He died too young :-( rip Karl Moll: The best Commendatore ever..I still watch you on KZbin. Deine Stimme bleibt immer mit uns!
@cadecannon159 Жыл бұрын
I preferred Josef Greindl’s, but his speaking voice as his singing was so mesmerizing.
@RossiniSoprano7 жыл бұрын
Just listen to how wonderful his top is, this super low voice.....he not only sings comfortably up there, but BEAUTIFULLY! Bravo, Maestro!
@barendlotz92704 жыл бұрын
Can't agree more. And his legato is amazing.
@cadecannon159 Жыл бұрын
You should hear his speaking voice in interviews…..it’s gorgeous.
@radioman-pz5jw11 ай бұрын
His voice is from Heaven ...
@hymnodyhands Жыл бұрын
I was thinking of this piece yesterday ... and, along came the voice of my dreams ... ah, Herr Moll ... it was more beautiful that I even imagined it!
@ursuladietze20945 жыл бұрын
Eine Stimme wie die grosse Glocke einer Kathedrale... Super Infrasound mit eingebautem Sub- Woofer! Allein dieses kurze gesprochene "Geh!" am Anfang. Irre sexy.
@yunamchill90248 жыл бұрын
Tolle Stimme für Sarastro. Kann gut sein, dass es meine Lieblingsarie aus dem ganzen Stück ist. Den Text sollte man sich zu Herzen nehmen.
@trevorpope1913 Жыл бұрын
Kurt Moll, what a fantastic sound.
@nmakovic Жыл бұрын
Ich kenne einen: den kroatischen Opernsänger Franjo Petrušanec, Bass!
@angelikaneubert71506 жыл бұрын
Es ist ein Geschenk diese Stimme hören zu können - die schönste Stimme
@henryhussac99176 жыл бұрын
For me, Kurt Moll ist the best bass singer of all times.
@heidibanerjee28415 жыл бұрын
He is my favourite too.
@myarchus15 жыл бұрын
taking nothing away from kurt, i have to give my vote to nicolai ghiaurov, prior to his vocal crisis. his mephistopheles and seneca from poppea from that era are awe inspiring.
@marcmomus11 ай бұрын
❤For me it’s László Polgár.
@bradycall18896 ай бұрын
Not my personal favorite but yes he's very good.
@Tessy-s2s3 ай бұрын
Yes, Kurt Moll and Alexander Kipnis and Cesare Siepi and Josef Greindl and Kurt Böhme and Martin Talvela and Gottlob Frick and Franz Crass and Jerome Hines and Ezio Flagello and Nicolai Ghiaurov and Matti Salminem....et cetera. Moll was my favorite Osmin. I prefer Talvela as Commendatore. Crass as Sarastro...
@olisfer110 жыл бұрын
What a beautiful song full of love and wonder.
@bogdancarola6 жыл бұрын
Live..und in Farbe.. Das war richtig schön...Danke
@ajwolf15 жыл бұрын
This is lovely! Absolutely fabulous! 6 times in a row so far...
@didimagnin1841 Жыл бұрын
Kurt Moll - I miss him. RIP great man...
@emmystarlight7 жыл бұрын
A most exeptionel voice,thank you for posting,RIP Kurt Moll!!!
@heidibanerjee28415 жыл бұрын
His superb basso and his amazing passion that can be felt each minute of this performance. Of course, there is also Kathleen Battle with her exceptional soprano and gestures. A perfect match of these two. She has most likely attended his funeral.
@radioman-pz5jw2 жыл бұрын
Kurt Moll again !!! The man of PERFECTION
@MrAlmebo10 жыл бұрын
Kurt Moll ist immer noch einer der schönsten und klangvollsten Bässe, die ich je gehört habe. Das Thema sollte heissen; In diesen heil`gen Hallen, aus der Zauberflöte von W.A. Mozart
@MusikPiratCH9 жыл бұрын
Alfred Mertens, almebo Mr. Almebo MuM gibt es eine bessere Aufnahme: Franz Crass ist unerreicht mit dieser Arie! :D
@marcob463010 жыл бұрын
Just wonderful !
