante 3 жыл бұрын
@@gamer-ff6mh Americans of today are usually so terrified of being considered to be racists that their whole view of people, events and history are distorted out of all recognition. Relax , accept that a great piece of music was written by a genius who had ideas about race which would not be fashionable today. If you want to understand Mozart you have to stop the self censorship. You have to accept Mozart for who he was, not for who you would have liked him to be. Your attitude toward history seems similar to the that of the despotic government in "1984". He who controls the past controls the future, who controls the present controls the past. You want to continuously revise our understanding of the past by editing out what you call the "errors" of previous times. That's bad scholarship and the road to tyranny.
@gabrielehoffmann5544
@gabrielehoffmann5544 8 жыл бұрын
ich finde Kurt Moll wunderbar und mich haut die Aktie immer wieder um sooooo schön lg gabi
@rolandsievers1610
@rolandsievers1610 5 жыл бұрын
@ Gabi Kurt Moll Aktien können aber wirklich tief fallen...
Ivan Rebroff - In diesen heil'gen Hallen 1984
4:21
German Music Channel
Рет қаралды 67 М.
KURT MOLL SIGS MOZART'S ZAUBERFLÖTE TWO ARIAS
7:55
Felipe Ruiz de Chávez
Рет қаралды 41 М.
Hilarious FAKE TONGUE Prank by WEDNESDAY😏🖤
0:39
La La Life Shorts
Рет қаралды 44 МЛН
Who is More Stupid? #tiktok #sigmagirl #funny
0:27
CRAZY GREAPA
Рет қаралды 10 МЛН
번쩍번쩍 거리는 입
0:32
승비니 Seungbini
Рет қаралды 182 МЛН
Kurt Moll: O wie will ich triumphieren
3:34
BassosaurusRex
Рет қаралды 343 М.
Kurt Moll
7:52
Orelipoeg
Рет қаралды 49 М.
László Polgár - In diesen heil'gen Hallen
4:20
Lior
Рет қаралды 246 М.
Kurt Moll (basso profondo) - Schubert - Der Wanderer, D. 489
5:46
The Oktavism Channel
Рет қаралды 108 М.
Luciano Pavarotti : Una furtiva lacrima
6:13
IlgruppoDiDocci
Рет қаралды 13 МЛН
Kurt   Moll 'The Commendatore Scene' Don Giovanni
6:55
Dark Bass
Рет қаралды 154 М.
Rollend in schäumenden Wellen - Kurt Moll - Leonard Bernstein
4:47
Hilarious FAKE TONGUE Prank by WEDNESDAY😏🖤
0:39
La La Life Shorts
Рет қаралды 44 МЛН