@berlinerbreakdown16 жыл бұрын
Very enjoyable. Thanks for posting it.
@gabrielehoffmann55448 жыл бұрын
ich finde Kurt Moll wunderbar und mich haut die Aktie immer wieder um sooooo schön lg gabi
@HAThorsten3 жыл бұрын
Das stimmt besonders die von Bayer Chemical
@Dogaradodia2 жыл бұрын
Zertifiziert intergalaktisch! 🌹
@gilbertpangyarihan80142 жыл бұрын
Certifié intergalactique ! 🌹
@77diderot8 жыл бұрын
génial un superbe chanteur
@s.n.83552 жыл бұрын
Вот это голосище. Много певцов прослушал исполняющих это произведение, но такие сочные низа только у него и это так завораживающе звучит. Именно его объемные низа делают его недосягаемым для других оперных басов.
@ИванКомолых-с3ъ Жыл бұрын
У мартти талвелы тоже сочные плотные низы
@1510Ronald Жыл бұрын
wir waren bei dieser Aufführung live in Bregenz auf der Seebühne
@didimagnin1841 Жыл бұрын
Makes me weep that he died so young..
@RealJusuf7 ай бұрын
well he was 79 years old when he died, not so young definitely
@Jan961065 жыл бұрын
"Except for the little green leaves in the wood and the wind on the water." Danke, Kurt Moll.
@gamer-ff6mh3 жыл бұрын
In diesen heil’gen Hallen kennt man die Rache nicht! Und ist ein Mensch gefallen, führt Liebe ihn zur Pflicht. Dann wandelt er an Freundes Hand vergnügt und froh ins bess’re Land. In diesen heil’gen Mauern, wo Mensch den Menschen liebt - kann kein Verräter lauern, weil man dem Feind vergibt. Wen solche Lehren nicht erfreu’n, verdienet nicht ein Mensch zu sein
@didimagnin1841 Жыл бұрын
His voice has such depth.
@AulicExclusiva Жыл бұрын
Exceptional in every way.
@maiklavincent4 жыл бұрын
De toutes les versions discographiques du rôle de Sarastro enregistrées par Kurt Moll, mon cœur va à celle dirigée par W. Sawallisch, avec P. Schreier et E. Moser. C'est un bijou !
@rogerknox91477 жыл бұрын
R.I.P. Kurt Moll. My idea of an appealing basso profundo -- though I'm no expert. I found his voice attractive on all but the very highest note.
@geneziocelestino3046 жыл бұрын
Roger Martin Miranda
@heidibanerjee28415 жыл бұрын
Exactly: Basso profundo, best explained....The highest note is not possible for this kind of profound Basso.
To be honest, as bass-baritone amateur singer I was trying to catch up with the tone he made so smoothly but finally I am still too young to do this so bright and beautifull :) Still I'll keep on trying. Maybe I'll manage to do this equally.. Maybe...
@wehaveasituation5 жыл бұрын
He was the best
@toonangel17235 жыл бұрын
This scene makes me cry I don’t know why
@heidibanerjee28415 жыл бұрын
Entering the Holy Gral makes anyone shiver and perhaps weep. It is the most important challenge to have reached in personal, emotional, ethic development that allows us to step over the threshold entering the Holy Gral. (raising ourselves to Higher Wisdom and Spirituality.
@zinedinezidane90210Ай бұрын
Cómo hace uno para tener la voz como la de Kurt Moll ?
@michaelkroll31594 жыл бұрын
In DIESEN heil'gen Hallen...
@acaciohenrique803 Жыл бұрын
Where's the full concert?
@vitorhaase78212 жыл бұрын
n diesen heil'gen Hallen, Kennt man die Rache nicht. - Und ist ein Mensch gefallen; Führt Liebe ihn zur Pflicht. Dann wandelt er an Freundeshand, Vergnügt und froh ins bess're Land. In diesen heiligen Mauern Wo Mensch den Menschen liebt, Kann kein Verräther lauern, Weil man dem Feind vergiebt. Wen solche Lehren nicht erfreu'n, Verdienet nicht ein Mensch zu seyn.
@operacat17 жыл бұрын
Who are the other singers?
@Keksakallu7 жыл бұрын
Kathleen Battle as Pamina and Heinz Zednik as Monostatos. :)
@ЕваНемотка3 жыл бұрын
Лучший бас-профундо.
@ИванКомолых-с3ъ2 жыл бұрын
хосе мардонес
@Devolvedpunk Жыл бұрын
1:19
@SnuggeP10 жыл бұрын
I know what I think...... But....Patrick Boyle...Who's opinion I value....What do You think?
@Agorante9 жыл бұрын
+SnuggeP I was just listening to various basses sing this piece and I found that someone named SnuggeP wanted to know my opinion. I'm flattered. IMHO Moll is pretty much the class of the field. His advantage is that his natural vocal pitch is lower than that of most basses. Not much lower but definitely lower. For example the current leading German bass Rene Pape has a significantly higher fundamental pitch. You can hear it when they speak and you can hear it when they drop into the lower passages. The voice blooms as it goes down. Moll relaxes into the low passages while Pape doesn't. He sounds a little stiff.However for the main body of the bass operatic repertoire, Pape's voice is better placed. Moll's voice is a bit too low. There are more high Fs in opera than there are low Fs. Live I the theater Moll's voice sounds much different from the bass-baritones who have to growl out the low notes.
@BigglesWatch7 жыл бұрын
Moll sang the true basso repertoire, Pape is a higher voice and can sing, for example, higher French bass repertoire superbly. In my opinion, Sarastro is too low for Pape.
@201pacho7 жыл бұрын
David Freedman as a basso I can tell you that the "true basso repertoire" is actually quite HIGH and is FULL of high Es and Fs and usually you wont go any lower of a low A. The reason why we loved Kurt Moll so much in this roles is due to what the first response said. He had a lower pitch than usual and could sing some notes in a very gentle and nice way.
@BigglesWatch7 жыл бұрын
There are certainly plenty of high Es in bass roles but not that many sustained high Fs. It is simply not correct to say that bass roles don't often go lower than A, you just have to look at Verdi bass roles, La Juive Cardinal Brogni, Sarastro, Osmin, Boito Mefistofile etc. where have sustained notes of D, E, F, F#.
@201pacho7 жыл бұрын
David Freedman those are the primary examples of low notes the "famous" arias, but remember, you cited tha lowest bassos from Mozart, Verdi etc without saying that those sale authors wrote the more high arias as well. What about Verdi's Sacarias from nabucco (HighG). verdis Atilla from Atilla (king of Fs). Verdis Phillipe the Second from don carlo (high E). Verdis grand inqisitor from don carlo (High F). Guanod Mephistophele Lots of high notes not a low note (Also High G) Boito Mephistophele literally one of the longest Fs ever (ecco il mondo) You forgot about all the other roles that bassos also play in mozart like. Figaro le nozzl di figaro. (Lots of F and E) Bartolo le nozzi di figaro (lots of E and D) Papageno the magic flute Leporello Don giovanni The commander Don giovanni Masseto Don giovanni Don giovani - Don giovanni The list goes on and on if we include bel canto. (For example basilio from il barbiere). The thing is bassos voices are wanted for their colour and thats it. I can sing the low C and even de Bb(1) is not that hard every other basso I know can do it as well. But authors werent really that interested in the note but the colour. If you are a basso like me there is a high chance that the lowest you will hit on stage will be a G. Unless you are in a chorus then hell yeah you will be singing low F E and D like every day otherwise not really. Although you could focus on certain rolls like the one you mentioned I dont know maybe.
@cj552214 жыл бұрын
Ramey, Moll, Ghairurov
@Jaya-ce8qb3 жыл бұрын
I love Fritz💖❤💜💙💐
@MasonBarge5 ай бұрын
The orchestra sounds terrible. They needed to get on the same page.
@joaojorgedeoliveira86697 жыл бұрын
😂😂😂😂
@PocsBalazs13 жыл бұрын
@hugodraslik My top five: Székely, Borg, Frick, Gregor, Moll
@brentmarshall9284 жыл бұрын
Certainly one of the great Basses of all time. However, I have enjoyed a lighter voice singing this ( Bass/Baratone) more,.......... like Polgar etc. No offence intended. It gets down to personal preferences I guess.
@BaroneVitellioScarpia13 жыл бұрын
Prefer Kim Borg.
@Beadle_Bamford10 ай бұрын
Blablabla
@JK-qy1us5 жыл бұрын
Too slow
@jonathanhill48925 жыл бұрын
I don't think so:)
@claudiusaugustus45265 жыл бұрын
Not at all
@GabrielRGomes4 жыл бұрын
it's a matter of preference, indeed.
@josimarcosrsilva67954 жыл бұрын
Schroder
@Agorante7 жыл бұрын
I'll get in trouble for writing this but here goes. This production gets the races wrong. Kathleen is an American black. She is suppose to be white. This was an important dramatic point because the comprimario tenor Monostatos is black. So the intended effect was for the audience to be horrified by a black man menacing a white woman. Reverse the races and there is no point to the scene. This is not a tangential point. Mozart and Schikaneder were both what we would consider today to be racists. They were also male chauvinists. When you do a Magic Flute these days someone in charge of the production is likely to want to 'tone down' all the politically incorrect dialog and lyrics.
@Falstaff857 жыл бұрын
Patrick Boyle true enough, but historical accuracy is usually a secondary consideration in opera staging...getting the races period-accurate is much less important than having good singers. Heck, if we did that, shouldn't all the singers be Egyptian? Besides, why go out of your way to emphasize a badly dated 'comic' point which is guaranteed to alienate modern audiences?
@heidibanerjee28415 жыл бұрын
The Kathleen Battle part and that of Monostatos regarding race has no emphasis in this opera. Mozart was Free Mason and the entire opera is based on this, by means of facing challenges toward higher spirituality and moral standing which then enables the individuum to pass the threshold of this metaphoric Higher Ground, the HOLY GRAL.
@lindsayolh4 жыл бұрын
It is a reasonable point but I think that the willing suspension of disbelief allows us to enjoy this production and to marvel at the performances. Total realism is not required on stage; stunning performances are.
@gamer-ff6mh3 жыл бұрын
Totally irrelevant point. The music and the German language is enough to convey the meaning. Staging a canonically correct opera will reduce flexibility and be heavy on the budget unnecessarily. Plus if it is so chauvinistic for today's age, then removing that chauvinism is good since art is meant to take us to the sublime and noble feelings. In Mozart's time those kind of feelings of patriarchy and chauvinism may not have created a hindrance to the feeling of sublime so it was perfectly okay for his time. This is literally true for almost every male from the older times. They were just products of their own time. If we get stuck on their errors, we lose the chance to relish the goodness that was in them.
@Agorante3 жыл бұрын
@@gamer-ff6mh Americans of today are usually so terrified of being considered to be racists that their whole view of people, events and history are distorted out of all recognition. Relax , accept that a great piece of music was written by a genius who had ideas about race which would not be fashionable today. If you want to understand Mozart you have to stop the self censorship. You have to accept Mozart for who he was, not for who you would have liked him to be. Your attitude toward history seems similar to the that of the despotic government in "1984". He who controls the past controls the future, who controls the present controls the past. You want to continuously revise our understanding of the past by editing out what you call the "errors" of previous times. That's bad scholarship and the road to tyranny.
@gabrielehoffmann55448 жыл бұрын
ich finde Kurt Moll wunderbar und mich haut die Aktie immer wieder um sooooo schön lg gabi
@rolandsievers16105 жыл бұрын
@ Gabi Kurt Moll Aktien können aber wirklich tief fallen...